Pierre puiseux (31 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Cette uvre fait partie de la série TREDITION CLASSICS. La maison d édition tredition, basée à Hambourg, a publié dans la série TREDITION CLASSICS des ouvrages anciens de plus de deux millénaires. Ils étaient pour la plupart épuisés ou unique-ment disponible chez les bouquinistes. La série est destinée à préserver la littérature et à promouvoir la culture. Avec sa série TREDITION CLASSICS, tredition à comme but de mettre à disposition des milliers de classiques de la littérature mondiale dans différentes langues et de les diffuser dans le monde entier.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Cette uvre (édition relié) fait partie de la série TREDITION CLASSICS. La maison d édition tredition, basée à Hambourg, a publié dans la série TREDITION CLASSICS des ouvrages anciens de plus de deux millénaires. Ils étaient pour la plupart épuisés ou uniquement disponible chez les bouquinistes. La série est destinée à préserver la littérature et à promouvoir la culture. Avec sa série TREDITION CLASSICS, tredition à comme but de mettre à disposition des milliers de classiques de la littérature mondiale dans différentes langues et de les diffuser dans le monde entier.…

Zustand: New.

Gebunden. Zustand: New.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 346 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Broché. Zustand: Bon. Ed. La Goutte d'Eau. 1987, 122 pages. Volume broché. Format : 12 x 18. BE intérieur. BE extérieur.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 54 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Cette ¿uvre (édition relié) fait partie de la série TREDITION CLASSICS. La maison d¿édition tredition, basée à Hambourg, a publié dans la série TREDITION CLASSICS des ouvrages anciens de plus de deux millénaires. Ils étaient pour la plupart épuisés ou uniquement disponible chez les bouquinistes. La série est destinée à préserver la littérature et à promouvoir la culture. Avec sa série TREDITION CLASSICS, tredition à comme but de mettre à disposition des milliers de classiques de la littérature mondiale dans différentes langues et de les diffuser dans le monde entier.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Cette ¿uvre (édition relié) fait partie de la série TREDITION CLASSICS. La maison d¿édition tredition, basée à Hambourg, a publié dans la série TREDITION CLASSICS des ouvrages anciens de plus de deux millénaires. Ils étaient pour la plupart épuisés ou uniquement disponible chez les bouquinistes. La série est destinée à préserver la littérature et à promouvoir la culture. Avec sa série TREDITION CLASSICS, tredition à comme but de mettre à disposition des milliers de classiques de la littérature mondiale dans différentes langues et de les diffuser dans le monde entier.…

Couverture souple. Zustand: bon. R320136379: 1987. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 122 pages - nombreux dessins en noir et blanc dans et hors texte. . . . Classification Dewey : 790-Loisirs et arts du spectacle.

Kein Einband. Zustand: Gut. Paris, GV 1888. 4°. 11 figs. 52 p. (without cover, back damaged).- Poggend. IV, 906.- Stamp on title, throughout slightly browned.

Couverture rigide. Zustand: Bon état. 2 vol. in-8, demi-maroquin cerise, dos à nerfs, couverture illustrées et dos consevrés, 318 pages et 284 pages. Illustré de 18 planches hors-texte t. I et 24 planches hors-texte t. II. Menus frottements, rares rousseurs. Bon exemplaire. Récits de courses effectués par Victor et Pierre Puiseux, précurseurs de l'alpinisme français. On y trouvera en particulier le récit de l'ascension du Pelvoux et une histoire de la conquête du Mont-Rose (en tête du tome II) in-8°.…

in-8vo, 318 p. / 284 p. + au total 43 planches (des héliogravures - la plupart de R. Puiseux -, ainsi que qqs dessins et croquis, et un portrait de Victor Puiseux sen.), une planche détachée et avec pet. déchir. marg., rousseurs dans les feuilles de texte, partiel. non coupé, bas du dos R.T. / exlibris Peter E. Obergfell, reliures en d.-cuir aux coins, dos avec pièces d?auteur et des titres, brochures originales ill.conservées. (rel. Ghione-Torino) Première édition de cette collection de récits de courses effectuées par les Puiseux (Victor, 1820-1883, son fils Pierre, et deux fils à Pierre: V. et R.), entre autres leur ascension du Mont Blanc en 1880, et le récit de l'ascension du Pelvoux et une histoire de la conquête du Mont-Rose. Le tome 2 a été achevé d'imprimer en 1930, c'est pourquoi on ne trouve que rarement l'ouvrage complet en deux volumes. Ouvrage majeur dans le développement de l'alpinisme Français sans guide.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Perret 3529 (mais n'indique au total que 42 planches h.-t.). …

The finest and most meticulous images of the moon until the 1970's. The Atlas photographique de la lune was the ultimate achievement of nineteenth-century astronomical photography and can be regarded, along with Muybridge's Animal Locomotion (1887) and Edward S. Curtis' The North American Indian (1907-30), as one of the great publishing ventures of the nineteenth and early twentieth centuries. Indeed it was not until the 1970's when Bernard Lyot at the Pic du Midi Observatory obtained results that were clearly better than those of Loewy and Puiseux. As with all books published in fascicles, complete copies are rare and the individual plates, amongst the largest and finest ever made, are prized by collectors for their sheer aesthetic beauty. Moritz Loewy (1833-1907) and Pierre-Henri Puiseux (1855-1928), assisted by Charles Morvan, undertook a project to make a complete series of detailed photographs of the moon and the lunar surface. The two astronomers devoted approximately 500 evenings to observations in order to make more than 6,000 photographs of the moon. Their very best images were then published in L'Atlas photographique de la Lune. This was issued in fascicles from 1896 and 1910 by the Observatory of Paris, the atlas represents the best and most complete overview of the work of Loewy and Puiseux. The photographs were taken through the 24-inch coudà refractor, which had been invented by Loewy in 1889. The negatives were produced at the Paris Observatory with a camera attached to a telescope. Since the earth and the moon are moving constantly, the camera and telescope had to move accordingly to produce a clear image-no easy feat considering the long exposure times required to take photographs at night. Both were synchronised with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even after subsequent photographic enlargement and transfer to an etching plate. The majority of the photographic reproductions by hà liogravure were entrusted to M. Fillon at Heuse, Gaultier and Schutzenberger. The enlargements were used to decorate the showroom of the Ministà re de l'Instruction Publique at the Exposition Universelle during the World's Fair, which was held in Paris in 1900. Hà liogravure after photographs by Loewy and Puiseux depicting the Moon's surface, from Atlas Photographique de la Lune. Framed and glazed, overall size: 67cm x 86.2 cm. Parr & Badger (The Photobook) I, 54-55.…

The finest and most meticulous images of the moon until the 1970's. The Atlas photographique de la lune was the ultimate achievement of nineteenth-century astronomical photography and can be regarded, along with Muybridge's Animal Locomotion (1887) and Edward S. Curtis' The North American Indian (1907-30), as one of the great publishing ventures of the nineteenth and early twentieth centuries. Indeed it was not until the 1970's when Bernard Lyot at the Pic du Midi Observatory obtained results that were clearly better than those of Loewy and Puiseux. As with all books published in fascicles, complete copies are rare and the individual plates, amongst the largest and finest ever made, are prized by collectors for their sheer aesthetic beauty. Moritz Loewy (1833-1907) and Pierre-Henri Puiseux (1855-1928), assisted by Charles Morvan, undertook a project to make a complete series of detailed photographs of the moon and the lunar surface. The two astronomers devoted approximately 500 evenings to observations in order to make more than 6,000 photographs of the moon. Their very best images were then published in L'Atlas photographique de la Lune. This was issued in fascicles from 1896 and 1910 by the Observatory of Paris, the atlas represents the best and most complete overview of the work of Loewy and Puiseux. The photographs were taken through the 24-inch coudà refractor, which had been invented by Loewy in 1889. The negatives were produced at the Paris Observatory with a camera attached to a telescope. Since the earth and the moon are moving constantly, the camera and telescope had to move accordingly to produce a clear image-no easy feat considering the long exposure times required to take photographs at night. Both were synchronised with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even after subsequent photographic enlargement and transfer to an etching plate. The majority of the photographic reproductions by hà liogravure were entrusted to M. Fillon at Heuse, Gaultier and Schutzenberger. The enlargements were used to decorate the showroom of the Ministà re de l'Instruction Publique at the Exposition Universelle during the World's Fair, which was held in Paris in 1900. Hà liogravure after photographs by Loewy and Puiseux depicting the Moon's surface, from Atlas Photographique de la Lune. Framed and glazed, overall size: 67 x 86.2 cm. Parr & Badger (The Photobook) I, 54-55.…

The finest and most meticulous images of the moon until the 1970's. The Atlas photographique de la lune was the ultimate achievement of nineteenth-century astronomical photography and can be regarded, along with Muybridge's Animal Locomotion (1887) and Edward S. Curtis' The North American Indian (1907-30), as one of the great publishing ventures of the nineteenth and early twentieth centuries. Indeed it was not until the 1970's when Bernard Lyot at the Pic du Midi Observatory obtained results that were clearly better than those of Loewy and Puiseux. As with all books published in fascicles, complete copies are rare and the individual plates, amongst the largest and finest ever made, are prized by collectors for their sheer aesthetic beauty. Moritz Loewy (1833-1907) and Pierre-Henri Puiseux (1855-1928), assisted by Charles Morvan, undertook a project to make a complete series of detailed photographs of the moon and the lunar surface. The two astronomers devoted approximately 500 evenings to observations in order to make more than 6,000 photographs of the moon. Their very best images were then published in L'Atlas photographique de la Lune. This was issued in fascicles from 1896 and 1910 by the Observatory of Paris, the atlas represents the best and most complete overview of the work of Loewy and Puiseux. The photographs were taken through the 24-inch coudà refractor, which had been invented by Loewy in 1889. The negatives were produced at the Paris Observatory with a camera attached to a telescope. Since the earth and the moon are moving constantly, the camera and telescope had to move accordingly to produce a clear image-no easy feat considering the long exposure times required to take photographs at night. Both were synchronised with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even after subsequent photographic enlargement and transfer to an etching plate. The majority of the photographic reproductions by hà liogravure were entrusted to M. Fillon at Heuse, Gaultier and Schutzenberger. The enlargements were used to decorate the showroom of the Ministà re de l'Instruction Publique at the Exposition Universelle during the World's Fair, which was held in Paris in 1900. Hà liogravure after photographs by Loewy and Puiseux depicting the Moon's surface, from Atlas Photographique de la Lune. Framed and glazed, overall size: 67 x 86.2 cm. Parr & Badger (The Photobook) I, 54-55.…

The finest and most meticulous images of the moon until the 1970's. The Atlas photographique de la lune was the ultimate achievement of nineteenth-century astronomical photography and can be regarded, along with Muybridge's Animal Locomotion (1887) and Edward S. Curtis' The North American Indian (1907-30), as one of the great publishing ventures of the nineteenth and early twentieth centuries. Indeed it was not until the 1970's when Bernard Lyot at the Pic du Midi Observatory obtained results that were clearly better than those of Loewy and Puiseux. As with all books published in fascicles, complete copies are rare and the individual plates, amongst the largest and finest ever made, are prized by collectors for their sheer aesthetic beauty. Moritz Loewy (1833-1907) and Pierre-Henri Puiseux (1855-1928), assisted by Charles Morvan, undertook a project to make a complete series of detailed photographs of the moon and the lunar surface. The two astronomers devoted approximately 500 evenings to observations in order to make more than 6,000 photographs of the moon. Their very best images were then published in L'Atlas photographique de la Lune. This was issued in fascicles from 1896 and 1910 by the Observatory of Paris, the atlas represents the best and most complete overview of the work of Loewy and Puiseux. The photographs were taken through the 24-inch coudà refractor, which had been invented by Loewy in 1889. The negatives were produced at the Paris Observatory with a camera attached to a telescope. Since the earth and the moon are moving constantly, the camera and telescope had to move accordingly to produce a clear image-no easy feat considering the long exposure times required to take photographs at night. Both were synchronised with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even after subsequent photographic enlargement and transfer to an etching plate. The majority of the photographic reproductions by hà liogravure were entrusted to M. Fillon at Heuse, Gaultier and Schutzenberger. The enlargements were used to decorate the showroom of the Ministà re de l'Instruction Publique at the Exposition Universelle during the World's Fair, which was held in Paris in 1900. Hà liogravure after photographs by Loewy and Puiseux depicting the Moon's surface, from Atlas Photographique de la Lune. Framed and glazed, overall size: 67 x 86.2 cm. Parr & Badger (The Photobook) I, 54-55.…