pecsi jozsef (25 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Sehr gut. 15 (1) S., 2 Bl. XXXII Seiten mit ganzseitigen Abbildungen. 29 x 22 cm. Photoillustrierter Orig.Pappband. -- Faksimile-Nachdruck der Originalausgabe, die 1932 bei Josef Singer A.-G., Berlin erschien. Diese Neuausgabe wurde von Carl Laszlo herausgegeben. Mit einem Vorwort in deutsch und englisch. , 15 S., XXXII. Pappband. Mit zahlr. schw.-w. Abb. ___ ### Due to the current unstable customs policy: NO SHIPPING to the USA at this time! // Derzeit kein Versand in die USA ! ###. ___ Sprache: Deutsch Gewicht in Gramm: 1550.

Pp. Zustand: Wie neu. 15, 32 S. : 32 Ill. ; 29 cm Das antiquarische Buch ist wie ungelesen. Ein Rechnungsbeleg mit ausgew. MwSt. liegt der Lieferung bei. O_7.19 9783909158164 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Englisch Gewicht in Gramm: 518 Nachdr. d. Ausg. Berlin, Singer / Hrsg.: Carl Laszlo.

Hardcover/gebunden. Zustand: gut. Erste Aufl. / Nachdruck. Fadengehefteter fotografisch gestalteter und folienkaschierter Pappeinband mit Deckeltitel. Die Rückenkante leicht berieben, Einband, Schnitte und Papier etwas nachgedunkelt, Namenskürzel, Datum und Exlibris-Stempel auf Vorsatz und Titelblatt, beide Stempel mit leichtem Abklatsch auf die gegenüberliegende Seite, ansonsten guter Erhaltungszustand. In deutscher Sprache. 15, (5), XXXII pages. 4° (220 x 290mm).

softcover. Zustand: Sehr gut. 47 p. Sprache: Englisch Gewicht in Gramm: 482.

Pp. Zustand: Gut. 15, 32 S. : 32 Ill. , 29 cm Text dt. u. engl. 3909158161 Sprache: Deutsch Nachdr. d. Ausg. Berlin, Singer / Hrsg.: Carl Laszlo.

4°, 237 S., mit 27 s/w. Abbildungen, Obrosch., druckfrisches Exemplar, sehr guter Zustand 24, DD Sprache: un.

Carl Laszlo, 1989 Hardcover, 20pp+xxxii duochrome (black-red) plates, 22x29cm., in very good condition. As new. Text in French and English. ISBN 390915817x. Facsimile edition from the original by Josef Singer A.G.

Hardcover. Zustand: Sehr gut. 64 p. hu Gewicht in Gramm: 209.

Broschiert. Zustand: Gut. Zustand des Schutzumschlags: Guter Umschlag. de (illustrator). Ein Jahrbuch für die Photographie unserer Zeit. Herausgegeben von Karl Weiss. Aus dem Inhalt: Hans Ludewig: Das soziale Motiv und seine Gestaltung; Franz Fiedler: Kunstlichteffekte; Ernst Schieron: Zur Technik der Photomontage etc. Fotos von Hugo Erfurth, Franz Fiedler, Josef Pecsi (József Pécsi), Yva Photographie (Helmut Newton - Helmut Neustädter) machte bei ihr seine Lehrlingsausbildung), I. Wertheimer (Budapest), Hermann Raatz, Alfred Ulrich, Paul Brandt, Otto Ehrhardt, Alfred Enke, Hannes Flach, Fred Korth etc. Umschlag etwas randrissig, sonst gut und sauber. Sprache: de Size: 8°.

Soft cover. Zustand: Fine. 1st Edition. 4° - 47 pp - Publicity and advertising from a hungarian photographic view point. Excellent quality photographs on high quality paper. Text in hungarian.

Zustand: New.

Softcover. Zustand: vg- to vg+. First edition. Quarto. 15, [2]pp., xxxii (images). Striking red, black and white photo-illustrated wrappers. French fold leaves. The scarce original edition of Jozsef Pesci's influential work on the art of advertising photography and graphic design. The book was one of the earliest works on the subject, and includes magnificently printed b/w photogravure images, bold photomontages and beautiful modernist typography throughout. The bilingual text at the front in German and English discusses the questions of the practical use of photography, photomontage and typography in advertising. The second section is comprised of 32 images showing examples of Pesci's work advertising a wide variety of products ranging from light bulbs and home decor to food, cosmetics, tires, typewriters, shoe polish, cameras, perfume and pencils. Both the leading prize in commercial photography in Hungary and the library at the House of Hungarian photography are named after this key figure of the New Objectivity and European avant-garde. Wrappers with mostly minor rubbing to extremities, as well as some minor rippling/creasing along near the top corner. The top of the front cover with slightly more significant rubbing and an attempted restoration from a previous owner. Back cover with a few minor smudges and stains. Interior clean throughout, with all images bold and vibrant. Front free endpaper slight abraded near the top corner. The very last blank leaf with a small tear to the bottom corner. Wrappers in very good- to very good, interior in very good+. Book block and binding still tight. A very nice copy of a very scarce work. Protected in modern mylar. *József Pécsi (1889-1956) was an influential photographer and graphic artist. He studied photography at the Academy of Munich, and he soon got several prizes as recognition of his work. He ran his own photo studio from 1911. In 1913 he opened the first photography school in Hungary. He made great portraits of the famous personalities of the age, sensational avant-garde nude series, self-portraits, cityscapes, and he is a pioneering artist in Modernist advertising photography. His pictures were published in numerous important western magazines, such as the English Studio. He continuously worked in the field of photography, and he became the most influential Hungarian advertising photographer of the era. He was always able to integrate the newest tendencies in photography into his work, most importantly the principles of the New Objectivity movement or Kassák's picture architecture. He was a member of the Magyar Könyv- és Reklámm?vészek Társasága (Hungarian Society of Book and Advertising Artists), and was among the exhibiting artists of their legendary exhibition in 1930, with his students. He was a master of photographic processes and printing techniques. Because of his leftist political views, he was removed from his teaching job, and was only rehabilitated in 1946. During the war, his studio was destroyed, including many of his works, and his art collection. After 1945, he worked mostly as a portrait photographer.

Softcover. Zustand: g- to vg. Second revised. Small octavo (7 1/2 x 5"). 120, [2]pp. Original photo-illustrated wrappers, with white lettering to front cover. Decorative title page, head-, and tailpiece. This splendidly produced study on artistic photography was originally published in 1917 by József Pécsi (1889-1956), a renown Hungarian photographer, innovator, and educator. In 1930, Pécsi published the influential book "Photo und Publizität" (Photography and publicity) to promote the blending of typography, design, and photography in avant-garde advertising. The publication marked his crossover from the Pictorialist style of his early work to the ascendant international modernism of the interwar period. "A fényképezö müvészete" (The Art of the Photographer) is illustrated with 12 full-page photogravures, as well as three pages of b/w illustrations. Wrappers rubbed along edges. Moderate age-toning along paper margin. Text in Hungarian. Wrappers in overall good-, interior in good to very good condition.

Zustand: In fine condition. Illustrated with two photographic plates by József Pécsi and a color, typographic plate. (illustrator). Illustrated with two photographic plates by József Pécsi and a color, typographic plate. First edition. The two-page textual content is printed on the inner front and rear cover. With the incidental response card. In publisher's printed wrappers. Bound by a string. (2 [textual]) p., (2 [photographic]), (1 [typographic]) plates. József Pécsi-illustrated advertisement brochure of a printing shop. József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising. . In publisher's printed wrappers. Bound by a string First edition. The two-page textual content is printed on the inner front and rear cover. With the incidental response card.

First edition. 6 brochures, complete season. In publisher's photographically illustrated wrappers. Each issue: 15, (1) p. "A müterem" was an informative magazine and advertisement brochure of Eastman Kodak Company, for professional photographers, published in Hungary between 1927 and 1930. Each number was illustrated with reproductions of photographs by the leading Hungarian photographers or studios such as József Pécsi or Révész-Biró, and its textual content was also created by them dealing with new technics, materials or equipment. The remaining pages were used by Kodak as advertisements for their products. [No. 12.] III. évfolyam. 12 szám. 1929 Január-Február: Révész-Biró number. With 6 Révész-Biró-reproductions (one on the cover), and an article by Imre Révész (pp. 38). Révész-Biró was a leading advertisement photographer in Hungary. [No. 34.] III. évfolyam. 34 szám. 1929 Március-Április: Illustrated with 6 photographic reproductions, one by Martin Szipál. [No. 56.] III. évfolyam. 56 szám. 1929 Május-Június: József Pécsi number. With 6 Pécsi-reproductions (one on the cover), and an article by him (pp. 38). József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising. [No. 78.] III. évfolyam. 78 szám. 1929 Július-Augusztus: Dezs? Rozgonyi number of "A m?terem". With 6 Rozgonyi-reproductions (one on the cover). [No. 910.] III. évfolyam. 910 szám. 1929 Szeptember-Október: Illustrated with 6 photographic reproductions. [No. 1112.] III. évfolyam. 1112 szám. 1929 November-December: Illustrated with 6 photographic reproductions. . With double advertisement vignettes on the front cover (removed from one issue). Slightly rubbed. Overall in fine condition. In publisher's photographically illustrated wrappers First edition. 6 brochures, complete season.

4°, 15 (37) S., 32 zweifarb. Tafeln, Kart., Reprint. Text Dt./Engl.- Josef Pecsi (1889-1956), Sohn einer wohlhabenden jüdischen ungarischen Familie, 1903 erste Photos, 1909-1911 Besuch der Lehr- und Versuchsanstalt für Photographie in München, 1911 Eröffnung eines eigenen Ateliers in Budapest, dort auch privater Photo-Unterricht.Photoreklame im Geist des Konstruktivismus sowie Prominenten-Portraits. Chefredakteur des Fachorgans Magyar Fotográfia. 1945 Vernichtung des Ateliers durch Brand. 1100 gr. Schlagworte: Buchwesen - Buchdruck, Typo, Photographie.

1 page printed document. Signed by the prizegivers. Printed in red and black, Pécsi's name handwritten in red ink. With the seal of the "Országos Iparegyesület" (Natioan Trade Union). 260 × 325 mm. Award for József Pécsi of the Diafilm Photography Contest of the 9th Autumn Interior Design Fair that took place on September 26, 1940. Signed by the president and the director of the National Trade Union, by István Kerny, the Vice-President, and the Secretary of the Association of the Hungarian Amateur Photographers. . Chipped at edges. Overall in good condition. 1 page printed document. Signed by the prizegivers. Printed in red and black, Pécsi's name handwritten in red ink. With the seal of the "Országos Iparegyesület" (Natioan Trade Union).

With photographically illustrated title page. (illustrator). First edition. With photographically illustrated title page. First edition. (4) p. Pécsi-illustrated dance performance program leaflet. With a reproduction of József Pécsi's full-length photo of Flóra Korb, a Hungarian modern ballet dancer. József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising. . Folded. Torn at folding. Overall in very good condition.

Inscribed to Mr Smith on verso and dated 1935. 17 x 23 cm. József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising. Inscribed to Mr Smith on verso and dated 1935.

vintage gelatin silver print, photographer's wetstamp and signed presentation inscription to verso, lower margin trimmed with slight rough edge. Inscribed to Mr Smith on verso and dated 1935. 15x 22 cm. József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising. Inscribed to Mr Smith on verso and dated 1935 vintage gelatin silver print, photographer's wetstamp and signed presentation inscription to verso, lower margin trimmed with slight rough edge.

With the photographer's handwriting on the back. 18 x 12 cm. Fine condition. Some notes on side, not effecting the image With the photographer's handwriting on the back.

Vintage print. Zustand: Fine condition. Vintage print. 8 x 11 cm. József Pécsi (18891956) was a Hungarian photographer, known for his influential book "Photo und Publizität" (Photography and Publicity; 1930) wherein, by his own advertisement designs, promoted the blending of typography, design, and photography in avant-garde advertising.

First edition, collecting examples of Pécsi's modernist approach to advertising photography in everything from biscuits and soap to razor blades and book covers. József Pécsi (1889-1956) "was a Hungarian photographer, innovator, and educator. Born in 1889 into a middle-class family in Budapest (then part of the Austro-Hungarian Empire), Pécsi was schooled in German and maintained lifelong ties with an international photography community. He studied photography at the Lehr- und Versuchsanstalt (Training and research institute) in Munich from 1909 to 1911, and began receiving international recognition soon after graduation. In 1911 he returned to Budapest and opened his own studio, where he also offered instruction to apprentices. In 1913 he established the photography department at the Budapest School of Industrial Drawing, for which he is credited as the founder of photography education in Hungary. He was dismissed from teaching in 1920 due to conflicts with the conservative political regime but maintained his own studio, which served as a gathering place for students, including Eva Besnyö and her friend György Kepes. In 1922 Pécsi was elected vice president of the Budapest Industrial Guild of Photographers and served as editor of the guild's journal, Magyar fotográfia (Hungarian photography). In 1930 he published the influential book Photo und Publizität (Photography and publicity) to promote the blending of typography, design, and photography in avant-garde advertising, with contributions from Kepes and others. The publication marks his crossover from the Pictorialist style of his early work to the ascendant international modernism of the interwar period. The World War II years took their toll: he hid in Romania for a brief period; his studio and negatives were destroyed by a bomb in 1945; and, upon his return to Budapest, in 1946, financial hardship and an unfavourable regime forced him to take passport photographs to make ends meet. His passion for photography and innovative spirit were not lost, however; in 1952 he patented a combined duplex Pigment print process under the name PEJO" (MoMA online). Copac locates only one copy in British and Irish institutional libraries (BL); WorldCat adds another 13 worldwide (all but one copy in US and German libraries). Quarto. Title page printed in red & black, 32 monochrome plates from photographs. Original yapp wrappers, photographic illustration to front cover, titles in black and white. Housed in a red cloth flat-back box by the Chelsea Bindery. Edges rubbed, split to spine at head and foot but not lacking, small closed tear to back panel, internally fine.

Zustand: With two very small hole. 14 x 10 cm.