Phipps joyce (6 Ergebnisse)
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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EUR 8,78
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Continuum, New York, 1974
- Hardcover
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 17,22
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good in very good dust jacket. Publisher's copy. Stamp on endpaper. Corners slightly rubbed. Edges of spine slightly rubbed. Minor shelf rubbing to dust jacket.
The Colonial Andes: Tapestries and Silverwork, 1530-1830
Elena Phipps, Johanna Hecht, and Cristina Esteras Martin; Luisa Elena Alcalá, Thomas B.F. Cummins, Joyce Denney, Sophie Desrosiers, Teresa Gisbert, Isabel Iriarte, Heidi King, Sabine MacCormack, Natalia Majluf, José de Mesa, and Kenneth Mills
- Hardcover
Anbieter: Exquisite Corpse Booksellers, Houston, TX, USAExquisite Corpse Booksellers
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EUR 44,14
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Cloth. Zustand: Fine Condition. Fine Condition. 396 pp., 355 illustrations 250 in color, maps, bibliography, and index. Hardcover, bound in cloth covered boards and wrapped in an illustrated paper dustjacket. Tight binding, sharp edges and corners on the boards, bright jacket now encased in a Mylar sleeve, and a clean, unmarked…interior. Published on the occasion of the exhibition from the Metropolitan Museum of Art, New York NY September 29-December 12, 2004. Book.
Verlag: On letterhead of Flat 8 34 Elm Park Gardens Chelsea SW10 London. 27 May, 1960
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 36,12
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In den Warenkorb1p, 16mo. In fair condition, folded once, with two punch holes at margin, one affecting a word of text. She states that it is kind of him to ask her again, and she feels 'very churlish in having to say NO a second time', but her 'autumn-winter plans are complicated by a big concert tour & a lot of other [pro]bable dates', so she… must reluctantly refuse his invitation.
- Softcover
- Erstausgabe
Anbieter: Bildungsbuch, Flensburg, DeutschlandBildungsbuch
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EUR 6,00
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Softcover. Zustand: Gut. 1. Auflage. Paperback, keine Remi., 1. Auflage 10/91, OA erschien 1988 NY, ein Citroen 2CV kommt vor, deutsche EA mit 343 Seiten, Krimis von diversen Autoren; Ecken leicht bestoßen, innen sauber, keine Einträge; sofort lieferbar.
Verlag: ONE: 149 King's Road S.W.3. London 9 April TWO: Laurelton Hotel West 55th St. New York City. 29 November 1955, 1949
- Signiert
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 67,42
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In den WarenkorbFor information on Russell see the Oxford DNB entry on his wife from 1957, the social worker Kit Russell [Katherine Frances Russell, née Stewart] (1909-1998). Both letters are in fair condition, lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp, 12mo. She begins the letter with a question: 'Dear Sheridan Russell. | Wha…t is Time and Talents? It sounds interesting.' (Time and Talents was a 'settlement' in Bermondsey started in 1887 by Christian society ladies, with which Sheridan's wife had been associated since the 1920s.) Grenfell's plans for the coming November are 'uncertain': 'I might be filming at Denham or touring in Cardiff or playing in West Hartlepool and I daren't promise anything so far ahead in case I couldn't fulfil it.' Despite her commitments, she asks for more information about Time and Talents, adding: 'perhaps a bit later on if you still wanted me you'd very kindly ask me again'. TWO: Signed 'Joyce'. 2pp, foolscap 8vo. In light-blue ink. An air mail letter, addressed to 'Sheridan Russell Esq | 179 Gloucester Place | London | N.W.1.' By now on friendly terms, she begins with a report on New York audiences: 'Dear Sheridan - | I loved hearing from you but I mustn't let you be sad for me because contrary to your worry the audiences are absolutely remarkable wonderful here! At first I felt quite jealous for London because they were so good! Now I'm grateful feel it brings us all closer. They are so subtle, so warm, so responsive. I remember Myra Hess telling me she'd never had such listening as she got in America & I must say its true for me too.' She continues with her praise of the 'rewarding experience' she has with the audiences, whilst conceding that her show 'draws only one section the reading, internationally minded, British-film-going public it is comforting to know they exist!' Her audiences are 'all glorious', but 'You hear very little English spoken in some sections & there are gross audiences at the musicals for instance but the ones who come to see the show at the Bijou are glorious!' She accepts that the show is 'not going to run for ever too "special" - but even if we do close soon its been wonderfully exciting. I suppose we'll tour for a bit in the new year. And then home hooray!' She finds New York 'such a mixture of enormous beauty and hellish hideosity'. She describes the 'fairy tale stuff' of the skyline, and the lights on Broadway: 'forget the signs themselves it is very exciting too'. She praises the 'wonderfully nice' New Yorkers, adding 'you can find anything here when you look for it. Kindness, generosity and friendliness are available anywhere'. She concludes in optimistic terms: 'So I do want you to know that it is being a lovely time & a great EXPERIENCE. | with love | Joyce'. In a postscript she reports that 'Business dropped last week & we may close, but last night the orchestra and stage crew combined & said theyd take [cuts to ideas?] once the bad weeks pre-Christmas as they love & believe in the show. Very nice. No decision reached yet.' She ends by sending 'Love to Betty J.'.
