Phillips sir claude (24 Ergebnisse)

hardcover. Zustand: Very Good.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Bumped corners. Foxed throughout. Remains well-preserved overall. Series; The portfolio ; 37. Physical description; 112 pages : illustrations, 2 plates, 4 portraits (including frontispiece) ; 27 cm. Subjects; Titian approximately 14881576 Criticism and interpretation. Painters Italy Biography. Painting, Italian 16th century. 1 Kg.…

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Bumped corners. Foxed throughout. Remains well-preserved overall. Series; The portfolio ; 37. Physical description; 112 pages : illustrations, 2 plates, 4 portraits (including frontispiece) ; 27 cm. Subjects; Titian approximately 14881576 Criticism and interpretation. Painters Italy Biography. Painting, Italian 16th century. 1 Kg.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Minor browning to the pages. Remains quite well-preserved overall. Physical description: xxii, 282, [1] p. Subjects: Art. Art Philosophy. Art Addresses, essays, lectures. Art Themes, motives. Emotion in art. Genre: Illustrated. 1 Kg. …

First Edition. Very good copy in the original gilt-blocked and decorated blue buckram. Panel edges very slightly dust-toned as with age. Corners sharp with an overall tight, bright and clean impression. ; 415 pages; Description: ix p. , 1 l. , 415 p. Front. , plates, ports. 21 cm. Notes: Authorities: p. [iii]. Subjects: Reynolds, Joshua, Sir, 1723-1792. 1 Kg. …

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Minor browning to the pages. Remains quite well-preserved overall. Physical description: xxii, 282, [1] p. Subjects: Art. Art Philosophy. Art Addresses, essays, lectures. Art Themes, motives. Emotion in art. Genre: Illustrated. 1 Kg. …

First Edition. Very good copy in the original gilt-blocked and decorated blue buckram. Panel edges very slightly dust-toned as with age. Corners sharp with an overall tight, bright and clean impression. ; 415 pages; Description: ix p. , 1 l. , 415 p. Front. , plates, ports. 21 cm. Notes: Authorities: p. [iii]. Subjects: Reynolds, Joshua, Sir, 1723-1792. 1 Kg. …

First Edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Boards dust-toned and stained. Minor browning to the pages. Remains well-preserved overall. Physical description: 112 pages; ill.; 27 cm. Contents: Part 1. The earlier work of Titian - Part 2. The later work of Titian. Subjects: Titian ca. 1488-1576 Criticism and interpretation. Titian ca. 1488-1576 Biography. Genre: Biography. Criticism and interpretation. 1 Kg.…

First Edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Boards dust-toned and stained. Minor browning to the pages. Remains well-preserved overall. Physical description: 112 pages; ill.; 27 cm. Contents: Part 1. The earlier work of Titian - Part 2. The later work of Titian. Subjects: Titian ca. 1488-1576 Criticism and interpretation. Titian ca. 1488-1576 Biography. Genre: Biography. Criticism and interpretation. 1 Kg.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

New York, Parkstone Press International, 2008. In-4, cart. éd. sous jaquette ill. en coul.; 287 pp., très riche iconographie à pleine ou double pp. en coul., notes, liste des ill. /29F Très bon ex.

First Edition. Good copy in the original pebble-grain, gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains well-preserved overall. Series; Portfolio artistic monographs ; no. 18. Physical description; 92 pages : frontispiece, illustrations, 6 plates. Subjects; Watteau, Antoine (1684-1721) Criticism and interpretation. Painters France Biography. Painting, French 18th century. 1 Kg. …

First Edition. Good copy in the original pebble-grain, gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains well-preserved overall. Series; Portfolio artistic monographs ; no. 18. Physical description; 92 pages : frontispiece, illustrations, 6 plates. Subjects; Watteau, Antoine (1684-1721) Criticism and interpretation. Painters France Biography. Painting, French 18th century. 1 Kg. …

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 258 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed and not without reason at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they "fail with audiences &c" is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest [] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect. How about the Judas Scene and the Final Chorus of the "Apostles".' (The reference is to Elgar's oratorio 'The Kingdom', 1906.) Phillips ends by apologising for bothering Streatfeild, and asks in a postscript, 'How are you?'.…

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St. Chelsea, accompanied by a bag full of magnificent gowns.' Sir Claude Phillips (1846-1924) was an influential art historian and critic with the Daily Telegraph and Manchester Guardian, and would retire from his position as first keeper of the Wallace Collection in the same year as Lytton's letter. 'Streatfield' is clearly the musicologist and critic Richard Alexander Streatfeild (1866-1919).…

First Edition. Near fine copy bound in half vellum over buckram boards with gilt title to the spine. Front board starting. Remains well preserved overall; bright, clean and sharp-cornered. Physical description; 128 p., [4] leaves of plates : ill. ; 28 cm. Notes; Includes bibliographical references and index. Subjects; Charles I, King of England (1600-1649) - Art collections. Painting-Private collections-England. 1 Kg.…

First Edition. Near fine copy bound in half vellum over buckram boards with gilt title to the spine. Front board starting. Remains well preserved overall; bright, clean and sharp-cornered. Physical description; 128 p., [4] leaves of plates : ill. ; 28 cm. Notes; Includes bibliographical references and index. Subjects; Charles I, King of England (1600-1649) - Art collections. Painting-Private collections-England. 1 Kg.…

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips's entry in the Oxford DNB, which notes that there was 'an air of Proust' about him, and quotes Oliver Brown's description of him as 'a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example). Whatever their relationship, the author of the present work was clearly a capable classicist. Until the handwriting has been compared, the suggestion cannot be dismissed that he might be the Professor of the Classical Association and Corpus Christi Professor of Latin at Oxford Albert Curtis Clark, described in his own ODNB entry as a man who 'could carry his learning lightly, was the best of company, full of humour and of wit, and a perfect raconteur'. 2pp, 12mo. Bifolium. In good condition, lightly aged and creased. Central horizontal crease. Written in black ink. Poem and translation face one another, with the Latin text, beneath the heading 'IN CLAUDIUM PHILIPPSIUM. EQUITEM.', on the recto of the second leaf, and the translation, headed 'IN LIBIDINOSUM.', on the verso of the first. The Latin poem is twelve lines long in three four-line stanzas. It begins: 'Cur stercoratae verba licentiae / Libidinosus semper in auribus / Emittis, obscaenisque gaudes / Colloquiis, [.]'. The English translation reads in its entirety: 'Why, dost thou, lustful, discharge ever in our / ears, words of licence, reeking of the dungheap: / why dost thou rejoice in obscene conversations, O / Veteran Claudius? / Old age presses on: thy [last word inserted] language planted with dirty [last word inserted] refuse / dishonours thy white hair: a forehead ploughed / with hardset wrinkles is out of keeping with / lascivious words. / Do thou at least case from foul gossip: [last word an emendation of 'talk'] let thy / bawdy stories be silenced, remembering / thy industrious youth, O Old Man, worthy / of a better reputation.'. …