Pierre daret (51 Ergebnisse)

Zustand: New.

Loose Leaf. Zustand: New. Reproduction. Original title: Thetis and Vulcanus German: Thetis und Vulcanus French: Thetis et Vulcane Spanish: Thetis y Vulcano High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1614). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Fascinating Mary Magdalene German: Faszinierende Mary Magdalene French: Fascinante Mary Magdalene Spanish: Fascinante María Magdalena High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1640). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Zustand: New. pp. 449.

Zustand: New. pp. 449.

Zustand: New. pp. 449.

Zustand: New. pp. 449.

Schönes original Kupferstich-Portrait von ca. 1700. -- Blattformat: ca.25x18 cm. Platte: ca. 12 x 8 cm. -- gut erhalten. || Original copper engraved portrait from c. 1700. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10. …

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Bild-Maße: ca. 21,5 x 14 cm. -- mit kleinem Plattenfehler, sonst gut erhalten. || Original engraved portrait with beautiful baroque framing. -- with a minor plate defect, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm - teils leicht fleckig, sonst gut erhalten. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.…

Zustand: Fair. 'L'homme est rien qu'un peu de boue.'Engraving on hand laid (verge) paper. Sheet size: 16,8 x 28,2 cm. (6,6 x 11,1 inch). Image size: 14,7 x 18 cm. (5,8 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 103)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Fair, given age. Page trimmed. Small tear at right below top. Paper edges a bit irregular at bottom right. Some creasing, mostly in left margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MAN IS NOTHING BUT DUST-DEATH-SHADE(PCO) A331-40. Otto Vaenius (illustrator).…

Zustand: Good. 4to. 19 x 27.5cm. Contemporary brown calf binding (scratches on the covers, partially split joints, bumped corners) - Spine with raised bands decorated and titled in gold (gilt, cracked leather, lower headpiece leveled, splits) - - Title soiled and restored at 1 corner, some marginal restorations, halos, sometimes marked, weakened leaves, marginal loss to the portrait of Louis XII, some passages underlined in the texts accompanying the portraits - 74 portraits engraved hors texte with 10 added from other works of Philippe VI, François Ier, Henry II, Charles IX, Henry III, Henry IV, most of smaller formats - Old handwritten bookplate with the title .OCLC Number / Unique Identifier:7870300:Comprises engraved t.p. and 64 full-page engravings (each with oval portrait, small coat of arms and engraved biographical text). Presumably engraved by P. Daret, J. Frosne, and possibly, the publisher L. Boissevin.Most of the plates have the undated imprint of Boissevin but pl. 63-64 have that of Daret and are dated respectively 1653 and 1652Listed in the supplement to Graesse's Tresor de livres with imprint: vers 1660.…

Zustand: Good. Engraving. 4to. Very Good with minor staining.

Zustand: Good. Engraving. 13.5 cm x 20.75 cm (5.6 in x 8 in). Unbound sheet. Good with marginal tear on upper left corner and staining along edges. Half-length black and white portrait of Leon Bouthilier, the Count of Chavigny. Eleven lines of description lettered in French in lower margin. Text at bottom reads: "a Paris, 1652. ex." En Francais.…

Zustand: Befriedigend. Radierung von Pierre Daret, nach Simon Vouet dargestellt ist die Muttergottes mit dem Christuskind; Blattgröße 49,5 x 32,3 cm, Bildgröße ca. 27,5 x 18,5 cm; kräftiger Druck; Randbereich etwas unfrisch, kl. Perforation im Vorhang, kaum sichtbar, ebenso im Randbereich Size: 49,5 x 32,3 cm.…

en feuille. Zustand: Très bon. D'après une peinture de J. Blanchard. Excudit de Pierre Mariette. 35,5 x 26,5.

Contemporary vellum. Zustand: Good. Second, augmented edition. Folio (43.5 by 28.2 cm.) [6: title, engraved frontispiece, dedication, reader's preface], 7 (descriptive text); 41 (of 48) full-page engraved plates, numbered in five sequences. Contemporary vellum (lightly soiled; traces of old paper label at spine); edges stained crimson. Minor erosion at top margin title, just affecting one letter; intermittent moderate dampstain at top margin, notably extending into 12 leaves. Lacks final seven plates. A good, amply-margined copy, with otherwise clean, crisp text and plates. Second, much augmented edition of this epitome of Vitruvius by the learned French nobleman, Julien Mauclerc (1543-ca. 1598), with additions by the editor, Pierre Daret. The work was first published in 1599/1600 by Jérôme Haultin at La Rochelle under the title Le premier Livre d'Architecture . traictant tant de l'Ordre Tuscanique, Doricque, Ionique, Corinthe, que Composite. "It contains the 1600 text, with modernized or modified vocabulary. Daret removes the specific references to Book III of Serlio's work, but adds commentary to the figures he has enriched the plates with, including a method for drawing the Ionic volute explicitly borrowed from Vignola. The engravings are enhanced by a few elements added in the spaces left blank by Boyvin. Daret's additions contribute to the work's eclectic nature, but from this perspective, they are quite coherent. Indeed, by introducing Vignola, Palladio, and Scamozzi, they update the material of an eclectic method that Mauclerc practiced at the dawn of the century with Blum, Serlio, Labacco, and de l'Orme, now superseded by the three Italians whom Fréart de Chambray, in 1650, designated as the three modern masters, and who provided 17th-century French architecture with the essential elements of its repertoire in the realm of the orders. Moreover, the juxtaposition of the orders presented here recalls the method that Fréart himself develops in his own Parallèle" (Pauwels). Regarding the work, Cicognara notes that "it is highly prized for its beautiful and clear engravings. Pierre Daret added the measurements and proportions of other masters to this work, as he notes on the title page. Indeed, Mauclerc could not have mentioned Palladio, Vignola, or Scamozzi, whose works were unknown to him during his lifetime. Therefore, it is clear that the five plates from 45 to 48, inclusive, in which these parallels appear, are by another engraver and were added by Pierre Daret to Mauclerc's work. All the other plates bear the original author's mark. As for the text, it is recognized that the notions are derived from Vitruvius, but succinctly, and confusedly and by avoiding difficult passages, such as those on the Ionic volute, on the Scamilli, etc." The military and civil engineer Marcus Vitruvius Pollio (ca. 70-80 BCE - ca. 15 CE) is the author of the only surviving ancient treatise on architecture, arranged in ten books. By his own account, Vitruvius served in the Roman army under the command of Julius Caesar. Rediscovered by the Florentine humanist Poggio Bracciolini (1380-1459) in the library of Saint Gall Abbey, and publicized by Leon Battista Alberti (1404-1472), Vitruvius' De Architectura would later define the canon of classical architecture. His assertion that structures should exhibit the three qualities of stability (firmitatis), utility (utilitiatis), and beauty (venustatis) became a commonplace in architectural theory. The wide-ranging program of De Architectura deals with "principles of buildings in general, building materials, designs of theatres, temples and other public buildings, town and country houses, baths, interior decoration and wall paintings, clocks and dials, astronomy, mechanical and military engineering." (PMM). Throughout the Renaissance, Vitruvius' work provided inspiration for Michelangelo, Leon Battista Alberti, Donato Bramante, Lorenzo Ghiberti, Giacomo Vignola, Andrea Palladio and many others. The first printed edition of De Architectura appeared at Rome (ca. 1483-90); the first illustrated edition, at Venice (1511). Notes on the engraved portrait plate and plate numbering: The portrait plate which appears as a frontispiece after the title leaf accompanied that first edition, and was engraved by Mauclerc himself; the elevation has been copied from the seventh book of Serlio: Tutte l'opere d'architettura di Sebastiano Serlio Bolognese (Venice: Francesco de Franceschi, 1584). Onto Serlio's composite style gate no. XIV, Mauclerc has grafted a rich iconographic mélange incorporating the nine classical Muses, the seven classical virtues, and the seven liberal arts: Grammar; Rhetoric; Dialectic; Arithmetic, Geometry, Music, Astrology. Over all hovers an allusion to Neoplatonism in the form of the five Platonic solids. The caption states: ". taillee au burin au mois de septembre 1566." The date must be an error, since Mauclerc was born in 1543. The caption in fact notes his age at the time of its design as 53; the correct date would be 1596. Columbia University notes the date of the portrait plate in their 1600 first edition as 1596. The appearance of the first "6" in the date on our plate suggests that an alteration was made. The engraved date has caused problems in the past, as indicated in Cicognara's confusing entry for the present work: "The first plate preceding the 50 figures contains Mauclerc's portrait, drawn and engraved by his own hand. The year 1535 was removed from the copperplate (but not sufficiently), and on our copy, which is of the finest quality, it reads 1535, although we find no mention of the author." In some copies of this work, notably the copy described by Fowler, the 49 plates have Arabic numeration at the headline, nos. 2-50, beginning with the portrait plate. In addition, 46 of the plates are grouped into six unequal series, distinguished by Roman numerals at the bottom. In the present copy, however, the Arabic numerals do not appear on the plates, and the final Roman series (nos. I-V), added by Daret.…

auf Bütten-Papier/hand-made paper (33x20cm) in der Darstellung typographisch betitelt und bezeichnet; aus: "La doctrine des moeurs tirée de la philosophie des stoïques" Sevestre Paris 1646 [Das dekorative wie seltene Blatt mit bedruckter Rückseite. Text on backsite.] Das Werk wurde von Kardinal Mazarin (1602 in Pescina - 1661 in Vincennes) zum Zwecke der moralischen Erziehung des jungen französischen Königs Ludwig XIV. in Auftrag gegeben.…

auf Bütten-Papier/hand-made paper (33x20cm) in der Darstellung typographisch betitelt und bezeichnet; aus: "La doctrine des moeurs tirée de la philosophie des stoïques" Sevestre Paris 1646 [Das dekorative wie seltene Blatt mit bedruckter Rückseite. Text on backsite.] Das Werk wurde von Kardinal Mazarin (1602 in Pescina - 1661 in Vincennes) zum Zwecke der moralischen Erziehung des jungen französischen Königs Ludwig XIV. in Auftrag gegeben.…

No binding. Zustand: Very Good. 'La guerizon de l'ame est la plus necessaire.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,9 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 15)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: HEALING YOUR SOUL-DOCTOR-FATHER TIME-WISDOM(PCO) A331-11. Otto Vaenius (illustrator).…

Zustand: Very Good. 'Le sage seul est libre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,1 x 17,5 cm. (5,6 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 70)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WISDOM-WISE-IS FREE-FREEDOM(PCO) A331-36. Otto Vaenius (illustrator).…

Zustand: Very Good. 'L'avarice est un grand mal.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 52)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MISERLINESS IS A MISFORTUNE-VICE-TOMENTED BY HARPIES-HARPY-RICHESS(PCO) A331-29. Otto Vaenius (illustrator).…

No binding. Zustand: Very Good. 'Dieu seul n'a point de maistre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 17)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MEN ARE EQUAL UNDER GOD-APOLLO-KING(PCO) A331-12. Otto Vaenius (illustrator). …

No binding. Zustand: Very Good. 'L'estude de la vertu, est la fin de l'homme.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,6 x 17,7 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 13)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WISDOM AS A GUIDE TO LIFE-TIME-HOURGLASS-VIRTUES(PCO) A331-10. Otto Vaenius (illustrator).…

Zustand: Very Good. 'La mort nous despouille de toutes choses.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 13,9 x 17,5 cm. (5,5 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 99)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: DEATH IS LEAVING THINGS BEHIND-WIDOW-CHILDREN(PCO) A331-40. Otto Vaenius (illustrator). …

Zustand: Very Good. 'La joye fait partie de la sagesse.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 18,1 cm. (5,7 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 81)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: JOY-MIRTH IS PART OF WISDOM-ATHENA(PCO) A331-38. Otto Vaenius (illustrator). …

No binding. Zustand: Very Good. 'La nature regle nos desirs.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,5 cm. (5,7 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 11)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: NATURE-RULES-DESIRES-DIANA-LADY OF EPHESUS(PCO) A331-09. Otto Vaenius (illustrator). …

No binding. Zustand: Very Good. 'En courant on arrive au but.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,6 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 8)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: RUNNING TO THE START-BACCHUS-PUTTI(PCO) A331-07. Otto Vaenius (illustrator). …

Zustand: Very Good. 'L'amour des biens est un suplice qui ne finit point.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 18,3 cm. (5,7 x 7,2 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 51)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LOVE OF RICHES IS ENDLESS PAIN(PCO) A331-29. Otto Vaenius (illustrator).…

Zustand: Very Good. 'Tous les siecles ont eu leurs vices.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,4 x 18 cm. (5,7 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 87)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Light stain at bottom and top right margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: VICES-TIME-PUTTI-SCYTHE-PERSONIFICATION(PCO) A331-39. Otto Vaenius (illustrator). …