Pichel irving (34 Ergebnisse)
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- Softcover
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Verlag: [Bohemian Club]
- Hardcover
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In den WarenkorbHardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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Verlag: Harcourt, Brace and Company
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In den WarenkorbZustand: Good. Good condition. No Dust Jacket (theaters, architecture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: Harcourt, Brace and Company
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In den WarenkorbZustand: Fair. Acceptable condition. No Dust Jacket (Theater Architecture) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
- Hardcover
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- Hardcover
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- Softcover
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Zustand: as new. Wie neu/Like new.
- Hardcover
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Zustand: New. In.
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Zustand: Wie neu. Standard Version. OVP B2466-229 4049774483141 Sprache: Deutsch Gewicht in Gramm: 500 DVD, Maße: 13.5 cm x 19 cm x 1.4 cm.
- Softcover
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Zustand: New.
Verlag: Bohemian Club, 1926
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In den Warenkorbunknown_binding. Zustand: Good.
- Hardcover
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Gebunden. Zustand: New.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware.
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In den WarenkorbZustand: Very Good. Saint Francis of Assisi by Irving Pichel.Publisher: The Bohemian Club, San Fransisco, 1982.Binding: hardback cloth.Description / Condition: Play/theatre theme.Light shelf wear. A nice copy.Please see pictures for further information.
- Softcover
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- Hardcover
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Buch. Zustand: Neu. Neuware - 'Modern Theatres' is a comprehensive study of theatre architecture and stagecraft during a pivotal era of technical and artistic transition. Written by Irving Pichel, a distinguished figure in the American theatrical landscape, this work examines the physical requirements of the modern stage and the… functional evolution of the playhouse. Pichel provides a detailed analysis of the structural and mechanical elements necessary for successful theatrical production, ranging from site selection and seating arrangements to the complexities of stage lighting and acoustics.The book explores the shift away from ornate, traditional opera houses toward more functional, intimate spaces that better serve the needs of modern drama. It delves into the practicalities of the 'little theatre' movement and the integration of then-new technologies in scene shifting and lighting equipment. By bridging the gap between architecture and the performing arts, 'Modern Theatres' serves as an essential record of early 20th-century scenography and the philosophy of stage design. This work remains a valuable resource for architects, historians, and theatre practitioners interested in the historical development of the contemporary performance space.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Hardcover
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this wor…k, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sprache: Englisch
Verlag: Boni & Liveright, Inc., New York, 1927
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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In den WarenkorbGreen Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine Dustjacket. 1st Edition. Three Different Editions: A Fine Copy Of The Signed Limited First Edition Of The Book, Signed By O'neill, In A Near Fine Original Slipcase. Also Included Is The First Trade Edition, Near Fine In A Near Fine, Unfaded Dust Jacket, Not…Price-Clipped. Also Included Is A Unique Copy Of The Third Printing, February 1928, The Printing Just Before The First Production Of The Play, At The Pasadena Playhouse. Prepared By Or For Claude D. Seaman [Of The Standard Lighting Company, Los Angeles], With His Name On Front Endpaper Carefully Blocked In Ink. Printed Heading, By Hand, On First Blank "World Premiere/ Of O'neill's/ "Lazarus Laughed"/ Pasadena Community Playhouse/ April 9 - 1928"; Repeated On Verso; Half Title With Line For Author's Signature [But He Was Not Present And This Line Is Thus Blank]; Verso With "World Premiere." Text Repeated, With Lines For Director, Musical Director, Director Of Movement, Art Director, Production Manager, Business Manager, And The Chairman Of The Production Committee, Each Line Signed By The Person Holding That Position; Title Page; Verso Is Copyright Page; Synopsis Page; Verso Are Lines Drawn And Extended To Each Of The "Characters" Listed On The Following Page, Each Line Signed By The Person Who Played That Part, Maurice Wells Thus Signing Twice, 14 Signatures In All; "World Premiere" Text Repeated At Foot Of Characters Page And Again On Verso; "Act One" Title Page; Verso Repeats Then "World Premiere.' Text, Followed By Lijnes For Each Of The Producing Staff / Setting, Including The Designer James Hyde, And 11 Others. With, Laid In Loosely, The Los Angeles Newspaper Review By The Spectator Of The Production Which Shortly Moved To The Hollywood Music Box [Theatre], With A Clipped Newspaper Ad For The Production Citing A Cast Of 250 And A Production Cost Of $100,000. The Play Has Since Been Produced Only Four Times, Due In Part To The Expense And Difficulty, But Also To Its Philosophical, Didactic Yet Confrontational Tone Which Has Not Set Well With General Audiences Since The Original Use Of This Dramatic Form Several Thousand Years Past. Irving Pichel [1891-1954] Played The Title Role. He Also Played The Servant, Sandor, In Dracula's Daughter, Fagin In The 1933 Film Oliver Twist, And About 57 Other Films 1930-1939, With Minor Roles In Films He Later Directed. He Directed Films 1932-1954, Including The Most Dangerous Game, She, Earthbound, Hudson's Bay, The Moon Is Down, They Won't Believe Me, The Miracle Of The Bells, Destination Moon, And Santa Fe. In 1947 Hje Was One Of The Hollywood 19 Subpoened By The House Un-America Activities Committee; He Was Not Called To Testify, But Was Blacklisted, Requiring Him To Work Outside The Us. Victor Jory [1902-1982] Was Canadian, Attended School In Pasadena, Appeared In Theatre All Over The Us And Made His Motion Picture Debut In 1930, Later Appearing In Over 150 Pictures And Dozens Of Tv Episodes. [Note That This Book Is Not Signed By O'neill. Gilmor Brown, Producer Of The Play, Was Director Of Public Speaking And Dramatics At Caltech, Later Director Of The Pasadena Playhouse, And Responsible For Making It Into One Of The Premier Small Theatres In The U.S. From The 1920'S Into The 1950'S, Routinely Featuring Prominent Starring Actoirs And Furnishing An Entree For Many Actors Who Later Became Successful In Motion Pictures And Tv. Signed by Author(s).
Verlag: Produced by Paramount Pictures . 1944., 1944
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In den WarenkorbZustand: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].
Weitere BilderArmored Car (Original photograph from the 1937 film)
Lewis R. Foster (director, screenwriter); Robert N. Lee (screenwriter); Ray Jones (photographer); Robert Wilcox, Judith Barrett, Cesar Romero, Irving Pichel (starring)
Verlag: Universal Pictures, Universal City, 1937
- Foto
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In den WarenkorbVintage double weight reference photograph of Cesar Romero and Irving Pichel from the 1937 film, with two stamps and a mimeo snipe on the verso, one studio stamp crediting photographer Ray Jones and one dated Advertising Advisory Council stamp. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin o…n January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Robert Wilcox stars as a detective who goes undercover to expose a group of hijackers. 10 x 8 inches. A small crease to the bottom right corner, else Near Fine.
