pilson john (8 Ergebnisse)

Zustand: Sehr gut. Formateinband: Großformat, illustrierter Pappband / gebundene Ausgabe 127 S. (25x27,5 cm) Gebundene Ausgabe; 1st Edition; (Durchgehend fotografisch bebildert); Sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 1300 [Stichwörter: Investment Bank in Manhattan's Financial District, pre-9/11 moment, Bildband, Photographie, Fotografie].

Zustand: New. 2022. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 14,5 x 21,5 cm, DVD with booklet - Glamour is thus a technology of radical visibility. And as with all technologies and archives of visibility, the access to glamour is politically, economically, and culturally regulated. Including artists such as Michel Auder, Tom Burr, Cosey Fanni Tutti, Sylvie Fleury, General Idea, Manon, T.J. Wilcox.

Zustand: NEW.

Gebunden. Zustand: New. In this body of work, I deal with my insecurities about my body image and the direct correlation between self-perception and the way one is perceived by others. Photography is the medium that I use to tell my story through life, an outlet for revealing my .

First Edition. Quer 4°. 127 S. OPappband. Verlagsfrisches, neuwertiges Exemplar. Mit einem Text von Jeffrey Anderson (in Englisch) sowie 59 schwarz-weiss Aufnahmen.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson.

Gebunden, illustrierter Hartkartoneinband. 128 Seiten mit 59 Abbildungen in Duplex. Format 27,3 x 25,2 cm. Sehr gutes Exemplar. John Pilson (geb. 1968) stellt die triste und unpersönliche Atmoshäre in einer amerikanischen Investmentbank dar und sucht in den kahlen Räumlichkeiten nach menschlichen Spuren. Text von Jeffrey Anderson in englischer Sprache.