Pear tree press (15 Ergebnisse)

Gebunden. Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Good. PROSPECTUS. Folio. Folded Sheet, Very Good, lines stuck out with ink, some creasing.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. First edition, hand-printed at the Pear Tree Press by James Guthrie. Slim 8vo. 17pp. Grey paper-covered boards with a decorated paper title label. John Guthrie provides a title page decoration, a frontispiece and eight header pieces and drawings in the text. Free endpapers lightly browned and spotted, and with a small area of damp staining to the base of the upper board. One gathering just a little tender. A very crisp copy of a handsome production, housed in the original decorated dust wrapper, a little marked, blemished, chafed and chipped with several small areas of edge loss. A series of delightful legends including 'The Legend of the Red Rose', 'An Anemone Legend', 'Legend of the Snowdrop', 'Legend of the Corn Poppies', 'How the Buttercups Came', 'Legends of the Forget-Me-Not', 'The Legend of the Saint-Foin', 'How the Robin Got its Red Breast', 'The Seamless Mantle', 'The Legend of St. Kennach', and 'The Old Black Horse' ("It was Christmas Eve in the quaint old village of Dullington, the shops were gay as gay could be, full of busy little people, and big people too, hurrying to and fro, choosing presents and big fat surprise packets, and all the other good things one has at Christmas").…

Soft cover. Zustand: Near Fine. 1st Edition. Set in Monotype Poliphilus and printed in black (with puce for decoration) on cream wove paper. Illustrations within the text. Stiff turquois wrappers, titled in black, with the words "SPECIMEN" and "2/6" in Guthrie's hand. A near fine copy. Principal Contents: The Plan of the Page;Diagram; Wood Engraving; A New Way for Authors; Specimen Settings; Ars Typographica; In Little.…

Soft cover. Zustand: Fine. Limited Edition. Number 43 of 70 (100) copies signed by James Guthrie with both text and illustrations printed entirely from intaglio plates on antique laid paper. Half-title, title-page, portrait, bookplate, engraved advertisement, another full-page engraving and smaller decorations by James Guthrie, single engraving by Robin Guthrie. Overlapping paper wrappers tied with silk ribbon with an additional large copper engraving by James Guthrie on the front and another smaller on the rear. A fine copy with two additional pieces of Pear Tree printing loosely inserted. Volume 3 of Root and Branch was entirely printed from intaglio plates. Literary contributions include 'On Illustration' by Guthrie himself and Near a Quiet Stream, a poem by W.H. Davies. Signed by Author(s).…

First edition, limited to 100 copies only, of which this is number 20; 8vo (250 x 164mm); pictorial title intaglio printed in red and blue designed by John Guthrie, generally tone, hinge split but holding, light foxing to preliminary leaves and rear endpapers; publisher's cloth-backed boards, browned, upper board marked, pictorial dust-jacket,browned, split in two at spine, chipped with some loss to top edge. …

Hardcover. Zustand: Very Good. First Edition. Flansham, Bognor Regis, Pear Tree Press, 1934. Quarto, [9] leaves (all printed rectos only with an engraving, coloured à la poupée), comprising the half-title, title page, 6 pages of verse, and the colophon. Original quarter cloth and papered boards with an engraved coloured title-label on the front cover (printed from the same plate as the half-title, here coloured differently); covers lightly bumped at the extremities and slightly marked; an excellent copy. Number 25 of 100 copies. 'Script by Helen Hinkley. Design and plate printing by James Guthrie'. Guthrie, who was known for his experiments in coloured intaglio printing, has signed the final leaf. The four poems of William Strode (1602-1645) are 'In Commendation of Musick', 'On Westwell Downes', 'A Watch sent Home to Mrs Eliz. King Wrapt in Theis Verses', and 'A Sonnet'. Signed.…

Paperback. Zustand: Very Good. First Edition. Wraps. Small 4to. 205 mms by 265 Pp. [vi]+10(last colophon), coloured frontispiece and 1 hand-tipped coloured plate, decorative title page printed in purple & black; cr. 4to; patterned brown paper wrappers printed in blue with decorative paper title label on upper wrapper, yapped edges very faintly creased; string bound loose as issued in within card slipcase with printed paper title label, the label very slightly worn, slipcase slightly creased at edges. 1923. Edition limited to 100 numbered copies. This number 28 signed in ink by James Guthrie. Loosely inserted 4 page leaflet prospectus for Guthrie's 'My House in the World' (also Pear Tree Press ) Not in Tomkinson or Ridler. *The Pear Tree Press was founded in 1899 by James Guthrie (1874-1952). William Joseph Ibbett (1858-1934) was a friend and colleague of H. Buxton Forman. Some of his early poetry was published under the pseudonym \i Antaeus\iWilliam Joseph Ibbett (1858-1934) '.poetical postman, with a particular predilection for private printings--had a press of his own, and used other private presses, a friend of Buxton Forman' (WordPress file) His first book was 'Poems by Antaeus' (1889) followed by 'Backward Glances' (1890) also verse. Very good indeed. Signedes.…

FIRST EDITION, an incredibly faint spot to fore-margin of first couple of leaves, pp. [8], foolscap 8vo, original sewn self wrappers, small device to front, a couple of very faint spots touching spine, very good. Poetry by the proprietor of the Pear Tree Press; not printed by him, but an elegant production.…

FIRST EDITION, frontispiece and further illustrations and decorations by James Guthrie, faint browning to half-title and final page, pp. [ii], 21-42, 8vo, original sewn buff wrappers with a Guthrie design to front, slightly creased at overhanging edges, very good. Includes the first appearance of 'The Lofty Sky' by Edward Eastaway (i.e., Edward Thomas), as well as pieces by John Freeman, Vivian Locke Ellis, Alan Dyce, F.M. Hallward and Guthrie himself.…

half-title and ad at rear printed in green, the woodcut border to title-page and colophon printed in pink, 19 designs in all in various colours (several lightly tipped-in), including the work of James Guthrie, some light spotting, pp. [x], 25, [5], 4to, original sewn buff wrappers with a woodcut design by Guthrie wrapping round, a sliver of faint darkening around head, a little corner-creasing, very good. The last part of this magazine, printed by Guthrie at the Pear Tree Press. [With:] The supplement of 'Spoof Designs', 8 tipped-in examples of bookplate-humour, sewn self wrappers with title-design to front printed in green, some light spotting, very good (Fuller p.30).…

11 linocuts by Sheila M. Thompson, five printed in two colours, the remainder in either green or brown. One of 220 numbered copies. 4to., 22.5 x 29.5cm, [28]pp. Original publisher's decorative green paper boards, with design after Sheila M. Thompson in white, lettered in black. Printed by John Freeman on Arnold & Foster's handmade paper. Flansham, Pear Tree Press. Very good, corners bumped with some chipping to paper covers, spine and top edge faded, but internally bright and clean with only minimal offsetting, three sets of dropped type on page beginning 'Quarry' underlined in red, quite possibly at the press. Inscribed 'For Joanna's Son & Daughter, fr. John, Christmas 1948' on ffep.  One of the final works printed by the Pear Tree Press, Eleanor Farjeon's brief and charming poems on the Sussex landscape furnish this scarce alphabet book, such that we learn:  "Mister Belloc lives in Sussex, And don't you dare to doubt it! He makes good cheer and drinks good beer, And tells us all about it." A close friend of Edward Thomas, Farjeon was a successful children's author, now remembered primarily as the author of the hymn 'Morning has Broken', and recalled being profoundly influenced by the Sussex landscape where she moved with her family during the First World War. Writing in a letter to George Earle, she described the impact that the Downs had on her: ?They are so much beyond human beings to me that I almost cannot talk of it? I am theirs and if ever I vanish from the face of the earth, it will be because they have drawn me in? They?ve healed me more and given me more strength and certainty and peace than any other living thing.? Thompson's linocut illustrations are the ideal accompaniment to Farjeon's poems, and the bold use of colour epitomises the playful style of James Guthrie's press, whose guiding principle was that 'the artist at the press is, before everything, an explorer'.…

[ONE OF 80 COPIES], printed on handmade paper in various colours (predominantly black and green), illustrations by James Guthrie throughout, some tipped in or laid down, further decorations by the same, including initial letters, tipped-in photograph of the press-room, pp. 82, 4to, original quarter natural linen and grey boards, the backstrip lettered in gilt, press device and lettering to upper board printed in black, this board bowing a little and with some very faint spotting, edges untrimmed and lightly spotted, faint browning to endpapers, very good. Laid in is the prospectus announcing this book and Guthrie's 'Third Book of Drawings' - dated 1912, it explains that the original intention was to publish in four parts, but only two parts were issued thus, the remaining four being new to this edition. The limitation of 80 copies is stated on the announcement rather than the book itself. This was the copy of furniture-designer and noted collector Sir Ambrose Heal, though without mark of ownership.…

Illustrated with a frontispiece portrait by Robin Guthrie, and two engravings and other illustrations and decorations by James Guthrie printed in ochre. One of 250 copies (this no.81). Small folio, good and bright in the original red cloth blocked in gilt on front cover, uncut. Flansham, The Pear Tree Press. Edward Thomas's memory is celebrated with a twelve page eulogy by James Guthrie, poems, illustrations, a summary of Edward Thomas's letters to W.H. Hudson and the famous full length portrait of Edward Thomas by James Guthrie's son Robin.…