pauline bachmann (12 Ergebnisse)

Zustand: New. Based on the papers presented at an international conference at the Freie Universitaet Berlin in 2013, the publication focuses on problems and challenges of art history s epistemic frameworks. Following four guiding themes - narrations, venues, concepts and .

Taschenbuch. Zustand: Neu. Neuware - Based on the papers presented at an international conference at the Freie Universität Berlin in 2013, the publication focuses on problems and challenges of art history's epistemic frameworks. Following four guiding themes - narrations, venues, concepts and practice - the contributions address the aspect of mobility of aesthetic objects and their contextualisation from different analytical perspectives. The essays examine complex processes of transcultural negotiations that are set in motion by »travelling« objects, artists, ideas and institutions in order to trace and analyse historical conditions that generated specific frameworks with their respective art historical narratives and artistic production.; Based on the papers presented at an international conference at the Freie Universität Berlin in 2013, the publication focuses on problems and challenges of art history's epistemic frameworks. Following four guiding themes - narrations, venues, concepts and practice - the contributions address the aspect of mobility of aesthetic objects and their contextualisation from different analytical perspectives.The essays examine complex processes of transcultural negotiations that are set in motion by 'travelling' objects, artists, ideas and institutions in order to trace and analyse historical conditions that generated specific frameworks with their respective art historical narratives and artistic production.

Buch. Zustand: Neu. Art/Histories in Transcultural Dynamics | Narratives, Concepts, and Practices at work, 20th and 21st Centuries, Berliner Schriften zur Kunst | Pauline Bachmann | Buch | 337 S. | Deutsch | 2017 | Brill Fink, Wilhelm | EAN 9783770559398 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Wollmarktstr. 115, 33098 Paderborn, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In Portuguese.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Inseparável da personalidade de Oswald de Andrade e da sedição implícita em seu chamado para a 'absorção do sagrado inimigo', o 'Manifesto Antropófago' (1928) representa uma das mais arrumadas alegações do modernismo literário no Brasil. Antropofagias: um livro manifesto! convida a (re)ler as diretrizes antropológicas do pensamento oswaldiano e suas declinações nas artes e letras brasileiras. Sem pretender ser um documento histórico, o caráter manifesto deste volume visa marcar uma presença na análise do consumo cultural que distingue a produção de conteúdo estético do Modernismo, com ensaios que abordam a validade e as mutações epistemológicas de um texto em constante diálogo com os contextos crítico-históricos em que se desenvolveu a noção do que significa ser antropófago.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seit einiger Zeit ist Brasiliens Neokonkretismus in Ausstellungen, Katalogen und Publikationen in Europa präsent. Die Autorin nimmt erstmals auf Deutsch umfassende Werkanalysen vor und stellt den Schlüsselcharakter der neokonkreten Praktiken dar. Die Kunst- und Lyrikproduktion der Bewegung führte, so die Autorin, zu einer Umwertung und Neuauslegung des konkret-konstruktivistischen Gedankenguts der europäischen Avantgarden des frühen 20. Jahrhunderts. Diese Umwertungen schufen in Brasilien erst die Voraussetzungen dafür, haptische und sensorielle Komponenten ästhetischen Erlebens zum zentralen Ausgangspunkt künstlerischer Praxis zu erheben, für welche die späteren Arbeiten der brasilianischen Avantgarde-Ikonen Lygia Clark und Hélio Oiticica bekannt sind. Die Arbeit ist ein wichtiger Beitrag dazu, moderne und zeitgenössische künstlerische Praktiken aus Brasilien zu dekolonisieren, denn die Analysen zeigen auf, dass haptisch und plurisensoriell erfahrbare Kunstwerke aus Brasilien eben nicht auf einer angenommenen genuin sensorisch-sensiblen Konstituierung des Menschen in Brasilien beruhen, sondern vielmehr auf einer eigenwilligen, lokalen Rezeption europäischer Avantgardepraktiken.; Dissertationsschrift.