Peggy franklin (15 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English. Franklin, Peggy; Gonzalez, Sergio; Watkins, Selena; Shemroske, Luke; Gilmore, Laura (illustrator).

Zustand: New. In English.

Unknown Binding. Zustand: Used: Very Good. voir photo.

Taschenbuch. Zustand: Neu. Neuware. Franklin, Peggy; Gonzalez, Sergio; Watkins, Selena; Shemroske, Luke; Gilmore, Laura (illustrator).

Zustand: New. Franklin, Peggy; Gonzalez, Sergio; Watkins, Selena; Shemroske, Luke; Gilmore, Laura (illustrator).

Hardcover. Zustand: Brand New. 259 pages. 9.25x6.25x1.00 inches. In Stock.

2 vol. : vol. 1 : [4] pp. ; vol. 2: [4] pp.; 2 vol. : vol. 1: 35.5 x 21.6 cm. ; vol. 2 : 21.5 x 27.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Press release for a series of exhibitions held April 27 - June 15, 1980, curated by Alanna Heiss. Exhibitions include: "Image Into Pattern," with paintings by Roger Brown, Robert Gordy and John Tweddle: "Special Projects Room," with work by Gigi Franklin, Paul Franklin, Peter Downsbrough, John Massey, Dennis Oppenheim, Howard Gross, Roberta Allen, Joy Walker, Tony Moore, Mikiya Matsuda, Cheryl Vicario Laemmle, Toshio Sasaki, Gloria Kish and Frances Hynes; "Poetry Reading," by Jaime Manrique Ardila, curated by Steve Hamilton, held April 27, 1980; "Photography," by Joel-Peter Witkin, curated by Sam Wagstaff; "Architecture;" with work by Bernard Tschumi, Robert Mangurian and Craig Hodgetts, curated by Lindsay Shapiro; "International Studio Program," with artists Wolf Kahlen, Catharina Cosin, John Hall, Jasper Halfmann, Franz Goebel and Elke Schmees; "Canadian Video," curated by Peggy Gale featuring work by Robert Hamon, General Idea, Tom Sherman, Susan Britton, Colin Campbell, Elizabeth Chitty, Noel Harding, Pierre Falardeau, Nancy Nicol, Clive Robertson and Lisa Steele; "Video Installation," curated by Bob Harris featuring Tony Martin; "Studio Workspace Program Exhibition 1979 - 1980," with artists Candida Alvarez, Rae Berolzheimer, Douglas Braswell, Marina Cappelletto, Efrain de Jesus, Natalie Dymnicki, Ron Edson, Darrel Ellis, Peter Fend and others "Outdoor Sculpture Show," featuring Allen Bertoldi, David Black, Barry Feurstein, Jene Highstein, Ray Kelly, Yoav Shapiro, Merle Temkin and Maura Sheehan. With performances by the Queens Symphony Orchestra. Includes exhibition floor map. Good. Folded into four as issued. Handwritten note in pen written by Frances Hynes. 4.5 cm. dog-ear to upper left corner and light edge-wear with wear at fold edges. 3 cm., 1.7 cm., and 1.5 cm. of yellow soiling to recto. Light overall rubbing and yellowing of verso. …

Complete set of eight vintage color studio still photographs from the 1972 film. Based on J.E. Franklin's 1969 play. The youngest daughter in a working-class African American family dreams of becoming a dancer, and is determined to avoid the fate of her mother and two older sisters, who married and had children at a young age, and who express dissatisfaction and frustration with their stagnant lives. One of the few blaxsploitation films of the 1970s to depict the everyday lives and dreams of blue collar Black women. Shot on location in Los Angeles. 10 x 8 inches. Near Fine. Howard, Blaxploitation Cinema, p. 97-98.…