Phibbs richard (19 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. new edition. 112 pages. 6.50x9.25x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. new edition. 112 pages. 6.50x9.25x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. new edition. 112 pages. 6.50x9.25x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. 113 pages, sepia frontispiece, 3 sepia plates and text-illustrations by Phillipe Jullian, all produced by using "a new engraving process" (the same new process was used to illustrate the dust-jacket), a very good plus hardback in a very good dust-jacket. NOT FROM A LIBRARY and completely clean from any former owner markings.…

First Edition. London: Trianon Press, 1955. 113 pages, 11 drawings and 4 color plates by Phillipe Jullian. Rust colored cloth hardcover with minor edge and tip wear. A nice copy. § First edition.

First edition, first printing. Near fine large format paperback.

Hardcover. Zustand: Good. Dust Jacket Included. THE DUST JACKET IS LIGHTLY RUBBED. THERE IS A PLASTIC PROTECTIVE COVER TO THE JACKET. THE CORNERS ARE BUMPED. THE SPINE IS RUBBED AND BOTH ENDS ARE BUMPED. THE PRICE IS UNCLIPPED. THERE ARE STAINS TO THE FRONT INSIDE BOARD. THE FFEP HAS A PENNED MARK TO THE TOP. THE BINDING IS TIGHT. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.…

Buch. Zustand: Neu. Neuware - For three years, fashion and portrait photographer Richard Phibbs has donated his services to the Humane Society of New York, making portraits of dogs up for adoption as part of the Manhattan shelter's work to find them all 'forever homes.' The best of his photographs are featured in this simple and moving album, along with the story of each dog on its journey from often-shocking circumstances of abandonment and rejection, through rescue and the joy experienced in the new homes these pictures helped them find.…

Zustand: New. KlappentextrnrnFor three years, fashion and portrait photographer Richard Phibbs has donated his services to the Humane Society of New York, making portraits of dogs up for adoption as part of the Manhattan shelter s work to find them all forev.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. The format is approximately 5.75 inches by 8.5 inches. [10], 258, [4] pages. Signed by the author on title page. Minor wear and flap corner creasing noted. Michael Cunningham (born November 6, 1952) is an American novelist and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is Professor in the Practice of Creative Writing at Yale University. The Hours established Cunningham as a major force in the American writing sphere, and his 2010 novel, By Nightfall, was also well received by U.S. critics. Cunningham edited a book of poetry and prose by Walt Whitman, Laws for Creations, and co-wrote, with Susan Minot, a screenplay adapted from Minot's novel Evening. He was a producer for the 2007 film Evening, starring Glenn Close, Toni Collette, and Meryl Streep. In November 2010, Cunningham judged one of NPR's "Three Minute Fiction" contests. In April 2018, it was announced that Cunningham would serve as consulting producer for a revival of the Tales of the City miniseries, which is based on Armistead Maupin's book series of the same name. The miniseries premiered on June 7, 2019. Michael Cunningham's luminous novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn't believe in visions-or in God-but he can't deny what he's seen. At the same time, in the not-quite-gentrified Bushwick neighborhood of Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying-and failing-to write a wedding song for Beth, his wife-to-be, who is seriously ill. Tyler is determined to write a song that will be not merely a sentimental ballad but an enduring expression of love. Barrett, haunted by the light, turns unexpectedly to religion. Tyler grows increasingly convinced that only drugs can release his creative powers. Beth tries to face mortality with as much courage as she can summon. Cunningham follows the Meeks brothers as each travels down a different path in his search for transcendence. In subtle, lucid prose, he demonstrates a profound empathy for his conflicted characters and a singular understanding of what lies at the core of the human soul. The Snow Queen, beautiful and heartbreaking, comic and tragic, proves again that Cunningham is one of the great novelists of his generation. Derived from a Kirkus review: An apparition spotted in Central Park has a man marveling at the place of magic in our lives. Or is it all just a trick of the light? November 2004: Middle-aged Barrett, bright but aimless, has just been dumped and has hit the skids professionally. He's moved into a Brooklyn apartment with his songwriter brother, Tyler, who hides a cocaine addiction and fumes at Dubya-era politics while caring for his fiancee, Beth, in rapid decline from Stage 4 cancer. Amid all this, Barrett is struck by a vision of "pale aqua light" in the night sky that suggests something bigger and more transcendent. Fast-forward a year: Beth's in remission, Barrett is settled, and Tyler's career is looking up. This study of fickle fate from Cunningham has its share of virtues. Since his debut, A Home at the End of the World (1990), he's masterfully characterized ad hoc families, and he's superb at highlighting the ways that small gestures (a finger pressed to a lover's lips; a shift in the way two people sit together) reveal deeper emotional currents. Here, he deftly allows Barrett's vision its power of wonderment while keeping the story firmly realistic. First Edition [stated], Second Printing [stated]. Richard Phibbs (Author photograph) (illustrator).…

Black Dog Publishing, London. 2008. Large-format paperback with flaps. 175 pages. Colour photographs throughout. Clean and sound.

Zustand: Very Good.

Hardcover. Zustand: Fair. 1st Edition. Top 1 cm of red spine missing Limited 75 copies Number 28. Book.

Leather. Zustand: Very Good Indeed. First edition. The very scarce limited edition of Calderon's thrilling tale, illustrated by Clifford Webb and in a Sangorski and Sutcliffe binding. Number 44 of 75 numbered and specially bound copies produced.The first English language translation of this work, translated by Richard Phibbs.This is among the most notable work of Peruvian writer, diplomat and critic, Ventura Garcia Calderon, and was originally published in 1924.With themes of revenge, the story follows a Peruvian Indian that takes on his abusive boss, who is a descendant of the Spanish invaders.Illustrated by Clifford Webb.In a quarter morocco signed binding from Sangorski & Sutcliffe. In the publisher's original signed quarter morocco binding, with cloth covered boards. A touch of rubbing to back strip head and tail, with significant spotting to boards. Internally, firmly bound. Pages clean and bright. Very Good Indeed. Clifford Webb (illustrator). book. …