Petrarca francesco attributed (2 Ergebnisse)
I'HO TANTO TACIUTO (Petrarca-'Frottola'): PER NOZZE - Le Nozze de'Nobili e Buoni nella Benedizione di Dio fruttificano Tesoro di Virtù di Letizia non peritura. / MDCCCLVI. PER LE BEN AUGURATE NOZZE DEL CONTE FRANCESCO ZAULI NALDI DE PAESIA COLLA MARCHESA MARIA GATTANI DE BRISEGHELLA di Costumi di sentire dolcissimi Anna Zauli Naldi Vedova Masini nella Solennita' di avvenimento secondo il suo Cuore a pubblico segno di Giubilo sincero al Fratello diletissimo offeriva. - Del Canco, Paolo Bentini.
PETRARCA, Francesco (attributed) / Conte Francesco Zauli Naldi de Paesia; Marchesa Maria Gattani de Brisighella (Marriage-couple) / PAOLO BENTINI; [Giovanni Ghinassi] (Editors):
Verlag: Cesena, Tip. G. C. Biasini (1856)., 1856
Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, DeutschlandC O - L I B R I , Bremen - Berlin ; Deutschland / Germany .
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In den Warenkorb8 pages. - Publisher's blue, ornamentally designed and titled wrapper; 8vo.(ca. 19,5 x 13,5 cm). ~~~ [Endgültig verlängerter LETZTMALS ERWEITERTER SOMMERVERKAUF / Ongoing ULTIMATELY EXPANDED SUMMER-SALE, ending soon: um über 20% Reduzierter Preis bis Donnerstag, 20.08.2026 / PRICE-REDUCTION of over 20% until Thursday, August 20,… 2026; ursprünglicher Preis / originally EUR 48,-] --- RARE ORIGINAL 19TH CENTURY MARRIAGE PAMPHLET WHICH CAN BE TRACED ONLINE AS 'FROTTOLA INEDITA DI MESSER FRANCESCO PETRARCA': ''Nelle fautissime nozze del conte Francesco Zauli Naldi di Faenza colla marchesa Maria Cattani di Brisighella seguite nel gennajo del 1856 la famiglia Sessi volle far segno di sua viva esultanza coll'offerta della presente The frottola: ''I'ho tanto taciuto'', edited by Giovanni Ghinassi.''(see Folger 'PQ4477.A6 I25 1856', Lockwood Collection). - Paperwrapper slightly used; A BEAUTIFUL COPY OF THE FRAGILE PUBLICATION.
Weitere BilderVerlag: Albert Pafraet,, [Deventer,, 1514
Anbieter: ASHER Rare Books, t Goy Houten, NiederlandeASHER Rare Books
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In den WarenkorbExceptionally rare, one of two known copies of the Psalmi confessionales, attributed to Francesco Petrarca and printed in Deventer, the Netherlands at the beginning of the 16th century. Not to be confused with Petrarca's Psalmi penitentiales, a translation of 7 penitential psalms. In several manuscripts and print editions, the p…resent text in 9 parts often follow Petrarca's 7 penitential psalms, which led many to attribute the Psalmi confessionales to him as well. M. Vattasso in a study of Petrarca codices and H. Cochin in his 1929 French edition of the penitential psalms both suggest that while the present 9 psalms were written in the style of Petrarca, but that they are not authentic. Cochin also suggests that they could be imitations made in the sphere of influence of the Carthusians and Ludolphus de Saxonia.The present work starts with an introductory psalm in which the author - while (luckily) still alive - calls upon God's mercy and wishes to confess his sins. Seven psalms follow the introduction - one for each deadly sin: "superbia", "avaricia", "luxuria", "invidia", "gula", "ira", and "accidia" - in which the author analyses his own shortcomings. The main text ends with one last psalm, starting with "Miserias tibi domine decantavi." and is followed by Rudolf van Langen's Carmen de Septem peccatis capitalibus.The woodcuts can be attributed to the Dutch Bellaert Master. A set of 9 allegorical woodcuts were used to illustrate the mystical text in the incunable edition of Vander dochtere van Syon ("Of the Daughter of Zion"), printed in Antwerp in 1492 by G. Leeu. Several of these woodcuts were reused at the beginning of the 16th century in the Northern Netherlands and 2 of them can be found in the present work. Our attribution of the publication and printing of this work to Albert Pafraet in Deventer (ca. 1514-1517) we owe to J. Machiels and his 1985 analysis of the Psalmi confessionales.With contemporary manuscript annotations in the text in brown ink in Latin and on the verso of the title-page the woodcut illustration of the wounded Daughter (of) Zion is partially traced in brown ink. The binding is very slightly dust-soiled, minor foxing to the margins of the leaves and the last page. Overall in very good condition.l Machiels, Een Petrarca-druk van Albert Pafraet, in: liber amicorum Leon Voet (1985) pp. 273-283; Stadbibliothek Trier (1 copy); STCN 107511010 (Picarta old record) and USTC 420737 refer to the present copy described by Machiels from a Belgian private collection without seeing it; cf. Pétrarque, Les psaumes pénitentiaux, ed. H. Cochin, Paris, 1929; Vattasso, M., I codici Petrarcheschi della Biblioteca Vaticana, Roma, 1908, Appendice III, Un opuscolo poco conosciuto attribuito al Petrarca, p. 197-206; WorldCat 1143220557 (1 copy 1542 ed.); not in Cornell Petrarch cat. Later sheepskin parchment with the title lettered in gold on the spine. With 2 allegorical woodcut illustrations. The first, on the title-page, shows "Cognitio" leaving the room to go inquire who wounded the Daughter (of) Zion. The second, on the last page, shows "Spes", "Fides" and "Cognitio" comforting the Daughter (of) Zion, who is lying in bed. Pages: [6] ff.