Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Zustand: Good. Good condition. With remainder mark. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: Createspace Independent Publishing Platform, 2013
ISBN 10: 1490402853 ISBN 13: 9781490402857
Sprache: Englisch
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: Createspace Independent Publishing Platform, 2013
ISBN 10: 1490402853 ISBN 13: 9781490402857
Sprache: Englisch
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: CreateSpace Independent Publishing Platform, 2013
ISBN 10: 1490402853 ISBN 13: 9781490402857
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Seagull Books, Hove, Vereinigtes Königreich
EUR 6,76
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK.
Verlag: Vineyard International Publish, 2000
ISBN 10: 062026375X ISBN 13: 9780620263757
Sprache: Englisch
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.52.
Verlag: Vineyard International Publish, SA, 2000
ISBN 10: 062026375X ISBN 13: 9780620263757
Sprache: Englisch
Anbieter: RIVERLEE BOOKS, Waltham Cross, HERTS, Vereinigtes Königreich
EUR 6,47
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. Very good condition soft cover, some wear to cover and spine, internally clean and tidy, in a good readable condition.
EUR 14,97
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 56 pages. 6.00x4.00x0.13 inches. In Stock.
Verlag: Vineyard International Publish, 2000
ISBN 10: 062026375X ISBN 13: 9780620263757
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Zustand: New. Idioma/Language: Español. La comunicación: De los orígenes a Internet aparece en un escenario de aceleradas trasformaciones de nuestra sociedad. En los diversos capítulos de esta obra, Tecumseh Fitch analiza la evolución biológica del lenguaje y Umberto Eco recorre los cambios "de Internet a Gutenberg". Joan Majó describe la evolución de las tecnologías de la comunicación humana hasta la digitalización y la convergencia entre la informática y las telecomunicaciones. Miquel de Moragas y Urs Gasser analizan los impactos de la comunicación en la cultura y la educación. Ashley Beale se aproxima a los importantes cambios que la globalización significa para las culturas nacionales y las formas políticas tradicionales de los estados-nación y Peter Dahlgren considera cómo la participación política en la democracia moderna puede verse potenciada, pero también manipulada por el uso de internet y los nuevos medios de comunicación. Todos los autores coinciden en rechazar posiciones deterministas en las relaciones entre comunicación, tecnologías y beneficios sociales. En este libro la comunicación aparece como un fenómeno transversal que afecta a la cultura, la economía, la política, la educación, la vida cotidiana y el entretenimiento. Es, en particular, un elemento central del debate actual sobre la democracia. En todos los capítulos de este libro emerge una cuestión central: ¿hasta qué punto los cambios en la comunicación favorecen, potencian o perjudican la participación y la diversidad? *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
EUR 128,74
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 479.
Verlag: Association for Symbolic Logic, Menasha / Ann Arbor, 1944
Sprache: Englisch
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Magazin / Zeitschrift Erstausgabe
Grey Wrappers. Zustand: Near Fine. First Edition. Volume 9 No 1, 32 Pp. Scarce In This, The Original Publication State Of Gray Printed Wrappers. Near Fine. Contains Rozsa's Reviews (In German) Of Articles By Skolem, Psposil, Suranyi, And Of Two Articles By Laszlo Klmar. Rózsa Péter, Born Rózsa Politzer, (1905 - 1977) Was A Hungarian Mathematician And Logician. She Is Best Known As The "Founding Mother Of Recursion Theory". Initially, Péter Began Her Graduate Research On Number Theory. Upon Discovering That Her Results Had Already Been Proven By The Work Of Robert Carmichael And L. E. Dickson, She Abandoned Mathematics To Focus On Poetry. However, She Was Convinced To Return To Mathematics By Her Friend László Kalmár, Who Suggested She Research The Work Of Kurt Gödel On The Theory Of Incompleteness.[3] She Prepared Her Own, Different Proofs To Gödel's Work. Péter Presented The Results Of Her Paper On Recursive Theory, "Rekursive Funktionen," To The International Congress Of Mathematicians In Zurich, Switzerland In 1932. For Her Research, She Received Her Phd Summa Cum Laude In 1935. In 1936, She Presented A Paper Entitled "Über Rekursive Funktionen Der Zweiten Stufe" To The International Congress Of Mathematicians In Oslo.[3] These Papers Helped To Found The Modern Field Of Recursive Function Theory As A Separate Area Of Mathematical Research. In 1937, She Was Appointed As Contributing Editor Of The Journal Of Symbolic Logic. After The Passage Of The Jewish Laws Of 1939 In Hungary, Péter Was Forbidden To Teach Because Of Her Jewish Origin And Was Briefly Confined To A Ghetto In Budapest. During World War Ii, She Wrote Her Book Playing With Infinity: Mathematical Explorations And Excursions, A Work For Lay Readers On The Topics Of Number Theory And Logic. In 1952, She Was The First Hungarian Woman To Be Made An Academic Doctor Of Mathematics. After The College Closed In 1955, She Taught At Eötvös Loránd University Until Her Retirement In 1975. She Was A Popular Professor, Known As "Aunt Rózsa" To Her Students. In 1951, She Published Her Key Work, Recursive Functions (Rekursive Funtionen). She Continued To Publish Important Papers On Recursive Theory Throughout Her Life. Beginning In The Mid-1950S, Péter Applied Recursive Function Theory To Computers. Her Final Book, Published In 1976, Was Recursive Functions In Computer Theory. Originally Published In Hungarian, It Was The Second Hungarian Mathematical Book To Be Published In The Soviet Union Because Its Subject Matter Was Considered Indispensable To The Theory Of Computers. It Was Translated Into English In 1981.Péter Was Awarded The Kossuth Prize In 1951. She Received The Manó Beke Prize By The János Bolyai Mathematical Society In 1953, The Silver State Prize In 1970, And The Gold State Prize In 1973. In 1973, She Became The First Woman To Be Elected To The Hungarian Academy Of Sciences.
Anbieter: Structure, Verses, Agency Books, Spray, OR, USA
Erstausgabe Signiert
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. A fine and useful lot of books designed to augment the main work, published in 1989 by Harry N. Abrams, by Billy Kluver and Julie Martin, SIGNED by both authors at the first free endpaper, 1) Kiki's Paris: Artists and Lovers 1900-1930. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound handsomely in black cloth and with sharp and distinct gilt lettering to spine, embossed title at front cover top. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. A stated First Edition, and replete with many, many score black-and-white photographs and illustrations, of Hemingway and Kiki, Marcel Duchamp, Joan Miro, Gertrude Stein, Guillaume Appollinaire, Henri Matisse, James Joyce, Modigliani, and many others--the list goes on and on and on. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. There is a signature, too, opposite those of the two authors: "W Matisse" . . . [5], 6-263 [1] pp. The lot includes also 2) Robert Phelps, Professional Secrets: autobiography of Jean Cocteau, translated by Richard Howard from the original French of Jean Cocteau (New York: Farrar, Straus & Giroux, 1970), stated First Edition thus, a Near Fine condition hardcover, gift inscription at first free endpaper, Very Good dust jacket with light creasing to, wear of upper front panel edge, illustrated, with a range of black-and-white photographs and illustrations, xiii [8], 8-331 pp.; 3) Lionel Abel, The Intellectual Follies: a memoir of the literary venture in New York and Paris (New York: W.W. Norton & Company, 1984), stated First Edition, First Printing, Fine hardcover, Very dust jacket, Brodart-protected, price-clipped, notes, bibliography and index, with [7], 8 [2], 12-304 pp.; Noel Riley Fitch, In Transition, a Paris Anthology: writing and art from transition magazine 1927-1930 (New York: Doubleday, 1990), [9], 10-256 pp., and with contributions by Samuel Beckett, Paul Bowles, Kay Boyle, Andre Gide, James Joyce, Paul Klee, Man Ray, Diego Rivera, Trsitan Tzara, Katherine Anne Porter, Pablo Picasso, Joan Miro and others; Dougald McMillan, Transition 1927-38: the history of a literary era (New York: George Braziller, 1976), stated First Printing, Fine in a like dust jacket, illustrated, frontis matter, 1-303 pp., complete with notes and bibliography; Claude Bernard Gallery, Varlin 1900-1977 (New York: Claude Bernard Gallery, 1986), with texts by Friedrich Durrenmatt and Peter Selz, photograph of the artist by Henri Cartier-Bresson, 56 pp., previous owner inscription on rear panel; Hugh Ford, Published in Paris: American and British Writers, Printers, and Publishers in Paris, 1920-1939 (New York: Macmillan, 1975), stated First Printing, Near Fine in a price-clipped, Very Good dust jacket, slightly sunned, price-clipped, xvii [2], 3-453 pp., and complete with notes, bibliography and index. Special focus on the works of D.H. Lawrence, Djuna Barnes, Samuel Beckett, Kay Boyle, Henry Miller, Anais Nin, Lawrence Durrell, Ezra Pound, H.D., Gertrude Stein and many others.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. Signed by Author.
Verlag: N.p., N.p., 2001
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Rainbow Revision Shooting Draft script for the 2002 film with six gatherings of revision pages. From the archive of crew member Chris Scher. The six gatherings of revision pages include: Six buff revision ages dated 5/03/01. Twelve buff revision pages, dated May 3, 2001, with a label on the title page for uncredited crew member "Steve Martinez / Construction Department." Eleven cherry revision pages dated May 6, 2001. Four tan revision pages, dated May 16, 2001, with a label on the title page for "Construction Department," with the name struck. Two pages of 2nd white revision pages, dated May 21, 2001, with a label on the title page for "Jason Vanover / Construction Department" (Vanover had the uncredited position of Key Greensman on the film). And seven 2nd yellow revision pages, dated June 11, 2001, with a label on the title page for "Jason Vanover / Construction Department." Based on the 1999 bestselling novel by Janet Fitch. Fifteen-year old Astrid finds herself shuffled from foster home to foster home after her free-spirited mother with borderline personality disorder is imprisoned after poisoning her lover. Chris Scher has worked in American films from 1994 to the present. She was a propmaker, construction accountant/estimator/buyer, and carpenter on over 20 movies, including "The Last Seduction" (1994), "Pulp Fiction" (1994), "From Dusk Till Dawn" (1994), "The Horse Whisperer (1998), "Joy Ride" (2001), and others. She also performed the same work for prestige television dramas, including "The Bridge" (2014), "Ozark" (2017), and "Yellowstone" (2018). Shot on location in Santa Clarita and Los Angeles, California. Front wrapper integral with title page, dated March 21, 2001, noted as Shooting Draft, with credits for screenwriter Mary Agnes Donoghue. 133 leaves, with last page of text numbered 125. Xerograhic duplication, rectos only, with blue, pink, yellow, green, and goldenrod revision pages throughout, dated variously between 3/21/01 and 4/21/01. Pages Near Fine, bound with two gold brads. Revision Pages, with each grouping affixed by a single staple to the top left. Near Fine.