Pieter van as (3 Ergebnisse)

Taschenbuch. Zustand: Neu. The chicken pituitary-specific transcription factor pit-1 | molecular cloning and the involvement in the hypothalamic regulation of pituitary hormones | Pieter van As | Taschenbuch | 244 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783838341347 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Rare first separately published French edition of an important and influential interpretation of the stories of the Old and New Testament, in the popular form of 113 engraved illustrations by Pieter van der Borcht (1535-1608), from Mechelen, and explanatory text by the anti-denominational Dutch mystic Hendrik Jansen (van) Barrefelt, also known as "Hiël" (ca. 1530-1594?). Barrefelt initiated two series of engravings for pictorial Bibles around 1582, believing that the contemplation of the biblical images would speak to a wide audience and bring them closer to God, though he also believed that other pictorial Bibles distorted the Bible's meaning. He enlisted Van der Borcht to produce two series of etched and engraved illustrations of Bible stories and wrote brief commentaries to help people understand the images. Hamilton convincingly argues that the present series B was designed to appeal more to Protestants and the other series A to appeal more to Catholics. Hamilton calls these pictorial Bibles Barrefelt's "most successful" publications, "both in his lifetime and after."With an early owner's name partly obscured with an ink wash on the title page. Slightly browned, a few quires with faint water stains, and an occasional marginal tear or early restoration, but still generally in good condition. The vellum of the binding is wrinkled and shows several small tears, holes and cuts, and some early repairs and restorations.l A. Hamilton, "From Familism to Pietism: the fortunes of Pieter van der Borcht's biblical illustrations and Hiël's commentaries .", in: Quaerendo XI (1981), pp. 271-301, at pp. 287-289; KVK & WorldCat (7 copies, some incomp.); New Hollstein . Pieter van der Borcht, p. 133, 3a (1 copy) & plates 335-422 excluding 365, 367, 371, 385, 400; STCN 080084095 (2 copies); cf. R. Dekoninck, "Entre réforme et contre-réforme: le 'Imagines et figurae bibliorum' de Pieter van der Borcht et Hendrik Jansen van Barrefelt .", in: Quaerendo XIX (1999), pp. 96-131; Poortman, Bijbel en prent II, pp. 23-24 & 39; P. Visser, "Jan Philipsz Schabaelje and Pieter van der Borcht's etchings .", in Quaerendo XVIII (1988), pp. 35-76, esp. pp. 67-69; TB 633 & 634 (the 2 earlier eds.). 17th-century vellum, sewn on 3 vellum supports, laced through the joints. With a general title page plus a divisional title page for the New Testament, each with Colijn's woodcut device (Archangel Michael vanquishing Satan, in a cartouche with motto "hoc custode tutus"), 113 Bible scenes printed from 35 (Old Testament) and 48 (New Testament) engraved illustration plates (plate size 10 x 22.5 cm) by Pieter van der Borcht (New Testament plates 7-9, 18-19 & 24-48 include 2 scenes each), and 1 woodcut decorated initial. Set in roman types with incidental italic. Pages: [6], 35, [1 blank]; [1], [1 blank], 48 pp.…

Rare first separately published French edition of an important and influential interpretation of the stories of the Old and New Testament, in the popular form of 113 engraved illustrations by Pieter van der Borcht (1535-1608), from Mechelen, and explanatory text by the anti-denominational Dutch mystic Hendrik Jansen (van) Barrefelt, also known as "Hiël" (ca. 1530-1594?). Barrefelt initiated two series of engravings for pictorial Bibles around 1582, believing that the contemplation of the biblical images would speak to a wide audience and bring them closer to God, though he also believed that other pictorial Bibles distorted the Bible's meaning. He enlisted Van der Borcht to produce two series of etched and engraved illustrations of Bible stories and wrote brief commentaries to help people understand the images. Hamilton convincingly argues that the present series B was designed to appeal more to Protestants and the other series A to appeal more to Catholics. Hamilton calls these pictorial Bibles Barrefelt's "most successful" publications, "both in his lifetime and after."With an early owner's name partly obscured with an ink wash on the title page. Slightly browned, a few quires with faint water stains, and an occasional marginal tear or early restoration, but still generally in good condition. The vellum of the binding is wrinkled and shows several small tears, holes and cuts, and some early repairs and restorations.l A. Hamilton, "From Familism to Pietism: the fortunes of Pieter van der Borcht's biblical illustrations and Hiël's commentaries .", in: Quaerendo XI (1981), pp. 271-301, at pp. 287-289; KVK & WorldCat (7 copies, some incomp.); New Hollstein . Pieter van der Borcht, p. 133, 3a (1 copy) & plates 335-422 excluding 365, 367, 371, 385, 400; STCN 080084095 (2 copies); cf. R. Dekoninck, "Entre réforme et contre-réforme: le 'Imagines et figurae bibliorum' de Pieter van der Borcht et Hendrik Jansen van Barrefelt .", in: Quaerendo XIX (1999), pp. 96-131; Poortman, Bijbel en prent II, pp. 23-24 & 39; P. Visser, "Jan Philipsz Schabaelje and Pieter van der Borcht's etchings .", in Quaerendo XVIII (1988), pp. 35-76, esp. pp. 67-69; TB 633 & 634 (the 2 earlier eds.). 17th-century vellum, sewn on 3 vellum supports, laced through the joints. With a general title page plus a divisional title page for the New Testament, each with Colijn's woodcut device (Archangel Michael vanquishing Satan, in a cartouche with motto "hoc custode tutus"), 113 Bible scenes printed from 35 (Old Testament) and 48 (New Testament) engraved illustration plates (plate size 10 x 22.5 cm) by Pieter van der Borcht (New Testament plates 7-9, 18-19 & 24-48 include 2 scenes each), and 1 woodcut decorated initial. Set in roman types with incidental italic. Pages: [6], 35, [1 blank]; [1], [1 blank], 48 pp.…