peter cutler (22 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex Library Book with usual stamps and stickers. Minor Shelfwear.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. First. 12mo. V sligft shelf rub to black cover. Pegs yellowing. Book.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In.

Paperback. Zustand: Brand New. 208 pages. 7.72x5.04x0.63 inches. In Stock.

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.

Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Peter Blake, Michael Foreman, Vanessa Jackson et al (illustrator). First Edition. Ambit Number 100, published in 1985. Illustrated throughout in monochrome and occasional colour. Cover artwork by Peter Blake. ***Near fine in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are just slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. Spine tight. ***248mm x 176mm. 192 pages. ***Contents: please see scan of back cover. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A mid 80s edition of the magazine in very nice, collectable condition - this being a bumper-sized double issue. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Peter Blake, Michael Foreman, Vanessa Jackson et al (illustrator). First Edition. Ambit Number 100, published in 1985. Illustrated throughout in monochrome and occasional colour. Cover artwork by Peter Blake. ***Near fine in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are just slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. Spine tight. ***248mm x 176mm. 192 pages. ***Contents: please see scan of back cover. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A mid 80s edition of the magazine in very nice, collectable condition - this being a bumper-sized double issue. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.

Hard Cover. Zustand: Good. No Jacket. Hard cover. Usual ex-library features. The interior is clean and tight. Binding and cover are good. 50 pages. The book has been library hardbound. Ex-Library.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 246 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.