peter marin (31 Ergebnisse)

Zustand: Good. 1st printing. Light wear to boards with light fading. Content has toning and marks on the outer edge pages. Good DJ with some edge wear, toning and a sticker on the ffep.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good, DJ, 256pp.

Zustand: New. In.

Zustand: New. In.

Soft Cover. Zustand: Very Good Plus. Covers in very good condition. Book is tight and clean. A very nice copy.

Softcover. Zustand: Near Fine. First edition. Octavo. Perfectbound in wrappers. Near fine with a touch of sunning to the topedges of the wraps and some offsetting on the first page from the red wrappers.

Soft cover. Zustand: Very Good. 1st Edition. First Edition (stated), 1969. Tightly bound with slight margin wear to the binding and minor aging. A crease and a damp stain to the back cover. A previous owner's address stamp inside the front cover, otherwise the contents are unmarked. A great collection of Sixties photos with a short introductory text.

Zustand: New. In.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Zustand: NEW.

Broché. Zustand: Bon état. in-8 Description :192 pp. Marges jaunies. Langue : français Nb de volumes : 1.

Hardcover. Zustand: Very Good-. First Edition. B & W photos; 8vo 8" - 9" tall; 128 pages; 1969 Outerbridge & Dienstfrey. Hardcover first edition, soundly bound in glazed pictorial paper-covered boards. A fascinating photographic essay capturing the American counterculture of 196869. Comprises approximately 128 unnumbered pages, richly illustrated with black-and-white photographs documenting the hippie movement, including striking, well-composed scenes from Haight-Ashbury, communal living, and Woodstock. Light rubbing and wear to board edges, with some shelf soiling to the rear board surface. A two-inch-wide rectilinear swath along the front edge of the rear board lacks its glossy finishpossibly the result of a removed publisher's band or overlay. Uncommon in the hardcover edition. VG.

. Harper & Row, Publishers. New York USA. 1971. 1. Aufl. 163 S. 15*22cm. -3)Bibl. Bibliotheksexemplar/Library copy.

Taschenbuch. Zustand: Neu. Neuware - En mayo de 1925, Percy Harrison Fawcett, legendario explorador inglés, acompañado de su hijo y un amigo de este, desapareció en el interior de la selva amazónica brasileña, su particular 'infierno verde', tal y como lo describió. Desde hacía años perseguía El Dorado, la mítica ciudad perdida que él denominó 'Z'. Jamás se supo nada de él o su expedición, pero su búsqueda y leyenda arrastraron -y, en ocasiones, condujeron a la muerte- a decenas de aventureros, creando una fantástica fawcettmanía que fundó cultos sobre la 'tierra hueca' y siniestras fraternidades 'invisibles', así como inspiró al personaje de Indiana Jones. En realidad, escondiendo esto a la Royal Geographic Society y sus patrocinadores, Fawcett, el explorador 'nietzscheano', creía en la teosofía y el mundo oculto más delirante. Su plan consistía en lograr contactar con la ancestral Hermandad Blanca o los descendientes superdotados de atlantes o lemurianos, habitantes de continentes perdidos que, para Helena Blavatsky, fundadora de la teosofía, o para los creyentes protonazis de la 'ariosofía', eran absolutamente reales y formaban parte de extrañas teorías raciales supremacistas.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 370 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. Die doppelte Bestimmung des Raumes als Kategorie musikbezogener Reflexion einerseits, als deren kategoriale Rahmung andererseits hat sich fuer diesen Band als fruchtbar erwiesen: Auf diese Weise geraten Musik, Kultur und das soziale Handeln des Menschen in e.

Zustand: Sehr gut. Erstausgabe. 78; 157 S., 4°, Klappenbroschur, in Kartonschuber, mit farbigen Abb. Sehr guter Zustand.

Zustand: New. Viele Komponisten - von Corelli, Albicastro und Alessandro Scarlatti bis Carl Philipp Emanuel Bach und vielen anderen - haben das beruehmte melodisch-harmonische Satzmodell der Folia als Grundlage fuer Zyklen von Variationen verwendet.||Hans-Peter Schmitz .

Softcover, 291 pages, 26 x 20.5 cm. ISBN 0079497x. ?The Dead are Watching Us?: A Landscape Study of Prehistoric Rock-cut Tomb Cemeteries in Ossi, Sardinia, Italy Guillaume Robin, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley Article Select Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Article Select Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Article Select El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia Article Select Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Select Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Article Select Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Article Select The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management Article Select Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Article Select Beyond Newgrange: Brú na Bóinne in the later Neolithic Beyond Newgrange: Brú na Bóinne in the later Neolithic Article Select A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland Article Select Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Article Select Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales 0 g.

201 Seiten, 2 Bl. Mit zahlr., meist farbigen Illustrationen. Quart (30x24 cm). Illustr. Orig.Pappband. ** Sehr gut erhalten (keine Namen, neuwertig).

Gebundene Ausgabe. Zustand: Sehr gut. 439 S. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 581.

Notenblatt. Zustand: Neu. Neuware.

Zustand: Very Good. Zustand des Schutzumschlags: near fine. 'Fandangos 8.9.10.11. Superb Issue!', Maastricht, 1978. 300x210mm. 180pp. No edition size given (500 copies). Printed black on white in blue, white and gold printed wraps. Published spring 1978, the last issue of this artists' periodical edited and published by Raul Marroquin. Stickers to front cover, artist stamps inside. Includes articles on 'Superbman', the 'nation's number one citizen', a character created by Raul Marroquin who, the article describes, was appointed as 'Friendship Ambassador to Europe'. The article is uniquely handsigned by Raul Marroquin as Superbman: "With love Fandangos - Superbman" in red marker pen. Peter Frank, Ulises Carrion, Maarten van Regteren Altena, Robert Filliou, Raul Marroquin, Paul Carter, Julia Hayward, Jana Haimsohn, Darcy Lange, Antonio Caro, Baladi, Angelika Schmid, Jonier Marin, Montadas, C. Garcia, Tobe Carey, Klaus Staek, Jan Patric, David Zack, J. Charlin, Eduard Bal, Sanja Ivekovic, Michel Cardena, Tony Morgan, Marjo Schumans, Ben D'Armagnac, Elsa Stansfield, Madieon Hooykaas, Jantje Tetelepta, I. Akel, Joshua Jansen, Relly Carlo, Nan Hoover, Tony Pegotti, Michael Krzyzanowski, Ger van Dijk, John Liggins, Bob Takes/Michiel Romeyn, Jorgos Chronis, Michael Gibbs, Marten Hendriks/ Ad Gerritsen, Marianne Heske, Kirsten Bates and Taki Bluesinger, Jenna Van Eegan, Richard Hefti, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley, Charlemagne Palestine, Peter Hutchinson, Phillip Pearlman, Anne Tardos, Roger Cutforth, Willoughby Sharp, R Heyman, Douglas Davis, Jean Depuy, Scott Burton, Larry Miller, Jacki Apple, Laurie Anderson, Jeffrey Deitch, Dalibor Martinis, Marcia Resnick, Anna Banana, Rita Yokoi, Geurt Van Dijk, A Rainer, Dieter Rot, Luigi Ontani, Boltanski, Ad Gerritsen, Annette Messager, Jurgen Klauke, Yves de Smet, Nikolaus Urban, Jan Hendrix, Reindeer Werk, Martha Hawley. A Complete set of Fandangos is available on request. Condition: minor handling to covers, overall Near Fine.

Zustand: Good only. 'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes interview with Michel Cardena and videowork by Nam June Paik, Charlotte Moorman, Dennis Oppenheim and Vito Acconci. Contributors include: Anna Banana, Carlo Giovanni Cicatelli, Marjo Schumans, Gerrit Dekker, Jurgen Klauke-Ulay, Chris Burden, Jorge Caballero, Jan van der Hayden, Maurizio Nannucci, Janos Urban, Opal L. Nations, Peter Frank, Andrzej Partum, Fujiwara Kazumichi, Philip Perlman, Ira Schneider, Jonier Marin, Nicola de Maria, Michael Druks, and others. Edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others, 'Fandangos' is an important and highly sought-after artist periodical. Published by Agora Studios and the Jan Van Eyck Academy Maastricht, there were a total of 8 magazines representing 11 issues. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Condition: some rust to staples, occasional toning and marks to pages. The final 32 pages have been folded centre top to bottom in the past. The first 32 pages and the front cover are not affected by this fold. No tears or writing. Good only.