paul lack (28 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Volume 196. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:9781851746941.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 28 pages. 7.95x5.75x0.24 inches. In Stock.

Paperback. Zustand: Brand New. 180 pages. 9.00x6.00x8.90 inches. In Stock.

Paperback. Zustand: Brand New. 180 pages. 9.00x6.00x8.90 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good - Fine. Zustand des Schutzumschlags: Very Good - Fine. First Edition. A systematic analysis of the Texas Revolution as political and social history. No noticeable wear. A very good or better copy.

Zustand: New. In.

Zustand: New. Num Pages: black & white illustrations. BIC Classification: 1KBB; HBTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 146 x 22. Weight in Grams: 526. . 1996. Reprint. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. A fresh, unvarnished appreciation of the Texas Revolution and its 'messier' character. With maps and charts. Sunning to spine. Mild marking to cloth covers. Foxing to page edges but contents clean and binding tight. Good+.

Hardcover. Zustand: Brand New. 224 pages. 9.00x6.25x1.00 inches. In Stock.

332 p 23 cm Encuadernación editorial en rústica. Estado de conservación: Como nuevo. .

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 224 pages. 9.00x6.25x1.00 inches. In Stock.

Zustand: New. Recovers the history of a significant regional revolt against the Mexican Republic, presaging other federalist rebellions and the Mexican-American War.&Uumlber den AutorPaul D. Lack, author of The Texas Revolutionary Exper.

Buch. Zustand: Neu. Neuware - In 1838, a rebellion began in northern Mexico. A loose collective sought to establish a 'Republic of the Rio Grande': the rebellion lasted two years, failed, and was then forgotten by history. This regional effort to establish an independent republic achieved some fleeting victories, although they were flanked by triumphs of the Supreme Government. Initially fed by a desire to defend the federalist system against a consolidated and unsupportive central government, zealous leaders such as Antonio Zavala and Antonio Canales led the popular uprising.As the skirmishes continued, these norteamericanos resorted to increasingly desperate measures, including soliciting aid from the newfound Republic of Texas, which supplied covert support for the rebel cause in the form of manpower, funding, and supplies. When the chastened Anglo Texans finally fled back to their homeland with the tacit compliance of the government of the Republic of Mexico, the states of Coahuila, Nuevo León, and Tamaulipas became entirely free of the norteamericanos, who faced almost unanimous hatred in Mexico by the time of their departure. Leaders from both Mexican factions in the civil conflict then sought peace and partnership against the threatened aggrandizement of the Republic of Texas. In that regard, this inconclusive regional revolt had many precursive elements to the aggression of the United States that resulted in war against Mexico from 1845 to 1848, fulfilling the imperial dreams previously uttered by Anglo Texans during this federalist revolt of 18381840. Searching for the Republic of the Rio Grande reads the smoke that would soon fan into the flames of open war against the Mexican Republic.

Hardcover. Zustand: Brand New. 220 pages. 9.50x6.25x0.75 inches. In Stock.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. Berne, Imprimerie nationale éditions, 2010. In-4, 276pp. Plein cartonnage de l'éditeur, jaquette illustrée. Catalogue des expositions de Bonn, Vienne, et Berne. Nombreuses illustrations et 599 n° décrits. Traduction française de Charles Moysan. Très bon exemplaire.