Phil pastras (33 Ergebnisse)

Sprache: Englisch
Verlag: University of California Press, 2001
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: UNIVERSITY OF CALIFORNIA PRESS, BERKELEY CA., 2001
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. FIRST. A GREAT REFERENCE BOOK WITH MUCH ON THE TIME JELLY ROLL MORTON SPENT IN CALIFORNIA SMALL PREVIOUS OWNERS STICKER OTHERWISE FINE IN A BRIGHT UNCLIPPED JACKET. PHOTOS (illustrator).

Sprache: Englisch
Verlag: University of California Press, 2002
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Zustand: Used - Very Good. VG paperback. New Ed. A very nice as-new copy Used - Very Good. VG paperback.

Sprache: Englisch
Verlag: University of California Press, 2001
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Weitere BilderSprache: Englisch
Verlag: University of California Press, 2003
- Softcover
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Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by California CBMR, 2001. Octavo. Book is like new with very light toning to the page ends and some sticker residue on the back bottom edge. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

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paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Sprache: Englisch
Verlag: University of California,, Berkeley CA 2001., 2001
- Hardcover
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1st edition. 8vo. xxiv + 246pp. B/w. illustrations. Original cloth backed boards. Pictorial lime green d/w. lettered in blue and red. Very good. ISBN 0520215230 US$12.
Weitere BilderSprache: Englisch
Verlag: University of California Press, 2001
- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition, xxiv + 246pp, hardcover, 8vo, bound in blue paper covered boards, silver lettered, dust jacket unclipped and very good, slight age tanning to page edges when book closed o/w book in very good condition, University of California Press, Berkeley, 2001. * one of the best books ever written about Jelly Roll Morton.…

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Paperback. Zustand: New. Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and band leader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative - like his music - is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes."Let's Get to the Nitty Gritty" also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called "The United States of Mind" and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalog of new compositions and recordings that are at least as impressive as his earlier work.…

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Zustand: New. Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and band leader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative - like his music - is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes."Let's Get to the Nitty Gritty" also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called "The United States of Mind" and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalog of new compositions and recordings that are at least as impressive as his earlier work.…

Sprache: Englisch
Verlag: University of California Press, US, 2003
- Softcover
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Paperback. Zustand: New. When Ferdinand 'Jelly Roll' Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account 'the only woman I ever loved', to whom he left almost all of his royalties in his will. In "Dead Man Blues", Phil Pastras sets the record straight on the two periods (1917-1923 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to rechecking sources, correcting mistakes in scholarly accounts, and situating eyewitness narratives within the histories of New Orleans or Los Angeles, Pastras offers a fresh interpretation of the life and work of Morton, one of the most important and influential early practitioners of jazz.Pastras' discovery of a previously unknown collection of memorabilia - including a 58-page scrapbook compiled by Morton himself - sheds new light on Morton's personal and artistic development, as well as on the crucial role played by Anita Gonzales. In a rich, fast-moving, and fascinating narrative, Pastras traces Morton's artistic development as a pianist, composer, and bandleader. Among many other topics, Pastras discusses the complexities of racial identity for Morton and his circle, his belief in voodoo, his relationships with women, his style of performance, and his roots in black musical traditions. Not only does "Dead Man Blues" restore to the historical record invaluable information about one of the great innovators of jazz, it also brings to life one of the most colorful and fascinating periods of musical transformation on the West Coast.…

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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. B Specials EW: This regular size hardcover is new in a new dj. Black spine, yellow then white title.

Verlag: Berkley, Los Angeles & London: University of California Press, 2001
- Softcover
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Paperback (No Dust Wrapper.). Zustand: Near Fine. Condition Notes: Previous owners' name and date to the verso upper wrapper. The contents complete, clean and tight otherwise; Paperback; Measures Trade Paperback (9" x 6") (0.9 kg); pp (xxiv) 246; Index; Bibliography; In the Music of the African Diaspora series; Includes: Black & white photographs; Frontispiece; Number 5 in the series. || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #191758 ||.…

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Zustand: New. 2007. 1st Edition. Paperback. An autobiography of Horace Silver, composer, pianist, and band leader that takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. Editor(s): Pastras, Phil. Num Pages: 282 pages, 17 b/w photographs. BIC Classification: AVGJ; AVRG; BGFA. Category: (P) Professional & Vocational. Dimension: 225 x 153 x 18. Weight in Grams: 426. The Autobiography of Horace Silver. 282 pages, Illustrations. Editor(s): Pastras, Phil. An autobiography of Horace Silver, composer, pianist, and band leader that takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. Cateogry: (P) Professional & Vocational. BIC Classification: AVGJ; AVRG; BGFA. Dimension: 225 x 153 x 18. Weight: 424. . . . . . Books ship from the US and Ireland. …

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Zustand: New.
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In den WarenkorbBerkeley; University of California Press / Center for Black Music Research, Columbia College Chicago, 2001. 23,5x16 cm. xxiv, 246, (1, 1 blank) pp. Publisher's clothbacked boards with printed dustjacket. There is a small scrape mark on the jacket. Spine ends are slightly bumped. Date of purchase in ink on front free endpaper. A fine copy.…

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Zustand: New. In English.

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hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

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Paperback. Zustand: Brand New. 1st edition. 264 pages. 9.00x6.25x0.75 inches. In Stock.

Sprache: Englisch
Verlag: Univ of California Pr, 2003
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Paperback. Zustand: Brand New. 1st edition. 270 pages. 9.00x6.25x0.75 inches. In Stock.

Sprache: Englisch
Verlag: University of California Press, 2002
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Paperback. Zustand: New. Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and band leader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative - like his music - is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes."Let's Get to the Nitty Gritty" also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called "The United States of Mind" and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalog of new compositions and recordings that are at least as impressive as his earlier work.…

Sprache: Englisch
Verlag: University of California Press, 2003
- Softcover
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Kartoniert / Broschiert. Zustand: New. Offers a fresh interpretation of the life and work of Ferdinand Jelly Roll Morton, one of the most important and influential early practitioners of jazz. This book sheds light on Morton s personal and artistic development, as well as on the crucial role p.

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Zustand: New. An autobiography of Horace Silver, composer, pianist, and band leader that takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life after the road in California.Über den .

Sprache: Englisch
Verlag: UCAL POD Jan 2003, 2003
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - When Ferdinand 'Jelly Roll' Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account 'the only woman I ever loved,' to whom he left almost all of his royalties in his will. In Dead Man Blues, Phil Pastras sets the record straight on the two periods (1917-1923 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to rechecking sources, correcting mistakes in scholarly accounts, and situating eyewitness narratives within the histories of New Orleans or Los Angeles, Pastras offers a fresh interpretation of the life and work of Morton, one of the most important and influential early practitioners of jazz. Pastras's discovery of a previously unknown collection of memorabilia--including a 58-page scrapbook compiled by Morton himself--sheds new light on Morton's personal and artistic development, as well as on the crucial role played by Anita Gonzales.In a rich, fast-moving, and fascinating narrative, Pastras traces Morton's artistic development as a pianist, composer, and bandleader. Among many other topics, Pastras discusses the complexities of racial identity for Morton and his circle, his belief in voodoo, his relationships with women, his style of performance, and his roots in black musical traditions. Not only does Dead Man Blues restore to the historical record invaluable information about one of the great innovators of jazz, it also brings to life one of the most colorful and fascinating periods of musical transformation on the West Coast.…

Sprache: Englisch
Verlag: University of California Press, 2003
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative--like his music--is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes.Let's Get to the Nitty Gritty also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.…

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