Perfume (16 Ergebnisse)

Trade Paperback. Zustand: Very Good. None. 8 page catalog, with the prizes salespeople would win for selling CPC products. fmc2%262D.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Single/Vinyl. Zustand: Sehr gut. PB5794, LC0316, Made in Germany.. Cover leicht berieben, hinten etwas geknickt, Vinyl sehr gut erh. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Good. Good condition. No Dust Jacket Volume 12. (perfume, clive christian, perfumes, catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Taschenbuch. Zustand: Neu. Neuware.

Original wrappers. Some minor traces of use, a (very) good copy. Text in French. Please see description or ask for photos.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

British industrial designer (1895-1961); Chief Instructor, Design, Royal College of Art, 1925-35. The two carbons to Capey from Luckhurst, one page, 12mo; the other three letters, one page, quarto. All very good, though somewhat dusty and lightly creased, and with staple holes to the top left-hand corners. Throwing useful light on the state of post-war art education, the correspondence concerns a request to Luckhurst from 'one-time Fellow of the Society' Hollewell for 'information and advice in regard to my daughter's future training'. 'She is now nearly 17 years of age, is attending the local High School and shows exceptional aptitude in Art. [.] | I suppose that commercial art is the most suitable for lucrative employment, but I should be pleased to have your views on this.' Luckhurst writes to Capey that Hollewell's letter 'asks for advice which I always find it very difficult to give'. Capey suggests sending Hollewell the Royal College of Art prospectus, and informing him that 'Any art student, who is proposing to make a profession of art, should safeguard his or her future by obtaining a degree. The Royal College of Art is the main recognised Institution for this purpose. There are others such as Edinburgh, Glasgow, Aberdeen, and Dundee Colleges, but the degrees offered by them are not of much consequence. | Of the schools suggested by Mr. Hollewell, the Slade is essentially Painting. The Chelsea Art School and the Colleges at Birmingham, Leicester and Nottingham are good of their kind, but I would suggest that for general purposes the London Central School of Arts and Crafts is second best to the Royal College of Art.' Luckhurst incorporates this information in his reply to Hollewell, and thanks Capey in his second letter to him.…

circa 32 x 24,5 cm. 352 SS., mit 557 Farbfotografien von Skot Yobbagy Original-Leinen mit Schutzumschlag Die deutsche Ausgabe, reich illustriert. - Gut erhalten, nur der Umschlag hinten mit kleinem Randrisschen, sauber.

1st edition. Octavo, half-leather boards, illus vignette title page and last page, pp vi, 195. Ex-library with usual markings. Rubbed to spine and edges. Scarce. Francis Hodgson Nixon was an Australian architect, journalist, and newspaper editor. He wrote under the pseudonym Peter Perfume.

4to (30.4 x 24.3 cm). Pp. (30) and twenty exclusive colour illustrations printed on glossy paper, with gold highlights. Original cream coloured card covers, lettered in gilt. A few small creases to the cover.Extravagant trade catalogue promoting exclusive perfume brands with exquisite pictures. Robert Bienaimé was a French perfumer who is known for his work at Houbigant Parfum where he created several well-known fragrances for the company. In 1935 he established his own business Parfums Bienaimé in Paris. A superb copy of a rare work. …

Zustand: Very Good+. New York: Wemple & Company, 1900? Fold-out and free-standing chromolithographed triptych trade card with advertising on verso for both Floreston Cologne and Parker's hair balsams and tonics (14cm). Two outer panels show vases with flowers (pink peonies and blue forget-me-nots) while the middle panel features a pensive child wearing a heavy bonnet. Margins rubbed and corners gently bumped; Verso margins scuffed and joint printing lightly faded. A scarce and Very Good or better example of quackery ephemera. For the low price of a bottle of perfume or by sending in your six cents and address you too could own one of these "screens.". …

Zustand: Good. One volume of photographic prints of Suzanne Thierry, the creator of "Parfums Ondine Paris" and assorted personages. Portraits and candid shots. Approx. 50 prints: One (1) black & white 4 x 6"; fourteen (14) black & white 7 x 7"; twenty-five (25) black & white 8 x 10"; four (4) color 8 x 10".Provenance: The Suzanne Thierry archives.…

Zustand: Wear in edges. With vignette of Antelope. Single sheet of paper watermarked "JB". Folio. With vignette of Antelope. Single sheet of paper watermarked "JB". Folio.

Four rare perfume labels, colour printed 'à la poupée' with floral designs: Extrait de Rose et de Pois de senteur, Extrait de Jonquille, Extrait d'Oranges de Portugal, Extrait suave. The largest (Extrait de Rose includes a space below for a text or legend, uninked or cancelled in this example, but with traces of the engraved text visible. A charming and rare example of this colour printing technique in which each impression contains all the colours at once, with inks carefully applied to the plate with a cushion-headed tool (the 'poupée' or doll). The technique is immediately recognisable from the gentle gradations between the various colours of the resulting imprint. 4 different labels (3 are c. 35 × 55 mm, the other 58 × 70 mm). Colour printed 'à la poupée'. Plus two contemporary monochrome labels.…

IP signed photograph, shows Rachel Hurd-Wood and Ben Whishaw in a group portrait, 10 x 8 inch, obtained In-Person in Berlin, 2006 signed in blue or black felt tip, in very fine condition.