Sprache: Englisch
Verlag: Suomalaisen Kirjallisuuden Seura, 16, 2015
ISBN 10: 9522225940 ISBN 13: 9789522225948
Anbieter: Moraine Books, Ruovesi, Finnland
Erstausgabe
Hardcover. Zustand: Fine. 1st Edition. The body of the book is formed by the correspondence between the Swede Ola Billgren and the Finn Paul Osipow deeply examining Hammershøi's art. The richly illustrated book is associated with the exhibition of the same name at the Amos Anderson Art Museum in 2015. Text in Finnish and Swedish. 159 pp.
Soft Cover. Zustand: Very Good. 1st Edition. Text in English. 60 pp. Some rubbing on the covers.
Verlag: Helsinki, The Museum of Contemporary Art 1993., 1993
Anbieter: Rönnells Antikvariat AB, Stockholm, Schweden
26,5x23 cm. 128 pp. Richly illustrated. Soft cover. Texts in Finnish, English and Sweden.
Verlag: Pori Art Museum, Finland, Finland, 1987
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Erstausgabe
EUR 53,46
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Good. First Edition. 22 x 27cm 30pp good paperback exhibition catalogue, some minor marks to front creamy-coloured cover. Inside on the front free end paper, the Finnish artist has inscribed and dedicated the catalogue to British artist, Christopher Lebrun. The catalogue has English and Finnish text accompanied by colour reproductions of Osipow's works.
Paperback. Zustand: VERY GOOD. Clean, sharp copy.
Oslo; Kunstnernes hus, 2005. 28,5x25 cm. 184 pp. Illustrated. Original cloth with printed dustjacket. The jacket is insignificantly rubbed at head of spine and corners. A fine copy. Published on the occasion of Osipow's exhibition in Oslo. With bilingual text in English and Norwegian. Contains the essay "Paul Osipow: Conversations with painting" by Valjakka, and an interview with Osipow by Svenungsson, chronology, and exhibition history.
Anbieter: Patrik Andersson, Antikvariat., Lund, Schweden
Helsinki; Galerie Artek, 1989. 23x15,5 cm. (47, (3 blanks) pp. Illustrated. Original blue cloth with the artist's name blindstamped on front board. Very fine. Exhibition catalogue with text in Finnish and Swedish. With chronology and list of exhibitions. 15 of the exhibited acrylic paintings, inspired by the bathroom tiling of the Paradise View Hotel, are reproduced in full colour. Inscribed by the artist in pencil to gallery owner Anders Tornberg in both Swedish and English: "Till Anders som har vidgat my views / om natten 9.11. -89 / Paul" [For Anders who has broadened my horizons / at night 9.11. -89 / Paul]. Laid-in is an original acrylic painting on thick paper, 19x14,5 cm, also inscribed to Anders Tornberg, signed and dated 1989.
[No place]; Edition Erling Neby, 1996. 2 text leaves + 24 serigraphs with tissue-guards, housed in the original red cloth box, bound at N-G Nilssons Bookbindery. Printed on Arches 300 gram paper measuring 38x28 cm, with an image size of 15x12 cm. No. 74 of 95 sets. All leaves are numbered and signed by the artist. The box has two faint stains on front panel, and one of the sides has a crack. The leaves are all very fine. Inscribed by Osipow in Swedish to Anders and Inger Tornberg, congratulating them on their marriage in 1996. The Norwegian entrepreneur Erling Neby, born 1950, started purchasing constructivist and geometric art in the early 70s, and is now the owner of one of the world's foremost collections in this field. The collection focuses mainly on Scandinavian artists, such as Olle Bærtling, Gunnar S. Gundersen, Robert Jacobsen and Paul Osipow, but includes also the works by international artists such as Jean Dewasne, Victor Vasarely, Ludwig Sander and Horia Damian. The collection was exhibited at Henie Onstad Kunstsenter in 2011, and a major catalogue was published by Skira at this occasion. The Finnish artist Paul Osipow, born 1939, was first recognized for his pop-art paintings, but later turned to constructivism. In a laid-in letter, two full A4-sheets in handwriting, Osipow gives the story behind this publication, and explains the structure of the work in detail. The letter is undated and without recipient; it was probably just handed to Anders Tornberg or sent together with the book. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the inner board of the box.