philip romano (12 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Philip J. Romano, 2019. Octavo. Hardcover. Signed, inscribed and dated on flyleaf. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Brand New. 290 pages. 9.50x6.50x1.25 inches. In Stock.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Two Draft scripts for the 1977 television film, which debuted on September 1, 1977, on NBC. One script dated January 14, 1976, credited to screenwriter Stuart Rosenberg (who was not credited on the completed film), and one script dated August 9, 1976, credited to screenwriters Sid Dorfman and Simon Muntner. January 14, 1976 script with manuscript pencil and ink annotations to every page, adding pagination. From the estate of Philip D'Antoni, a major figure in 1970s New Hollywood Cinema, as the producer of "Bullitt" (1968), "The French Connection" (1972), and "The Seven-Ups" (1973). A comedy about a misfit police squad in New York who are assigned to patrol Central Park but are not given guns. Initially intended to be a television series. Shot on location in New York City. January 14, 1976 script: Lacking wrappers. Title page present, dated January 14, 1976, with credits for screenwriter Stuart Rosenberg and story credits to Sonny Grosso. 52 leaves, with last page of text numbered 48. Xerographic duplication, rectos only. Pages Very Good plus, unbound. August 9, 1976 script: Orange titled Studio Duplicating Service wrappers. Title page present, dated August 9, 1976, noted as Revised, with credits for screenwriters Sid Dorfman and Simon Muntner. 31 leaves, with last page of text numbered 30. Mimeograph duplication, rectos only. Pages and wrapper Near Fine, bound with two gold brads.

Zustand: Good. Folio. . Contemporary roan with gilt spine, worn along edges of spine, but tight Pages fresh and crisp. Very good. Bookplates and old ink inscription of previous private owners on inside front cover. 30 x 48.5 cm. Text in French and Latin. . See collation below.OCLC only lists the English language edtion of the same year.References : Brunet III: 599; Cohen de Ricci: 768. .In -folio relié pleine basane brune, dos à nerfs orné et doré (Reliure de l'époque). [5] ff., 247 pp., [1] f., (249 254) pp., [2] ff. Orné d'un frontispice, une vignette armoriée de dédicace et de 130 figures in texte à mi-page d'après Lebrun, Leclere, Maas, Picard, Punt, J. Romain, Tosca, de Wit and Vandelaar par divers sculpteurs. Edition bilingue francol-atine imprimée sur 2 colonnes. Bon état, oxydation des ff. et rousseurs, usures à la reliure.