peter a a sutherland (15 Ergebnisse)

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Cognitive Development Today: Piaget and his Critics This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

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Heft/Zeitschrift. Zustand: leichte Gebrauchsspuren. 1000 copies. READY TO SEND! Very good condition - like new - international shipping In deutscher Sprache. n. pag. (arr. 50 p.) 235 x 165 mm.

Paperback. Zustand: Brand New. 1st edition. 216 pages. 8.50x6.00x0.50 inches. In Stock.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. 150 pages. 9.68x6.87x9.61 inches. In Stock.

Zustand: New.

Soft cover. Zustand: New. 30 pages : illustrations (some colour) ; 21 cm. Catalogue of an exhibition held at the Redfern Gallery, London, 15 February - 23 March 1989. Includes : Patrick Procktor RA, Paul Feiler, Keith Vaughan, Francis Davison, Adrian Heath, Stanley William Hayter, Christopher Wood, Sir Terry Frost RA, Merlyn Evans, Alan Reynolds ,Ivon Hitchens, Prunella Clough, Graham Sutherland, Arthur Lett-Haines, Peter Lanyon, Sir Cedric Morris, Michael Ayrton, Ben Nicholson, John Minton page.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha.

4°, ca. 100 S., farb. Abb., 1 T-Shirt (schwarze Variante), Brosch. in Plastiktasche, Tadellos. EA. Ex. Nr. 705/1000. - Enth. Beiträge von/zu «Luke Barber-Smith, Hennie Haworth, Insert | VIA, Michael Perry, Insert | VIA, Metro, Peter Sutherland, Booklet | Leica, Nieves Pick, adicup ? New York, NY, Martine Barrat, Yamandu Roos, Cyprien Gaillard. Sound in Print | Mike Maxwell, Sound in Print | Keith Andrew Shore, 90078 | Artist Unknown. 90078 | Dave Bevan, Fama Instante» - «Arkitip?s beginnings were humble. While the magazine began with a 50 copy, hand stapled run in late 1999, those first copies look more sophisticated than most other ?zines? you might have considered in the same category. The covers were silk-screened on corrugated cardboard and the docutek used to replicate the black & white art in the magazine rivaled the performance of most offset printers. It had a great homemade feel that was bona fide quality. Excellence in production is still of primary importance to Arkitip today. Artists contributing to the magazine respect this, as they know their art will not be compromised in any way. Today, Arkitip is a hand numbered 4/color art book. The fact that the magazine publishes site specific work at a lower price point than what hangs on gallery walls makes it available to art collectors of all economic levels. Each issue is like an original piece of art in and of itself. The magazine?s founding principles remain as they were when we began:- Support the arts- Promote freedom of expression- Make art affordable and accessibleArkitip Magazine serves these principles every day by its very existence. What began as a creative project between friends has become a full fledged business and a worldwide source for groundbreaking art and design today.5 Things you might not know about Arkitip:Site specific artwork:Arkitip delivers original, site specific artwork in every issue. The assignment for the artists who contribute is to create something original to run in the magazine. Artists have the opportunity to design and layout the art they contribute as well. Making a contribution to Arkitip is like creating your own ?installation? that is then distributed around the world. It?s like a traveling exhibition that you can take home.We put it out there:Supporting freedom of expression has never been an easy thing, but the magazine has successfully published the art of many controversial artists. Some of these artists have contributed work that had never been published before (or since), because it was considered too controversial. Using the magazine as a medium, Arkitip provides artists with a platform for open expression. We believe this helps keep the true spirit of art alive.No compromise:Arkitip is a completely home grown, self-supporting operation. We have complete control over all aspects of the magazine?s content, design, manufacturing, marketing and distribution. This gives us the freedom to feature any type of art we think is relevant because no one is attempting to assert his or her influence. Maintaining autonomy is crucial to Arkitip, as it allows us to create a completely unique and distinctive product.No art snobs:Arkitip accepts artwork from professionals and amateurs, so you don?t have to have an MFA to contribute. The only requirement is that we like the project. Our taste is not the same as the mainstream art establishment, so anyone is eligible. We have literally hundreds of submissions each month so not everyone makes the cut but if you think you have an original project, we?d love to hear about it. The magazine strikes a balance between unknown artists and well-known artists alike.The future:The evolution of Arkitip is vital to its success. We are constantly thinking and re-thinking the role of creativity in our lives and the magazine is currently exploring new avenues to document this. Stay tuned for more features in the magazine that document the artistic process.» 1100 gr. Schlagworte: Kunst - 20 Jht. nach 1945, Kunst - Grafikdesign.