philippe ger (5 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Taschenbuch. Zustand: Neu. Neuware - L'art Militaire Chez Les Nations Les Plus Célèbres De L'antiquité Et Des Temps Modernes, Analysé Et Comparé, Ou, Recherche De La Vraie Théorie De La Guerre, Et Des Principes Essentiels De L'instruction Militaire, by Léger Marie Philippe Tranchant Laverne, is a historical exploration of military art across various celebrated nations from antiquity to modern times. This work seeks to analyze and compare military strategies, aiming to uncover the true theory of war and the essential principles of military instruction. An invaluable resource for historians and military enthusiasts, this book provides insights into the evolution of warfare and military thought.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - L'art Militaire Chez Les Nations Les Plus Célèbres De L'antiquité Et Des Temps Modernes, Analysé Et Comparé, Ou, Recherche De La Vraie Théorie De La Guerre, Et Des Principes Essentiels De L'instruction Militaire, by Léger Marie Philippe Tranchant Laverne, is a historical exploration of military art across various celebrated nations from antiquity to modern times. This work seeks to analyze and compare military strategies, aiming to uncover the true theory of war and the essential principles of military instruction. An invaluable resource for historians and military enthusiasts, this book provides insights into the evolution of warfare and military thought.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: Good. First 3 of eventual 4 massive volumes. 262 plates. Very fresh without foxing and very heavy: would be 3 cartons of about 11 kilos each. 46 x 61.5cm. Contemporary qtr. red morocco and red boards, rubbed. Binder's etiquette: Tessier, No. 45, rue de la Harpe, Paris. I: [10], 140, [192] p., [90] pl.;II: [6], 98, [186] p., [87] pl.;III: [6], 60, [178] p., [84] pl.OCLC Number / Unique Identifier:1915199:.Vol. I. Discours historique sur la peinture ancienne. Tableaux d'histoire. Par S.C. Croze-Magnan.IVol. I. Discours historique sur la peinture moderne. Tableaux de genre et portraits. Par S.C. Croze-Magnan.Vol. III. Discours historique sur la gravure en taille-douce et sur la gravure en bois. Tableaux de paysages, marines et vues. Par E.Q. Visconti et T.B. Eméric-David.On the title-pages of volume III the name of S.-C. Croze-Magnon is replaced by those of E.Q. Visconti and T.B. Éméric-David. Imprint varies: Volume I is dated 'An XI. = 1803'; vol. II, 'An XIII. = 1805'; vol. III, 1807; .Consisting of nearly 350 plates with accompanying descriptive letterpress and introductory essays, the work describes paintings and sculptures in the Louvre. Published at a time when the former royal collections of France were being added to by the works of art collected by Napoleon from many parts of Europe, the plates (which include several works which were later repatriated such as the Laocoön, a small plaster copy of which is in Soane's collection, are arranged in four broad sections: history paintings including religious works; genre paintings and portraits; landscapes and seascapes; and ancient sculpture. According to the 'Avertissement Contenant Le Plan Général De L'Ouvrage' in vol. I, one volume of the completed work was to be devoted to each genre, but the plates were issued in livraisons containing plates from all four sections concurrently (each section part having a contents leaf) for the sake of variety, each part of each section with a letterpress table of contents, and purchasers were free to choose their own binding order. The preliminary 'Discours Historiques' are sometimes found bound in a separate volume. from Sir John Soane's Museum Collection Reference Number 5590.In-folio, de 90, 87 et 85 planches gravées, demi-veau rouge époque, dos lisse orné de filets dorés (Tessier), frottements, sans le tome IV. Ce magnifique ouvrage appartient tout entier au XVIIIe siècle par ses graveurs et leur tradition artistique. C'est au dévouement et à l'activité du graveur Pierre Laurent qu'on le doit. (Cohen-743) (Brunet-IV-1335) (Vicaire-V-1229) (Graesse-VI-139).