Paul hayden duensing (30 Ergebnisse)

softcover. Zustand: Fine copy. 1st. 4to, 147 pp. Well-illustrated (illustrator).

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

. . . 1 Vol. . 147 pp. Folio. Rústica. . Buen estado de conservación. Texto en inglés.

Paperback. Zustand: Very Good+. Card covers are clean, corners sharp; binding is tight; pages are unmarked with black and white illustrations.; 9 X 0.75 X 12 inches; 147 pages.

Beige Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First English Edition. 147 pages, b/w illustrations. Minor wear, unmarked. [807] Size: 315mm. x 240mm.

1989, 147pp. Illustrated. Paperback. 30,5x23cm. In good condition.

No Binding. Zustand: Very Good. 16x12cm, single sheet folded to 4pp. Printed in black and blue Post Medieval Light type. George Sas renamed his Marble Hill Press imprint to Spuyten-Duyvil in 1969. Scarce. Very Good (some light bluish marks to the front, a few faint brown spots to the back), with the small discreet blind-embossed stamp of Dr Trevor Weston to the rear corner.…

Zustand: Gut. 3 Bll. "Ein Brief an Kurt Christians" von Paul Hayden Duensing als Nekrolog auf ihn. - Miut einem Holzschnitt von Christopher Manson. - Übersetzung von Heinz Janke. - Sauberes und wohlerhaltenes Exemplar. Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 100 angelegt als OKart.-Umschlag, 34 x 54 cm, gefaltet auf 34 x 18 cm.…

Zustand: Good. 32mo. Folded Page, Very Good with minor creasing. Tricolor letterpress on laid paper.

Softcover. Zustand: Good. One or two light exterior scuffs and nicks. Contents clean and unmarked, with uncreased pages. In good order overall. Publisher's note: Abstract: "This collection of essays on type design and typography, written by some of the foremost designers and scholars in the field, will appeal to those who use, study, and love type - from advertising designers to desktop publishers, from research bibliographers to just plain discerning readers, all of whom have observed and been fascinated by the way TYPE, apparently a neutral conveyor, can radically affect the meaning and impact of the message. From its first issue in 1975, Fine Print has been the only magazine in the world devoted to all the arts of bookmaking: typography, printing, bookbinding, papermaking, illustration, calligraphy, and graphic design. "The book is a complex object," says publisher Sandra Kirshenbaum, "and each element that goes into it is ages old. Each aspect could fill a magazine of its own, but we attempt to cover the whole book - the book as an intellectual medium and as a physical object." As part of this objective, the magazine has regularly published a series of articles under the title "On Type," exploring the history and development of type design to its scribal roots and looking ahead to the best in digital type for the new electronic media. It makes for a stimulating and instructive mix of the aesthetic and the technical, the traditional and the avant garde. Types covered include the up-to-date and quotidian like ITC Zapf Chancery, Galliard, and Century, as well as little-known but interesting historical faces like Fleischmann Antiqua, Hiero-Rhode Italic, and Hammer Uncial. Here sixteenth- and seventeenth-century type designers like Claude Garamond and Miklós Kis share the stage with the "bit wizards" of our own time like Kris Holmes and Sumner Stone. Who really was responsible for the design of Arrighi? Why do knowledgeable typographers always specify Kis/Janson and never "Janson" types? Which should come first, choice of paper or choice of type? How is designing a typeface like creating a dance for Isadora Duncan? If these questions intrigue you, then Fine Print On Type is for you." -- Size: 31.1 x 23.5 x 1.3 cm. 147 pp. Shipped Weight: Under 1 kilo. Category: Art & Design; Type and type-founding; Graphic design (Typography); ISBN: 0938491172. ISBN/EAN: 9780938491170. Add. Inventory No: 260607EAK013018. Well-illustrated (illustrator). …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 4to. Full grey cloth. 147 pp. Illustrated. Some bumping to extremities of dust jacket. About fine.

Hardcover. Zustand: Near Fine. 1st Edition. Illustrations within the text, title-page in reddish-brown and black. Bound up in green buckram with printed spine label. A fine copy.

Edition limited to 143 copies, 8vo, pp. [14]; title page printed in red and black, offset lithograph facsimiles; original blue wrappers, printed paper label om upper cover; fine. Fourth Decade, p. [25].

Zustand: Sehr gut. First edition. 145 pages with numerous illustrations. 28 cm VERY good copy. U.a. über ERIC GILL. Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Englisch Gewicht in Gramm: 1100 Originalleinen mit Original-Schutzumschlag.…

Folio, pp. [10], 147, [3]; text illustrations; paper and dustjacket starting to tone, near fine/near fine. From the library of Allan Kornblum, poet, fine press printer, and publisher who founded Coffee House Press.

Zustand: Good. 18mo. Folded Card, Very Good+. Letterpress on fine paper. One of 250 copies for the joint meeting of The Roxburghe Club and the Zamorano Club in San Francisco September 9th and 10th, 1972. Text in Latin and English.

Paperback. Zustand: Very Good. Limited. Card portfolio. 22 x 20cm. Containly 30 loose leaves printed in colour. In an edition limited to 100 copies. Some wear to portfolio, contents clean and unmarked.

32 lose Blatt in Orig.-Klappmappe. Gedruckt in 100 Exemplaren.- Mappe seitlich etwas geplatzt und gering geblichen.

Soft cover. Zustand: Fine. 1st Edition. Text in Linotype Optima. Title in Van Krimpen Open Capitals; Ransom ornaments recast for this book. One of 100 copies printed in black (ornaments in blue) on white paper. Sewn and loosely inserted into heavy blue paper wrappers, cut flus, printed in black on the front and spine. A fine copy. An additional 45 copies were printed for the 1972 meeting of the Typocrafters.…

Zustand: Good. 12mo. Folded Sheet. [4 pp.] Letterpress on Watermarked Laid Paper. Illustration, decorative border. Very Good. Scarce First Edition.

Softcover. Zustand: Sehr gut. 55 nn.S.mit Abbildungen; Original-Broschur (Rücken u.Deckel oben etwas aufgehellt); 8°. Sonst sehr gutes Exemplar. Eins von 150 Exemplaren, im Handsatz in der Optima von Hermann Zapf und der Open Kapitalen von Jan van Krimpen.

Revised edition limited to 250 copies including 50 for the Typocrafters; 8vo, pp. [44]; illustrated with ornaments throughout; original card wrappers, blue ornamented dust jacket; fine. 25: A Quarter Century, p. [28].

Kalamazoo, MI: The Private Press & Typefoundry of Paul Hayden Duensing, 1976. Quarto, illustrated cloth, offsetting to endpapers, pp. [40], illustrated with examples of type. Limited to 250 copies.

Zustand: Sehr gut. 32 nn.S.mit Abbildungen; Original-Broschur mit Deckelschild; Quer-Gr.8°. Sehr gutes, schönes Exemplar. Eins von 50 Exemplaren in dieser Ausstattung (GA 100 Exemplare). Beiliegend kleines gedrucktes Grußblatt auf Japanpapier. Mit dieserm Druck endete die Tätigkeit der Privatpresse.

Edition limited to 100 copies, small, square 4to, 30 leaves in all, printed in colors on rectos only, including a title and a colophon, and enclosed in the publisher's printed green envelope, and an outer white envelope and which Duensing has written the title; fine. 25: A Quarter Century, p. [27].

Edition limited to 65 copies, about 40 for the American Typecasting Fellowship; 4to, pp. [16] printed on rectos only; original wrappers printed in red and black on Bogus paper; fine. "Submitted for consideration at the Second National Conference on Hot-Metal Typecasting and Design at Larchmont, New York, June 29 to July 2, 1980." The newly cut 12 and 18 pt long descenders for Consort Light were used dffor the first time in this book. Fourth Decade, p. [20].…

Edition limited to 100 copies, this 1 of 50 printed on handmade paper and bound in boards, oblong 8vo, pp. [31]; typographic illustrations and facsimiles throughout, some in color; fine in original beige linen, printed label on upper cover; light soiling to upper cover, fine. Sequel to 25 Years, covering some of the author's more recent personal experiences in typography, with a bibliography of Duensing imprints (1976-1990) and a list of translations of typographic works sponsored or arranged by him. 50 copies were also bound in wrappers. Calling card from Duensing noting the fine work done by Campbell-Logan laid in. …

Edition ltd. to 100 copies, this 1 of 50 printed on handmade paper and bound in boards, oblong 8vo, pp. [31]; typographic illustrations and facsimiles throughout, some in color; fine in original beige linen, printed label on upper cover. Sequel to 25 Years, covering some of the author's more recent personal experiences in typography, with a bibliography of Duensing imprints (1976-1990) and a list of translations of typographic works sponsored or arranged by him. 50 copies were also bound in wrappers. This copy with a notice of address change, printed by Duensing laid in.…