peter sedgley (8 Ergebnisse)

Zustand: good+. Zustand des Schutzumschlags: none. cover design by Peter Sedgley (illustrator). First Edition. anthology includes stories by H.G. Wells, T. sturgeon, R. Sheckley, Harry Harrison, C. M. Kornbluth, Erick Frank Russell, Brian W. Aldiss, Ray Bradbury, James Blish, Arthur c. clarke DK5. hardcover, 79 written on cover, ex-library with usual library stamps, binding very good, pages clean, 218 pages.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. A little fading on cover. Softcover. English. Pub Year 1996, See images for condition. Peter Sedgley: Painting, Kinetics, Installations 1964?1996 by Peter Sedgley is a comprehensive survey of one of Britain?s most innovative post-war artists, charting over three decades of experimentation with colour, light, and movement.Spanning works from 1964 to 1996, the book documents Sedgley?s evolution from early hard-edge painting into kinetic and light-based installations that engage directly with perception and the viewer?s experience. His practice?closely associated with Op Art and perceptual abstraction?explores how colour relationships, rhythm, and motion can create dynamic visual effects that shift over time.Richly illustrated and thoughtfully contextualised, this volume offers insight into Sedgley?s pioneering use of technology and his interest in transforming static surfaces into immersive environments. It stands as both a visual record and a critical reflection on a career dedicated to expanding the boundaries of contemporary art.Ideal for: collectors, students, and enthusiasts of Op Art, kinetic art, and late 20th-century British abstraction.

Soft cover. Zustand: New. 1st Edition. 32 pages : colour illustrations ; 18 cm. Catalog of an exhibition held Mar. 11-Apr. 9, 2009 at the Redfern Gallery, London.

Card covers. Zustand: Good. First Edition. 20 x 20cm. Tri-fold exhibition brochure with text in German, containing a striking piece of Op Art with a multi-coloured corona. Supplied with two transparent colour sheets to filter the corona image. Covers slightly discoloured and worn.

Erste Auflage. 20 x 20 cm. 3 S. OBroschur. Einband etwas lichtrandig, 2 transparente Klebestreifen auf Rückendeckel. Gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Berlin 15. Oktober bis 21. November. Dreiseitiger gefalteter Katalog mit einem Vorwort von Heinz Ohff, Biographie und Ausstellungsverzeichnis sowie einer Abbildung der "Targets" mit 2 aufmontierten farbigen Folienblättern, die veränderbares Scheinwerferlicht imitieren.

Paperback. Zustand: Near fine in wraps. First Edition. 22 x 22cm near fine paperback catalogue featuring Sedgley's incredible light and other works with single page colour reproductions.

Paperback original. Zustand: Near fine in wraps. First Edition. 22 x 22cm near fine paperback exhibition catalogue with Czechoslovakian and English text together with colour reproductions.

Complete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated '1970' and numbered from the edition of 100 incised verso, published by Editions Alecto, London, each disc 75 cm. (29 in.) diameter, all contained in the original black wooden box with titles on the top, lacking the motor and ultra-violet light unit, crate: 80 x 84 x 23.5 cm (31 1/2 x 33 1/8 x 9 1/4 in.). Only half the edition was produced. max23 Since the 1960s, Op artist Peter Sedgley has been producing luminous paintings of circles and optical explorations of light and kinetics. Trained as an architect at the Brixton Technical School and then serving as an assistant in architectural firms during the 1940s and '50s, Sedgley began to paint in 1963 and pursued his career as an artist. Along with Bridget Riley, Sedgley established S.P.A.C.E. (Space Provision, Artistic, Cultural and Educational) which administered studio space to young artists. In his work, Sedgley began experimenting with elements like video-rotors (painted disks programmed with patterns of light), and later, incorporating sound with his changing colours. In his space-related, environmental works, Sedgley creates art where light, prisms and projections are animated by kinetics. Peter Sedgley is a leading figure in the Optical and Kinetic movements who came to prominence during the 1960s. Born in London, Sedgley studied architecture before devoting himself solely to visual art from 1959. Peter Sedgley's first solo exhibitions in 1965 were held at McRoberts and Tunnard Gallery, London and Howard Wise Gallery, New York. He was included in the influential Responsive Eye exhibition at MOMA, New York in 1964 and was a prizewinner at the Tokyo Biennale in 1965.