Pieter engels (26 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. Large 4to, wrps., illustrated, 40 p. With handwritten postcard by Engels In good condition. K13.

A structural+petrofabric Study.Dr.-Proefschrift Leiden 1972.52 S.m.zahlr.Abb.1 Kte.1.50ooo(56x48 cm)Quart, kt.-2).

1969, art/photography, Stedelijk Museum Amsterdar, 27 februari t/m 13 april 1969, 73 p., good ex-library with taped spine, ex-library, no pockets no numbers, library stamps on title pages, ENGELS written on corner of cover.

Zustand: New. In English.

Paperback. Zustand: Brand New. 190 pages. 9.25x6.10x0.51 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book constitutes the refereed proceedings of the 9th International Conference on Model Transformation, ICMT 2016, held in Vienna, Austria, in July 2016, as Part of STAF 2015, the federation of a number of the leading conferences on software technologies. The 13 revised papers were carefully selected from 36 submissions. The papers are organized in topical sections on model transformation languages, model transformation tools, developing model transformations, applications of model transformations, and looking ahead.…

Soft cover. Zustand: Very Good. Orig. wrappers (softcover), 19 p. : ill. ; 28 cm. Very good, mild age-toning. Exhibit. cat. #528. Text in Dutch, captions also in English.

Taschenbuch. Zustand: Neu. Theory and Practice of Model Transformations | 9th International Conference, ICMT 2016, Held as Part of STAF 2016, Vienna, Austria, July 4-5, 2016, Proceedings | Pieter van Gorp (u. a.) | Taschenbuch | Lecture Notes in Computer Science | xiv | Englisch | 2016 | Springer | EAN 9783319420639 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

1e dr. - Ongepagineerd. - Gebrocheerd.

No Binding. Zustand: Fine. Announcement. Triptych. Page size: 10 x 21 cm. Text: NL. Flyer.

Zustand: Very Good. Engels, Pieter (illustrator).

Zustand: very good. [English by Peta ten Seldam ; photographs by René van den Bichelaer . et al. ; designed by Jan van Toorn and Marten Rozenbeek]. Edinburgh : The Scottish Arts Council, 1974. Transparant mylar covers. [49] pp. 30 cm. Illustrations. Cover bit wrinkled. Very good copy. Catalogue for the exhibition : The Fruit Market, Edinburgh, August, 17 - September,15 1974 & Aberdeen Art Gallery and Museum, September, 28 - October, 27 1974. Condition : very good copy. Keywords : ART.…

Soft cover. Zustand: Good. 1st Edition. Sm.4° - Unpaginated - B/w photo-reproductions. Exhibition Catalog : Pieter Engels (1938) Dutch artist. First edition, text in Dutch and English language. Original boards. In Good condition.

No Binding. Zustand: Near Fine. Postcard. 109 x 106mm printed card. Undated but according to the Dutch Conceptual artist this was printed in 1980 or 1981. Very few copies printed. Rare. The instructions are for a "machine which will find god to punish him for his mistakes" - part of "engels predicted future inventions" the number 9666 perhaps suggesting the year of this predicted invention. A small printed artwork more than a card.…

Erste Auflage. 27 x 21 cm. 73 S. OKarton mit Umschlagrasterprägung. Umschlag angestaubt, sonst gutes Exemplar. Stedelijk Museum Amsterdam ; cat 455. Der als "bad constructed catalogue" schon eingangs titulierte Katalog enthält neben vielen Abbildungen und einem Text in Niederländisch 48 Leerseiten, um diejenigen, die keine Engelsfans sind, davon zu überzeugen, das der Künstler mehr darstellen möchte als er zu bieten hat ("Bad constructed catalogue. In deze EPO-catalogus vindt u 48 lege pagina's. Dit heeft geen andere reden dan de catalogus flink dik te maken of om de niet-Engels' fans in hun overtuiging te sterken dat het meer lijkt dan het is'"). …

No Binding. Zustand: Very Good. Folded leave, [12]p, 22x20,5 cm, b/w illustrations. Good/very good. Rare and scarce.

Zustand: as new. Inleiding Han Foppe. [Amsterdam] : Pieter Engels, 2015. Paperback. (205) pp. 30 cm. Met losse uitnodigingskaart voor signeersessie en tentoonstelling in ArtKitchen Gallery, Amsterdam (19-09-2015). - Pieter Engels (1938-2019) was een invloedrijke Nederlandse conceptuele kunstenaar die bekend stond om zijn ironische en subversieve benadering van kunst en taal. Zijn werk bevraagt de mechanismen van de beeldende kunst en maakt gebruik van humor en absurditeit om de grenzen van kunst te verkennen. In 2015 publiceerde Engels het boek Ontregeld ( ) + engels formulstions 1964-1966 / 2008-2014, een zelfgeproduceerde uitgave die zijn artistieke praktijk en taalexperimenten documenteert. Het boek bevat een verzameling van zijn 'engels formulations' - korte, vaak absurde teksten die spelen met taal, betekenis en context. Deze formuleringen zijn een belangrijk onderdeel van zijn oeuvre en reflecteren zijn interesse in de werking van taal en communicatie. De titel Ontregeld suggereert een ontregeling of verstoring van conventionele denkpatronen, wat kenmerkend is voor Engels' werk. Zijn formuleringen zijn niet bedoeld als poëzie in de traditionele zin, maar eerder als speelse en kritische interventies die de lezer aanzetten tot reflectie over taal en betekenis. Het boek werd gepresenteerd tijdens een tentoonstelling in de Artkitchen Gallery in Amsterdam van 19 september tot 9 oktober 2015 . Condition : as new copy. Keywords : ART, conceptual art.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…

No Binding. Zustand: Fine. First Edition. Poster / brochure. Unfold : 60 x 84 cm. Text: NL; Fine. Ephemera.

No Binding. Zustand: Very Good. Folded poster with english text at backside. Size 78 x 52 cm, in very good condition.

2. Antwerpen, s.e.,1973, large square in-4°, ca. 40 nn pp, sewn, original stiff wrapper.

1st ed.

[2] pp.; 78 x 51.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Folded poster published as one part of a nine part series of posters produced by artist Pieter Engels, in collaboration with a fictional artist named Simon Es. Image and text on recto reads, in part: "Temporary Event 1976 / The average conceptual art () is the main reason of the present day spiritual inflation in modern art / because it is academical - boring - similar and rarely visual / (like this piece). ENGELS (the Rolls-Royce amongst artists)." Additional text on the present day art scene on verso. Good / Very Good. Folded in six as issued, with light overall handling wear including dinging and gentle bending. Otherwise clean and unmarked.…

Envelop met posters, folders + een brief van Pieter Engels. - Compleet.

Zustand: Near Fine. Hardback book bound in textile wraps with gold foil text. 303x216mm. 60pp. Edition 143/500. Comes with loose leaf inventory. Contributors include: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michael Cardena (Miguel Angel Cardenas), Christo, Robin Crozier, Guert van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier and Wolf Vostell. Signed by Van Beveren (an initialled inside the front cover), van Amen, Beuys, Crozier, van Dijk, and Gubbels (Rot, Hamilton, Vautier signatures are printed).The Cardenas work includes a hand painted card and rubber stamp. Other works include rubber stamp elements, collage, tipped in photographs and postcard works, paintings, and metal sculptural works. Transparency before page 16. The colophon page reads 'During the preparation for my exhibition The Archives, the idea originated to publish an artist book instead of a catalogue. Thirty artists were invited to design one page, specially for this book. Some sent five-hundred works, others sent an idea which has been executed in every book. I do appreciate the participation of all the artists. They made this book a unique document and work of art. It is fixing an era that is subject to rapid changes. It is making the aura of a unique work of art relative; it is representing the character of my archives. The artists participating in this book have been important for the development of my archives during the latest ten years and they have been chosen because of the personal affinity to their work.' (text by Van Beveren). Condition: some surface wear to covers, overall: Near Fine.…

Zustand: Near Fine. Pieter Engels folding print/posters. 'BAMM: Brain-squad against mass-communication and mediocrity'. Pieter Engels, 9 'Project Owlglass' posters, published by the artist / BAMM: Brain-squad against mass-communication and mediocrity, Amsterdam, 1976-77.The conceptual Dutch artist Pieter Engels created a fictional publicist called 'Simon Es'. Together, Engels and Es called themselves 'BAMM: Brain-squad against mass-communication and mediocrity'. These folding prints were sent out to various art world recipients as cynical, banal and humorous publicity information sheets. They create a subversive dialogue on conceptual art and the cult of the artist. Many of the prints are both exhibition posters and artist's conceptual prints. All prints are 780 x 520 mm. Often printed double-sided black on white stock, with three of the posters printed in two colours: black and gold.Project Owlglass (unnumbered) The first show of Simon Es, works about EngelsPrinted double sided. Black print on white poster stock. Folded as issued. Print/poster for exhibition at 'es' worldwide wandering gallery', Galerie Yaki Kornblit, 25 February - 22 March 1977. BAMM.Project Owlglass nr.1. Temporary Event 1976Printed double sided. Black print on white poster stock. Folded as issued. BAMM. In this print the main image involves a torn fragment entitled 'Temporary Event 1976' that states 'The average conceptual art is the main reason of the present day, spiritual inflation in modern art because it is academical/boring/similar and rarely visual/(like this piece).ENGELS (the Rolls-Royce amongst artists). Project Owlglass nr.2. Event of repetition - A critic in his timePrinted double sided. Black and gold print on white poster stock. Folded as issued. BAMM. The image is of an artwork by Engels. Project Owlglass nr.3. Engels: a magician amongst artistsPrinted double sided. Black and gold print on white poster stock. Folded as issued. BAMM. Recto is image of Engels in a magician's top hat.Project Owlglass nr.4. The impact of art is unchangeable Printed double sided. Black print on white poster stock. Folded as issued. BAMM. Recto is image of Engels with a rose and a metal mask which reads 'a rose amongst (an artificial bouquet of) fading artists'.Project Owlglass nr.5. Karl MarxBlack print on white poster stock. Folded as issued. BAMM. Printed one side only, on the image of the shoes is printed 'down with mediocity' (on the heels).Project Owlglass nr.6. Engels & Es, gold print/DuchampPrinted double sided. Black and gold print on white poster stock. Folded as issued. BAMM. Minimal design with the name 'Duchamp' in black font alongside Engels signature. Project Owlglass nr.7. Self portrait of a centuryBlack print on white poster stock. Folded as issued. BAMM. Printed one side only with image of Engels' distorted canvas artworks. The poster advertises a fictional retrospective exhibition by Engels at MoMA New York, 'On the long run and anytime Holland 'delivers' the best artists of the world'.Project Owlglass nr.8, Engels and Es mind-sharesFeb 1977. Black print on white poster stock. Folded as issued. BAMM. Printed one side only with texts and percentages relating to shares and profits of the artists activities. Individual condition listings are available on request: The condition of the posters are VG+ or Near Fine.…