Sprache: Englisch
Verlag: Timken Publishers, New York, 1989
ISBN 10: 0943221064 ISBN 13: 9780943221069
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes Königreich
Erstausgabe
EUR 28,99
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 135 pages : illustrations (some colour) ; 26 cm. Max Beckmann (1884-1950) must be counted as one of the giants of twentieth-century art. Among the modern masters, however, he is the one who requires the most interpretation and study. For this reason his work remains less well known and less well understood than it should be. He stands outside the canonical history of modernism be- cause of his insistence on the value of traditional forms in art. And although he is often described as the most German of German painters, his critical reception remains controversial and complicated. This book on Max Beckmann, unlike previous studies, does not focus on his biography or ana- lyze his often difficult subject matter. Instead, Belting considers Beckmann and his achievement within the context of art history, as indeed the artist saw himself reflected throughout his productive life. And rather than focus on Beckmann as an outsider, he shows that Beckmann's idealistic aesthetics, his notions about creativity and myth, and his belief in the transcendent self were all part of the cultural climate in Germany. Today art criticism no longer invites the blind affirmation of all that is modern in art. Beckmann sought his place both in the ranks of modern art and in the rich tradition of art history to which he was heir. By not rejecting traditional forms, Beckmann's art has a particular relevance to the art of today. Viewing Beckmann in the mirror of art his- tory, we not only gain further insight into this most challenging of painters but also are given a model that joins the traditions of art history with problems of modernity.
Soft cover. Zustand: Fine. 28 pp., illustrations.
Verlag: Portland, Ore.: Butters Gallery., 1990
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. 15 pp. Very Good+. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color and B&W plates. Scarce.From the Collection of the Art Historian Peter Selz.
Verlag: New York: Marlborough Gallery, [1992?]., 1992
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. 16 pp. Very Good+. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color plates. Parallel text in English and French. Scarce.From the Collection of the Art Historian Peter Selz.
Verlag: New York, NY: Stephen Rosenberg Gallery., 1989
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. 4 pp. Very Good+. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color plates. Scarce.From the Collection of the Art Historian Peter Selz.
Verlag: New York, NY: Stephen Rosenberg Gallery., 1989
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. Square. 4 pp. Very Good with marginal toning along edges. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color plates. Text by Peter Selz. Includes artist C.V. on back page. Catalogue created on occasion of exhibition at Seth Rosenberg Gallery in New York from September 19 through October 21, 1989. Scarce.From the Collection of the Art Historian Peter Selz.
Verlag: [Berkeley] : Screen Productions., 1986
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Signiert
Zustand: Good. 8vo. Oblong. 96p. Softcover. Good, marking and creasing on covers and inside pages, scuffing around edges, sunning and aging throughout. B&W and color prints throughout. Signed by author and famed art historian Peter Selz (1986).From the Collection of the Art Historian Peter Selz (1919-2019).
Verlag: [Berkeley] : Screen Productions., 1986
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. Oblong. 96p. Softcover. Good, marking and creasing on covers and inside pages, scuffing around edges, sunning and aging throughout. B&W and color prints throughout. Inscribed by artist to book's author and famed art historian Peter Selz.From the Collection of the Art Historian Peter Selz (1919-2019).