Phyllis massar (37 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: New. Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.…

Paperback. Zustand: New. Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.…

hardcover. Zustand: near fine. very good(+). First. With 169 black-and-white illustrations. 141 pages, slim 4to, brown cloth, dust wrapper (gently edge-worn). New York The Metropolitan Museum Of Art, 1971. First edition. A near fine copy in a very good(+) dust wrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. (NY): Metropolitan Museum of Art, distributed by New York Graphic Society, (1972). First Edition. 11 x 8¾ in. 141pp. Profusely illustrated. Cloth, fine condition, dj slightly frayed at top edges, very good. Della Bella was one of the most admired printmakers of the 17th century; this book is the first one in English to provide an account of his career along with a comprehensive selection of his work. ISBN 0870991094; Profusely illustrated; 11 x 8 3/4 inches; 141 pages.…

paperback. Zustand: Good. Secondhand. Book covers have light shelf wear and marks. Clean pages, lightly tanned. Good book.

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: very good. 9 x 12 in. Cloth boards. Lavish plates. Condition is NEAR FINE ; like near new on all points. DJ is VERY GOOD ; clean, spine sunned. Art. Stax.

Paperback. Zustand: Brand New. 0003- edition. 208 pages. 8.00x5.25x0.50 inches. In Stock.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran April 24 through July 2, 1973. Features an essay and a checklist by Phyllis Dearborn Massar. Includes one black and white image, a chronology, abbrievated bibliography, and checklist. A very good copy in stapled wrappers that are lightly soiled and with a former owner signature and address to the verso of the front cover. Uncommon.…

Zustand: Very good. From the Library of Tim Llewellyn, OBE.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0870991094.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First edition. Very good in very good dust jacket. Pages clean. Plenty of illustrations. Spine and very edges of cloth cover lightly faded. Top corners slightly bent. Dustwrapper price clipped. Dustwrapper spine faded. Solid book.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition. Slim small quarto. 141pp. Heavily illustrated. fine in a spine-sunned, very good dust jacket with some soil, and a short tear and two small chips at the crown.

Hardcover. Zustand: Good. 142 pages. d/j spine rubbing.

141, (1)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

141, (1)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

141, (1)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

141, (1)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

Zustand: Gut. Auflage: 2nd edition. 208 Seiten guter Zustand mit geringen Gebrauchsspuren V4 Sprache: Englisch Gewicht in Gramm: 450 17,8 x 2,5 x 12,7 cm, Taschenbuch.

Taschenbuch. Zustand: Neu. Neuware - Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of 'a magician of light and colour'. Indeed, as the photographs in this book reveal, Palladio was 'as sensual, as skilled in visual alchemy as any Venetian painter of his time', and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's 'permanent place in the making of architecture', yet he also deserves to be seen on his own terms.…

hardcover. Zustand: Very Good. Volume rilegato in tela editoriale con sovraccoperta, 141 pagine riccamente illustrate con incisioni stampate su bella carta usomano. Sommario  consultabile nelle nostre immagini. Esemplare in ottime condizioni -- Born in Florence in 1610, Della Bella became one of the most admired printmakers of the seventeenth century -- an artist of unstinting productivity, superb style, and wide-ranging subject matter. This book, the first one in English to illustrate an account of his career with a comprehensive selection from his work, puts him on view as maker of landscapes, marines, city scenes, animal studies, mythological subjects, and fantasies. An outdoors man rather than a studio practitioner, Della Bella used his sketchbook and etching needle the way a magazine reporter today uses his camera. Book.…

Paperback. Zustand: New. Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.…

Zustand: New. Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, chu.

Paperback. Zustand: New. Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.…