Pearson ralph m (22 Ergebnisse)
Verlag: New York and London, Harper & Brothers, 1943, 1943
- Hardcover
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In den WarenkorbHardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Dial Press
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In den WarenkorbUnknown. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Harper & Brothers
- Hardcover
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In den WarenkorbHardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Harper & Row, 1965
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschlandbooks4less (Versandantiquariat Petra Gros GmbH & Co. KG)
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In den Warenkorbgebundene Ausgabe. Zustand: Gut. 115 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Original-Schutzumschlag vorhanden (siehe Foto). In EN…GLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 425.
Verlag: New York/London (Harper & Brothers), 1943
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In den Warenkorbxviii, 234pp., 3 color plates. 4to. Cloth. Water-damaged.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Books for Libraries Press, 1968
- Hardcover
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In den WarenkorbZustand: Good. 1968. Reprinted. 299 pages. No dust jacket. Blue cloth covered boards with gilt. Black and white illustrations. Pages remain bright and clean. Binding remains firm. Boards have moderate shelf wear with some rubbing and corner bumping. Some moderate marking and tanning, particularly to spine.
Verlag: New York: Harper., 1954
- Hardcover
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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In den WarenkorbZustand: Good. 300 pp. Illustrated in black and white. Cloth in dust jacket.
Verlag: New York: Harper & Brothers., 1943
- Hardcover
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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In den WarenkorbZustand: Good. 234 pp. Illustrated in black and white. 8vo. Cloth in dust jacket.
Sprache: Französisch
Verlag: School of Modern Art, 1950
- Softcover
Anbieter: Librairie-Galerie Emmanuel Hutin, Paris, FrankreichLibrairie-Galerie Emmanuel Hutin
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In den WarenkorbEn feuilles sous classeur titr. Zustand: Très bon. Edition originale de ce étonnante publication pour des cours par correspondance de critique artistique. Présentation par fiches d'artistes, avec reproductions de leurs oeuvres, dont Rico Lebrun, Russell Cowles, Stuart Davis, George Grosz, Josef Albers, Doris Lee . et divers suje…ts. 112 + 6 pp.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - 'How to See Modern Pictures' is an insightful guide to understanding and appreciating the evolution of modern art during a transformative era in the art world. Written by artist and educator Ralph M. Pearson, the work serves as an essential manual for those seeking to bridge the gap between t…raditional representation and the avant-garde movements of the early 20th century. Pearson focuses on the underlying principles of design and composition, encouraging readers to look beyond literal subject matter to engage with the structural and emotional qualities of a painting.
Sprache: Englisch
Verlag: Brewer, Warren And Putnam, New York City Ny, 1932
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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Zustand: Gebraucht - Gut
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. 1st Edition. Xvii, 225 Pp. Black Cloth Lettered In Red. First Printing With 1932 Date On Title Page. Lightly Used, Would Be Near Fine But Some Water Stains On Front Endpapers (Only) With Red-Offsetting From The Red Dust Jacket. Dust Jacket Itself Is Worn And With…Some Fading Or Damp Staining, Spine Panel Almost Entirely Chipped Away But No Loss Of Text On Other Panels. Inscribed To Social Artist William Gropper, Whose Work Is Illustrated In The Book, "To Bill Gropper Design Conscious Artist Ralph M Pearson October 20, 1932." Ralph M. Pearson (1883-1958) Was An Accomplished Etcher At A Time When The Art Was Just Emerging As A Popular Medium In The United States. Pearson's Prints Show A Wide Variety Of Subjects Including Landscapes, Industrial Scenes, Indian Pueblos, And Portraits. The Images Are Reveal A Sophisticated Design Sense, Clearly Employing Compositional Strategies Of Artists Such As Arthur Wesley Dow Which Emphasized The Inter-Relationship Of Line, Mass, And Value In Two Dimensions. Pearson Studied At The Art Institute Of Chicago Under John Vanderpoel. Later, In New York Pearson "Found The First School Of Modern Art In This Country" Led By Hugo Robus. In His Words He "Inaugurated A Painful Unlearning And Relearning Process Of Some Eight Years' Duration Which Was A Cheap Enough Price To Pay For A Basic Reorientation." He Married Margaret Hale (The Daughter Of Classics Professor William Gardner Hale) In June Of 1916. In 1919 He Settled In The Foothills Of The Taos Mountains. Shortly Thereafter He Started An Unlikely Combination Business Venture Featuring Hogs And Greeting Cards. Apparently, He Was Better At Etching Than Pig Farming And Soon The Etching Sales Were Paying For The Pigs Upkeep. By 1920 He Had Given Up On The Pig Adventure And Concentrated On His Greeting Card Business Which Was Doing Quite Well. He Bought A "Big New Press" And Enlarged His Studio. By 1921 He Had Forty Different Vendors Selling His Cards In Cities Throughout The Country. Joseph O'Kane Foster, A Former Hearst Newspaper Reporter From Chicago, Had Moved To Taos And Soon Was Adding His Artistic And Literary Skills To The Enterprise. By 1923 Pearson Decided To Leave His Wife And Foster In Charge Of The Company And He Moved To California. The Company Name Was Changed To Vancil Foster Greeting Cards. Pearson And Hale Divorced. Foster Married Hale. They Closed The Business In 1928. In California Pearson Continued His Etching And Was Represented By The Stendahl Gallery In Los Angeles. His Best Know Work From This Period Was His "Cypress Grove" Of Monterey. For Pearson This Was His Final Break From The Representational Style Of His Youth. By 1928 He Had Remarried And Returned To New York To Start Another Career As An Educator, Art Critic And Author. He Taught For 10 Years At The New School For Social Research In New York. He Also Founded The Design Workshop, An Independent School, With Summer And Winter Classes, In Painting, Drawing And Critical Appreciation. These Classes, Planned As Condensed Courses, Gradually Evolved Into Teaching The Same Subjects By Mail. He Also Taught One-Year Stints At Utah State And At The University Of Texas In Austin. He Focused His Attention On Writing With Seven Books To His Credit As Well As Over 250 Magazine Articles. Pearson Was A Member Of The Chicago Society Of Etchers, The New York Society Of Etchers, California Art Club, California Society Of Etchers And The Brooklyn Society Of Etchers. He Exhibited Widely And Won Numerous Awards Including A Medal At The Panama-Pacific International Exposition. Plates, Drawings And Other Illustrations In Text (illustrator). Inscribed by Author(s).
Sprache: Deutsch
Verlag: [1913]., 1913
Anbieter: Antiquariat Braun, Gengenbach, DeutschlandAntiquariat Braun
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In den WarenkorbRadierung. Zustand: Gut. 105 x 61 mm. *Gutenberg 8045. - Im Druck signiert. - Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 100.
Verlag: Brewer, Warren and Putnam, 1932
- Hardcover
- Erstausgabe
- Signiert
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In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Acceptable. Signed. First Edition. First ed. SIGNED by author on ffep. Jacket is missing backstrip, heavy chipping, pieces laid in. General shelf wear. Pages clean, binding sturdy.
Verlag: New York: Harper and Brothers, [1954]., 1954
- Hardcover
- Erstausgabe
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, KanadaD & E LAKE LTD. (ABAC/ILAB)
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In den WarenkorbHardcover. Dust Jacket Included. 4to. pp. xxv, 300. 188 illus. index. cloth. dw. (extremities rubbed & chipped, upper back faintly dampstained-more noticeable on verso). First Edition.
Verlag: Harper & Brothers, 1943
- Hardcover
Anbieter: Le-Livre, SABLONS, FrankreichLe-Livre
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In den WarenkorbCouverture rigide. Zustand: bon. RO60111614: 1943. In-8. Relié. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur acceptable. 234 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en noir et blanc et en couleur, dans et hors texte. Jaquette manquante. . . . Classification Dewey : 420-Lan…gue anglaise. Anglo-saxon.
- Hardcover
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In den WarenkorbNew York etc./ Tokyo, Harper & Row/ John Weatherhill, Inc., 1965, 115 pag., diagrams, hardcover with dustjacket (fine).
The National Home Monthly Magazine, July 1933 - The Man Who Taught London to Dance
Howard-Burleigh, F.S.; Field, W.J.; Turnour, R.M.; Roberts, T.G.; Batten, H.M.; Dickie, F.; Thompson, W.; Pearson, M.; Lamsley, A.; Horwood, W.; Connor, R.; Murray, D.; McNellis, A.; Cole, L.O.; Griffis, E.
Verlag: The National Home Monthly / Home Publishing, Canada, 1933
- Softcover
- Erstausgabe
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In den WarenkorbSingle Issue Magazine. Zustand: Good. First Edition. 52 pages. Features: Charming cover illustration of calf kicking up its legs in the spring flowers; One-page Chipso photo ad features the Williams family - Thomas Vance, Calvin Edward, Mrs. Calvin C., Stephen, Charles Judson and Henry Kerr; One-page yeast ad features large phot…o of Dr. Gudzent of the University of Berlin; Nice one-page Pontiac ad features yellow Economy Straight 8; Order to View (short story); Green Mantle (short story); Restoration Work in France - photo-illustrated article on work done to preserve Versailles and Fontainbleau for posterity; Small Talk (short story); Beating the Star (short story); At the Edge of the Great Unsurveyed (short story); Wedding Bells Around the World - photo-illustrated article on world wedding traditions; The Man Who Taught London to Dance - photo-illustrated article on Santos Casani; A Gabled House; Pond's cold cream one-page ad features photos of Lady Diana Manners; The British Way; Nicely illustrated one-page Maxwell House coffee ad; Laboratory in the Snow - Dr. H.R. Wolf of General Motors tests cars in the winter conditions of Saskatchewan; Lovely one-page colour ad for Swift's Premium Hams; Great one-page Chevrolet truck ad includes diagrams of 10 interesting vehicles; Three pages of photos of movie stars; Radioland - article on radio stars; Movie reviews; Little Rambles in Hollywood; Champion spark plug ad includes photo of Mr. S.G. Baits, Chief Engineer of Hudson-Essex of Canada, Ltd.; Easter cookery ad; One-page illustrated ad for the Northern Electric Model 800 Gurney Range with automatic oven; Fashion article with illustrations; Lovely colour Palmolive soap ad inside back cover features elegant lady in long maroon gown; Crisco colour ad on back cover; and more. Average wear. Unmarked. A sound copy of this nice vintage issue. Clymer, John F. (cover); Smith, Ralph C.; Little, John; Matteson, B.V.V.; Valentine, A.C.; Horwood, V.W. (illustrator).
Weitere Bilder- Signiert
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In den WarenkorbZustand: Very Good. Original etching. Approximately 6.25" x 9". Copy number 59. Printed on wove paper with full margins. Mounted on cardboard, light dry glue stains along the outer blank margins of the sheet, very good. Signed by Pearson in the plate (dated "Jan '15") and in pencil just below the plate mark edge. Near fine. An i…mportant American etcher of the early 20th Century based in Chicago, Pearson's etchings are celebrated for their painterly effects and innovative spatial design, most conspicuously evident here in the foreground of his masterly view of Lincoln's House.
