Pedro e guerrero (28 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Zustand: Good. Condition Notes: Moderate edge wear. Binding good. May have marking in text. We sometimes source from libraries. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Zustand: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Zustand: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Used-Very Good. 4to. Cloth, d.j. Some shelf-wear. Else clean copy.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Trade paperback. Zustand: Very good. 544 pages. Notes. Index. Gill was a friend of Wright's and knew several other members of the family over three generations. Brendan Gill (October 4, 1914 - December 27, 1997) was an American journalist. He wrote for The New Yorker for more than 60 years. Gill also contributed film criticism for Film Comment, wrote about design and architecture for Architectural Digest and wrote fifteen books, including a popular book about his time at the New Yorker magazine. In 1936, St. Clair McKelway, an editor at The New Yorker, hired Gill as a writer.[2] One of the publication's few writers to serve under its first four editors, he wrote more than 1,200 pieces for the magazine. These included Profiles, Talk of the Town features, and scores of reviews of Broadway and Off-Broadway theater productions. As The New Yorker's main architecture critic from 1987 to 1996, Gill was a successor to Lewis Mumford as the author of the long-running "Skyline" column before Paul Goldberger took his place. He was also a regular contributor to Architectural Digest in the 1980s and 1990s. A champion of architectural preservation and other visual arts, Gill joined Jacqueline Kennedy's coalition to preserve and restore New York's Grand Central Terminal. He also chaired the Andy Warhol Foundation for the Visual Arts and authored 15 books, including Here at The New Yorker and the iconoclastic Frank Lloyd Wright biography Many Masks.Outback Steakhouse is about to fill the space on Colesville where Not Your Average Joe's had been. Java Nation recently opened on Wayne Avenue. Frank Lloyd Wright (1867-1959) is often described as the greatest of American architects. His works-among them Taliesin North, Taliesin West, Fallingwater, the Johnson Wax buildings, the Guggenheim Museum--earned him a good measure of his fame, but his flamboyant personal life earned him the rest. Here Brendan Gill, a personal friend of Wright and his family, gives us not only the fullest, fairest, and most entertaining account of Wright to date, but also strips away the many masks the architect tirelessly constructed to fascinate his admirers and mislead his detractors. Enriched by hitherto unpublished letters and 300 photographs and drawings, this definitive biography makes Wright, in all his creativity, crankiness, and zest, fairly leap from its pages. Derived from a Kirkus review: Genius, egotist, mythomaniac, sexual rebel, master of media manipulation, legendary Wright comes alive in all his cantankerous complexity in this respectful but nonetheless bracingly unintimidated biography of "America's greatest architect." Gill's evaluations of the architect's goals, achievements, and shortcomings are rendered all the more convincing by the fact that the author was a friend of Wright's during what Gill calls the "late, sunny period of his life." Born in the Midwest, a son of an ineffectual minister father and an ambitious and quite probably mentally unstable gorgon of a mother, Wright fled to Chicago at an early age. There, thanks to an easygoing attitude toward veracity, he was able to apprentice himself to the renowned Louis Sullivan. From this auspicious beginning, the young man was soon promoting himself as the country's most daringly original architect, a reputation he carefully nurtured throughout his long career. Marriage, six children, and a host of commissions followed, only to be cast away when Wright ran off with the wife of one of his Oak Park, Ill., neighbors. Scandal, whether it involved sexual brigandry or contractual hanky-panky, was to become a regular player in the Wrightian drama. Gill weaves together the strands of his well-researched narrative with breathtaking dexterity. He enlivens his writing with occasional pinpricks of his own: today's art museums, with their "blockbuster" shows and ubiquitous gift counters, are referred to as "Buffalo Bill circuses." Sensitive, yet revealingly iconoclastic, and a delight from cover to cover. First Da Capo Press edition [stated]. Presum. Pedro E. Guerrero (Cover photograph) (illustrator).…

Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st Print. Red laminated boards with silver lettering to spine, some fading to the top of the board edges. Glazed pictorial unclipped dust jacket showing signs of minor shelf wear to the edges. Now in a clear removable protective sleeve, No inscriptions, 169pp. Clean and bright pages with black and white photographs throughout. (Any digital image can be provided upon request.).…

167 (9) S. / p., mit sehr zahlreichen s/w Abbildungen / with numerous b/w illustrations. Zustand: Sehr gut. / Condition: Very fine. Sprache: Deutsch Gewicht in Gramm: 1200 23,5 x 23,5 cm, roter Orig.-Pappband, gebunden, mit Rückentitel und illustriertem Orig.-Schutzumschlag. / editor's red hardcover with rear title and illustrated dustjacket.…

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. 88 p. ; 22x16 cms. Bibliografía (A-264).

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. 183 p. ; 19x14 cm. Ensayos Sociales y Culturales ( A-2).

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. 30 p. ; 19x12 cms. 50 grs. (A-305-EE).

1959 Mateu, Barcelona Montaje de José Castellano y Pedro Jiménez. Sobrecubierta de Samper. Abundantes fot. e il. en b/n. 431 p. 22x16 cm. Enc. tela editorial c/sobr. muy deteriorada Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Zustand: BUONO USATO. IED. Da revisionare INGLESE Volume rilegato in cartonato rigido telato, copertina ben tenuta con titolo in oro al dorso, protetta da plastica trasparente. Risguardi e contropiatti illustrati. Pagine molto ben tenute, velate da tonalità brunita, cosi' come i tagli, integri e segnati da fitto pulviscolo. Ricco di fotografie ed illustrazioni, in bianco e nero e a colori, nel testo. Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria. Numero pagine 192.…

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. 145 illustrations, including 64 in color. 160 pages. Slim square 4to, glossy red boards, d.w. New York: Stewart Tabori & Chang, 1998. First Edition. A fine copy.

Zustand: Good. 8vo. Hard Cover [ca. 150 pp.], B&W and Color Plates. Very Good. Dust Jacket also Very Good with protective Mylar cover.Loosely laid In: Typewritten Letter Signed by friend of the Author.

Hardcover. Dust Jacket Included. square 8vo. pp. 159, [1]. profusely illus. (many colour). index. bds. dw. First Edition.

[16352].

New York 1998, m159 pp., plates, photos and ill., dust jacket c11.