paul jolas (35 Ergebnisse)

Couverture souple. Zustand: Bonne Condition. Couverture légèrement usée. Intérieur frais. 173 p. Envoi soigné.

Softcover. Zustand: Near Fine. Magazine. Small octavo. Perfectbound in wrappers. Near fine with some light toning and crease on rear wrap. This issues features work by W.H. Auden, Archibald Macleish, Karl Shapiro, Eugene Jolas, Paul Goodman, and many others.

Broché. 21 pages.

Les cahiers des Poètes de notre temps. Numéro 396. Broché. 29 pages.

Broché. 26 pages.

Zustand: Very Good. Bon état. Sans date. Very Good.

Zustand: Very Good. Bon état. Sans date. Very Good.

Brochure. In-12 (12,7 x 18 cm), brochure, dos carré collé, 21 pages ; quelques passages soulignés, dos légèrement bruni, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Dos carré collé. In-12 (13,7 x 20,9 cm), dos carré collé, 58 pages, envoi de l'auteur ; rares rousseurs sur le bord du premier plat, petite décoloration sur le quatrième plat, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Couverture souple. Zustand: Très bon. rare ouvrage, un envoi signé de Claude Pétey, en excellent état.

Couverture souple. Zustand: bon. R200116575: Non daté. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Quelques rousseurs. 157 pages. Tampon + annotation en page de titre. Quelques illustrations en noir et blanc, dans et hors texte. . . . Classification Dewey : 792-Théâtre.

paperback. Zustand: very good(-). First. 8vo, printed light tn wrappers. Paris: Shakespeare & Co., January, 1928. Contributions by Gertrude Stein, Malcolm Cowley, Wm. Carlos Williams, and others. The wrappers are lightly soiled and missing an inch at the base of the spine.

Couverture souple. Zustand: bon. R240084081: 1971. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. Fascicule de 26 pages - ex dono sur la page de garde - une illustration en noir et blanc hors texte. . . . Classification Dewey : 841-Poésie.

Couverture souple. Zustand: bon. RO20272508: 1987. In-8. Broché. Etat d'usage, Tâchée, Coiffe en pied abîmée, Quelques rousseurs. 29 PAGES - Mouillures / tâches sur les plats et les pages, sans conséquence sur la lecture. . . . Classification Dewey : 841-Poésie.

Couverture souple. Zustand: Très bon. 32323. LIVRE BEAU ET PROPRE, ENVOI RAPIDE ET SOIGNÉ DEPUIS LA FRANCE ET PARTOUT DANS LE MONDE AVEC UN NUMÉRO DE SUIVI.

[6057].

4°, Softcover/Paperback. 1.Auflage,. 24 Seiten mit zahlreichen Abbildungen, Mehrsprachig Einband etwas berieben, ansonst guter und sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 170.

Original wrappers. Reproductions of paintings by de Chirico, Pena and Sidney Hunt Somewhat browned throughout, as usual, and wrappers a little soiled and worn (especially at backstrip), otherwise a nice copy Contributors include Kay Boyle, Cowley, Horace Gregory, Riding, Stein, William Carlos Williams and the editors.

Softcover. Zustand: Very Good. First edition. 205, [7 ads] pp. Illustrated from black and white photographs. Pictorial wrappers. Short tears on the cover along the spine, creases and small chips on the spine with rubbing on the rear wrap, very good. Contains a special section: "James Joyce and His New Work," including James Joyce's, "Continuation of a Work in Progress: Opening and Closing Pages, Part II, Section II" ; also prints two articles about Joyce (by Leon-Paul Fargue and Armand M. Petitjean). Additional contributions by Malcolm Cowley, Eugene Jolas, Franz Kafka, and more.

Softcover. Zustand: Poor. First Edition. Front cover evenly detached; chips with loss to leading edges of front & back cover; loss of up to 1" bottom of spine; covers soiled; moderate tanning to text pages. Holding tight in spite it all. ; Printed wrappers. ; 8vo 8" - 9" tall; 194 pages.

First edition. Octavo. pp 208, [viii] adverts. Four reproductions of artworks. Wrappers. Includes an essay by Elliot Paul on James Joyce. Other contributors include Djuna Barnes, William Carlos Williams, Kay Boyle, Laura Riding, Hart Crane, etc.Cheap paper tanned as usual. Spine slightly faded. Very good indeed. A bright copy.

Softcover. Zustand: Near Fine. First edition. Octavo. Pp. 184, [7] advertisements. Illustrations. Printed wrappers. Neat note on front wrap noting two articles, near fine. Includes James Joyce's ''Continuation of a Work in Progress'', Dawn Powell, Léon-Paul Fargue, Ma Pa We, Gertrude Stein, Panteleimon Romanov, Kurt Schwitters, Walter Lowenfels, William Carlos Williams, Valéry Larbaud, Michael Fraenkel, André Gide, and others. A very nice copy.

paperback. Zustand: near fine. First. 8vo, printed gray wrappers. Paris: Shakespeare & Co., October, 1927. Contributions by William Carlos Williams, James Joyce, Allen Tate, Hart Crane, Robert Graves, and others. Unusually nice copy, with pages unopened & wrappers with some fading but no chips.

Hardcover. First English language edition. 191 (2) pages. 19 x 14.5 cm. Published from the original French sheets. Critical essays on Joyce's "Finnegans Wake. Beckett, in Joyce's company at the time, and his essay (the first of the essays here published, by virtue of the alphabet) is his first publication notes, "It takes few intellectual prisoners: " . . . if you don't understand it, Ladies and Gentlemen, it is because you are too decadent to receive it." Clean copy, pencil notations front free endpaper. Orig. azure blue cloth spine lettered in gilt. Near fine in very good dust wrapper with slightly faded spine.

The summer 1928 issue of Transition, number 13, containing James Joyce's ongoing piece âContinuation of a Work in Progress." Octavo, original pictorial wrappers with the cover portrait by Picasso, illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. âContinuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake (1939). Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear, in serialized form, in Parisian literary journals transatlantic review and transition, under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety, on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms, the magazine published work by leading figures such as James Joyce, Gertrude Stein, Samuel Beckett, and Hart Crane, often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyceâs Work in Progress (later Finnegans Wake), thereby introducing avant-garde readers to his evolving style.

Softcover. First Edition. Octavo, 185 pages, plus [7] pages of advertisements. In Fair condition. Covers missing. Some of the original brown paper wrapper remains on the spine, heavily chipped. Text block shows moderate edge wear, with rubbing on all edges and corners. Binding is fragile. Stain affects pages in the advertising section at the rear of the book. Contains a "Work in Progress" (Finnigan's Wake) by James Joyce, other works by William Carlos Williams, Rainer Maria Rilke, etc., art by Max Ernst, Juan Gris, Giorgio de Chirico, and Yves Tanguy. Housed in a card-backed, archival sleeve. SH consignment. Shelved in Room A. Bill Bird was an American publisher best known for running the Three Mountains Press, a small press that published many prominent modernists in the 1920s including Ezra Pound, Ernest Hemingway, James Joyce, William Carlos Williams and Robert McAlmon, with Ezra Pound serving as editor. Over a period of two and a half years he published 9 works. Concurrently he founded Consolidated Press Service and worked there as a journalist from 1920-1933, when he joined the New York Sun as chief foreign correspondent. Forced to flee France after the Nazi invasion, he wrote articles warning of war. After WWII he moved to Tangier and was the editor of the Tangier Gazette. This title was among Bird's private collection, having been carted by him from Paris (where he stayed until 1940), to Spain, Tangiers, and finally back to Paris and by descent to the US. 1403440. Special Collections.

Zustand: Near fine. First edition. Fifteenth issue of Eugene and Maria Jolas's landmark literary journal, which - along with Margaret Anderson's THE LITTLE REVIEW - was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman). An important issue, featuring an installment of Joyce's 'Work in Progress' (i.e. FINNEGANS WAKE), plus contributions by Gertrude Stein, Hart Crane, Malcolm Cowley, Eugene Atget, Robert McAlmon, Katherine Anne Porter, William Carlos Williams, Kay Boye, Robert Desnos, L. Moholy-Nagy, among many others. With the extremely ephemeral and fragile original overlap, rare in this condition. 9'' x 6.5''. Original pictorial wrappers featuring an image by Man Ray. 298 pages, plus ads. Original printed overlay tipped to front cover present. Issue largely unopened. Minor toning to pages, as usual. Touches of rubbing, shelfwear, soil. Small bump to top of spine. Overall clean and sound.

Zustand: Near fine. First edition. Thirteenth issue of Eugene and Maria Jolas's landmark literary journal, which - along with Margaret Anderson's THE LITTLE REVIEW - was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman). An important issue, it includes Berenice Abbott's famed portrait of James Joyce, as well as work from Gertrude Stein, Man Ray, Kay Boyle, Laura Riding, William Carlos Williams, and others. Rare in this condition. 9'' x 6.5''. Original pictorial wrappers featuring an image by Pablo Picasso. 278 pages, plus ads. Original red printed overlay tipped to front cover present. Issue largely unopened. Minor toning to pages, as usual. Touches of rubbing, shelfwear, soil. Overall clean and sound.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

First edition. [3]-194, [2] p. 191 x 140 mm. (7 1/2 x 5 1/2 in.). Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy (the Danish translator of Ulysses) inscribed to him by Sylvia Beach, and with two letters from him to a former owner, explaining the circumstances. Small chip from rear wrapper edge, light creasing on front wrapper, otherwise a fine copy. In a folding box, with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print.