Verlag: Wien, Waldheim - Eberle, 1952., 1952
Anbieter: Antiquariat Carl Wegner, Berlin, B, Deutschland
Verbandsmitglied: GIAQ
Erstausgabe
HARDCOVER. Originalleinwand, 20 x 11 cm. 277 Seiten, gut erhalten -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! Lit.
Sprache: Deutsch
Verlag: Wien: Waldheim-Eberle, 1952
Anbieter: ANTIQUARIAT Franke BRUDDENBOOKS, Lübeck, Deutschland
OLnbd., 21 x 14 cm. Zustand: Gut. 277 Seiten, Sauberes und wohlerhaltenes Exemplar. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 400.
Sprache: Deutsch
Verlag: Verlag Waldheim- Eberle, Wien, 1952
Anbieter: Dipl.-Inform. Gerd Suelmann, Meppen, NDS, Deutschland
Leinen. Zustand: Gut. Erhard Pier- Berufen, Arzt zu sein Leinen, 1952, Verlag Waldheim- Eberle, noch guter Zustand, etwas bestoßen und ein wenig nachgedunkelt , Schnitt leicht unsauber, Gewicht: 410 g.
Verlag: Wien, Verlag Waldheim-Eberle, 1952, Auflage: 1., 1952
Anbieter: Buchfink Das fahrende Antiquariat, Brugg, AG, Schweiz
Leinen, gebunden; roter, silbergeprägter Einband, mit farbig illustriertem Schutzumschlag / Anz. Seiten: 277 / 14,5 x 21 cm / Einbandentwurf von Joseph Farnik / Zustand: gut, mässige Gebrauchsspuren; Einband geringfügig berieben und leicht fleckig, Hinterdeckel gewölbt, Papier etwas gebräunt, Schnitt stockfleckig, Schutzumschlag berieben, fleckig und lädiert Sprache: de.
Verlag: Flash Art Milan, Italy, 1972
Anbieter: Specific Object / David Platzker, New York, NY, USA
31 pp.; 42.8 x 31.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; November 1972 issue of Flash Art, edited by Giancarlo Politi. Cover artwork, Ella, by Nancy Ross. Contents include: artists' statements and images by John Cage, Jo Baer, Nagasawa, Franz Erhard Walther, Sergio Lombardo, Salvo, Reiner Ruthenbeck, and Herbert Oehm "Design a New York: L'Utopia Tecnologica," by Pier Paride Vidari. Texts in English and Italian. Fair / Good. Folded in through the horizonal center as issued. Dog ear on bottom right of recto with tear measuring 1 cm. Edgewear and yellowing of pages with several stains measuring 1 - 2 cm. on verso. Contents clean and unmarked.
Verlag: Halle 6 Organisationsbüro Hamburg, Germany, 1982
Anbieter: Specific Object / David Platzker, New York, NY, USA
[128] pp.; 29.5 x 21 cm.; glue bound; black-and-white; edition size 3000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Kampnagel-Fabrik, Kunst im öffentlichen Raum, Hamburg, Germany, May - June 1982. Introduction by by Jürgen Vorrath. Includes images of installation of works by Michael Bauch, Detlef Birgfeld, Felix Droese, Bogomir Ecker, Carl Andre, Giovanni Anselmo, Michael Buthe, Pier Paolo Calzolari, Sol LeWitt, Richard Long, Mario Merz, Bruce Nauman, Ulrich Rückriem, Reiner Ruthenbeck, Franz Erhard Walther, Gilberto Zorio, Hubert Kiecol, Astrid Klein, Michael Kramer, Jochen Krüger, Klaus Kumrow, Wolfgang Luy, Mimmo Paladino, Barbara Schmidt-Heins, Gabriele Schmidt-Heins, Thomas Schütte, Elisabeth Wagner, and Carl Emanuel Wolff. Text in German. Good. Rubbing and dusting of covers with 2.5 cm. of soiling to recto and additional light markings and scratchings with a 3 cm. crease to top edge of recto. Two 1 cm. surface tears to spine edge. Light rubbing of corners and edges. Dedicated to art dealer Michael R. Klein (with address in New York) from artist Thomas Schütte (with address in Dusseldorf) in brown and black ink on title page. Contents otherwise clean and unmarked.
Verlag: Gabriele Mazzotta Editore Milan, Italy, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.