Peiffer prudence (14 Ergebnisse)

Hardback. Zustand: Good. Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art and become foundational to mid-century modernism. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable group biography, as transformative as the artists it illuminates, questions the very concept of a "group" or "movement," as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community and artistic inspiration, and makes an argument for how we are shaped by it, and how it in turns shapes our work.  This is a story of place, art, and the human connections that shape history. An Unsung Art Community: Discover the circle of friends--including Robert Indiana, Ellsworth Kelly, and Agnes Martin--who quietly changed the art world from a handful of dilapidated warehouses on Coenties Slip. American Art History: Explore the pivotal decade between 1956 and 1967 when abstraction, Pop Art, and experimental film collided, fueled by friendship and shared solitude. New York City History: Trace the story of a single street from the city's colonial beginnings and maritime past to the urban development battles between Jane Jacobs and Robert Moses. The Power of Place: Go beyond the story of a single artist to understand how a shared environment can become one of the most powerful forces for creative inspiration. …

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Stiff Wrappers. Zustand: Fine Condition. 124 pages color illustrations throughout. Preface by David Mickenberg. Introduction Anja Chávez. Notes. Checklist. Book.

Hardcover. Zustand: Brand New. 384 pages. 9.00x6.00x0.89 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 384 pages. 9.00x6.00x0.89 inches. In Stock.

Zustand: Very Good.

Buch. Zustand: Neu. Neuware - In this exquisite biography, an art historian and critic captures a singular moment of community and creativity in mid-twentieth-century New York City, bringing to life a group of struggling artists and the place they all called home, an obscure little street at the lower tip of Manhattan, Coenties Slip. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower edge of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a ?group? or ?movement,? as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones?one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artist's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art?eclectic and varied work that was made from the wreckage of the city's many former lives.An ambitious multifaceted biographical portrait and riveting historical account, The Slip explores the role of place in creativity?how we are shaped by our environment, and how it in turn shapes our work. The Slip is illustrated with 20 photos in two 8-page inserts.…

Zustand: Very Good. Very Good condition. Like New dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.