peter collinson director (7 Ergebnisse)

Vintage black-and-white still photograph of Oliver Reed from the UK release of the 1976 Israeli film. Features Oliver Reed, with layout annotations and distributor rubber-stamp on the verso. An ex-CIA agent is the next target for the KGB and the CIA who have struck a bargain to eliminate former agents who might prove embarrassing to either of their espionage organizations. 8 x 10 inches. Faint creases overall, else Near Fine.

Collection of 10 vintage black-and-white still photographs from the 1975 UK film. Mimeo snipes and layout annotations on the versos of two stills. A made-for-television movie, based on the 1933 novel, "Some Must Watch," by Ethel Lina White, and a remake of the 1945 Hitchcockian noir, about a small-town psycho who chooses disabled women as his victims. 8 x 10 inches. Near Fine.

Draft script for the 1970 film. One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor, art imitated life, as the burly Gordon typically played an outlaw, typecast predominately in Westerns. Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. Set in 1922 Greco-Turkish War, shot on location in Turkey. Blue titled wrappers. Title page present, with credits for Leo V. Gordon. 129 leaves, with last page of text numbered 129. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

Two vintage oversize matte-finish borderless double weight reference photographs from the French release of the 1967 film, both showing actress Suzy Kendall. Loosely based on the 1967 play "The Meter Man" by Scott Forbes. A pair of oafish thugs break into a wealthy London penthouse apartment, planning to terrorize the couple they find within-only to discover the couple ready and willing to explore a number of bizarre sexual fetishes. Set in London. 11.75 x 9.5 inches. Very Good, moderately edgeworn, one with pinholes at the corners.

Vintage borderless reference photograph from the 1971 British film, showing a satanic ritual. Printed mimeo snipe in German affixed to the verso. Based on Sheridan Le Fanu's 1872 novella "Carmilla," the third and final film in Hammer Film's lesbian-themed Gothic vampire series "The Karnstein Trilogy," preceded by "The Vampire Lovers" (1970) and "Lust for a Vampire" (1971). Set in Styria, shot on location in Buckinghamshire, England, and in Belgrade, Serbia. 8 x 9.75 inches. Hint of wear at the corners, else Near Fine. Johnson and Del Vecchio, p. 344.

Two vintage borderless reference photographs of Suzy Kendall, Terence Morgan, and Norman Rodway from the 1967 British film. Loosely based on the 1967 play "The Meter Man" by Scott Forbes. A pair of oafish thugs break into a wealthy London penthouse apartment, planning to terrorize the couple they find within-only to discover the couple ready and willing to explore a number of bizarre sexual fetishes. Set in London. 7.25 x 7.25 inches. Near Fine.

Six vintage oversize borderless photographs from the 1969 British film. With manuscript annotations and an agency stamp on the verso of each. One of the best heist films of the twentieth century: funny, complex, and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film, with as fine an ending as one could ask for. 13 x 9 inches. Near Fine. Lee, The Heist Film.