HARDCOVER. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover edition. 472pp. Large octavo hardbound, tight binding. Boards lightly worn, interior clean throughout. Signed by Philips. dj: Clean and crisp, wrapped in mylar.
Anbieter: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Vereinigtes Königreich
EUR 9,55
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. No dustjacket. Minor bumps to cover edges. Some marks to textblock edges. Clippings from dustjacket stapled in at front. Light tanning to pages. Text very good.
Verlag: Harper Perennial, 1991
Anbieter: Stadion Books, Amsterdam, Niederlande
pocket. Zustand: good.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 225,70
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 223,92
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This market is the largest and most liquid-call type derivative in the world. Philips and Connolly intend to clarify definitions and discuss why the warrant is so important to the institutional investor. The authors consider its versatility and the implicat.
Zustand: New. This market is the largest and most liquid-call type derivative in the world. Philips and Connolly intend to clarify definitions and discuss why the warrant is so important to the institutional investor. The authors consider its versatility and the implications for profit from the tremendous volatility in this market. Series: Finance and Capital Markets Series. Num Pages: 248 pages, 6 black & white illustrations, biography. BIC Classification: KFFM; KJ. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 14. Weight in Grams: 465. . 1992. Hardback. . . . . Books ship from the US and Ireland.
Verlag: Columbia Broadcasting System [CBS], Los Angeles, 1980
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Draft script for the 1980 television film. A well-to-do woman with high social standing falls for a construction worker with a gambling addiction. Red untitled wrappers. Title page present, with credits for screenwriter Ruth Gordon, and Garson Kanin. 132 leaves, with last page of text numbered 131. Xerographically duplicated. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.