Peter klein editors (8 Ergebnisse)
Verlag: Ginn-Blaisdell
- Softcover
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In den WarenkorbPaperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Ginn-Blaisdell
- Softcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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In den WarenkorbPaperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: Blaisdell/ Ginn
- Softcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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In den WarenkorbPaperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Blaisdell/ Ginn
- Softcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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In den WarenkorbPaperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Verlag: Ginn-Blaisdell, Waltham, MA, 1969
- Softcover
- Erstausgabe
Anbieter: Abacus Bookshop, Pittsford, NY, USAAbacus Bookshop
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EUR 6,66
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In den Warenkorbsoftcover. Zustand: Very good copy. 1st. 8vo, 227 pp., Monuments of Western Thought Series.
Verlag: Blaisdell Publishing Company
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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In den WarenkorbZustand: Good. Good condition. (Philosophy, Literature, Criticism, interpretation) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Kant-Festschrift zu Kants 200. Geburtstag am 22. April 1924
Wieser, Friedrich von; Leopold Wenger; Peter Klein (editors)
Verlag: Walther Rothschild, Berlin-Grunewald, 1924
- Hardcover
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)
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In den WarenkorbHardcover. 8vo. 301,[18],pp. Three-quarter leather over paper-covered boards with gold lettering on spine. Head and tail of spine chipped. Wear to edges. Two-inch split along head of spine. Browning to pages. Frontispiece. Immanuel Kant (1724-1804) was a German philosopher and professor of logic and metaphysics. This work was pu…blished in commemoration of Kant's 200th birthday on April 22nd, 1924. Text in German. Overall good- condition.
Weitere BilderThe Master of Flemalle and Rogier Van der Weyden
Kemperdick; Stephan and Sander, Jochen (editors); with essays by Eclercy, Bastian; Kemperdick, Stephan ; Klein, Peter; Kollermann, Antje-Fee; and Sander, Jochen
- Softcover
- Erstausgabe
Anbieter: Jorge Welsh Books, Lisboa, PortugalJorge Welsh Books
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EUR 280,00
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Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 2.4 kg.; 25 x 30.5 cm.; 404 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Interior with signs of wea…r.; Catalogue from the exhibition Der Meister von Flemalle und Rogier van der Weyden held at the Stadel Museum, Frankfurt am Main November 21, 2008-February 22, 2009 and at the Gemäldegalerie, Staatliche Museen zu Berlin, Kulturforum Potsdamer Platz March 20-June 21, 2009. An exhibition organized by the Stadel Museum, Frankfurt am Main, and the Gemaldegalerie, Staatliche Museen, Berlin.; The paintings created in the Burgundian Netherlands of the early fifteenth century are characterized by the precise, realistic details and extraordinary power of expression that marked the birth of early modern painting north of the Alps. In addition to the brothers Hubert and Jan van Eyck, the "Master of Flemalle," who has often been identified with the painter Robert Campin of Tournai (ca. 1375-1444/45), and Rogier van der Weyden (1399/1400-1464), who worked in Campin's workshop between 1427 and 1432 before moving to Brussels to assume the position of city painter, played crucial roles in this development. Nevertheless, the identification of the Master of Flemalle with the painter Robert Campin is still fiercely debated, as are the boundaries between his work and that of his temporary assistant Rogier van der Weyden. The exhibition at the Stadel Museum in Frankfurt am Main and the Gemaldegalerie in Berlin is the first major presentation of the work of both artists. Many of the nearly sixty paintings in the exhibition, which come from major collections in Europe and the United States, have never been loaned before, while some groups of works have been reunited for the first time in centuries, thus making the exhibition a unique opportunity to compare the individual paintings and to discuss the questions surrounding their origins in a fresh new way.
