paul d meyer (25 Ergebnisse)

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Second. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Second. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. First Edition. Ex-library copy with usual markings (ink-stamp along bottom edge, inside front flap, top edge, inside rear flap, else clean of interior and tightly bound. Sleeve perhaps for a fold-out map inside rear map, empty. Slight forward cock to spine, a bit of smudging to spine. Octavo hardcover format, with 423 pp., bound in brown cloth over boards, stamped in black, and inset with square medallion portrait of Claude Bernard, neatly affixed. Text wholly in French. Replete with black-and-white diagrams, charts and illustrations and photographs galore. Contributions by Roger Heim, Bernard Halpern, Yvon Bourges, Bengt Andersson, Otto H. Gauer, Robert F. Pitts, James F. Danielli, Francois Morel, Corneille Heymans, Eric Neil, Oscar M. Helmer, Irvine H. Page, James W. McCurbin, Philippe Meyer, C. Chevillard, Paul Milliez, Bjorn Folkow, Lysle H. Peterson, E. Witzleb, Magnus I. Gregersen, Jame D. Hardy, Charles Kayser, T.H. Benzinger, Laurence Irving, J. Chatonnet and Albert Szent-Gyorgy.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

212 pages Ex-Library book in good condition. 9783540061267 Sprache: Französisch Gewicht in Gramm: 550.

Softcover. Zustand: Near Fine. First edition. Small quarto. 32pp. Stapled decorated wrappers. Slight bend at one corner, near fine. Mostly obscure poets, the most familiar name is African-American poet Al Young.

Soft cover. Zustand: Good. 1st Edition. Actualités scientifiques et industrielles 1134. Broché, 25x16cm, 151p. Petit manque de appier aux coins de la couverture.

Couverture rigide. Zustand: Très bon. Jaquette. MAGIE - [MEYER (M.), MIRECKI (P.) eds.].Ancient Magic and Ritual Power.Textes de J. Z. Smith, F. Graf, R. K. Ritnner, R. H. Beal, B. J. Collins, J. A. Scurlock, B. B. Schmidt, S. D. Ricks, J. Seidel, M. D. Swartz, etc.Leiden, 1995, gr. in-8°, cart. pl. toile édit. ss. jaq. 1000 gr.

Paperback. Zustand: Brand New. second edition. 272 pages. 8.90x5.90x0.70 inches. In Stock.

Hardcover. Zustand: Sehr gut. 15 nn.Bl. mit Illustrationen; illustr.Original->Halbleinenband; Quer-4°. Sehr gutes Exemplar.

Ganzleinen Hardcover. Zustand: Guter Zustand. Zustand des Schutzumschlags: Kein Schutzumschlag. Erste Auflage. 139 seiten mit 106 abbildungen und 5 zahlentafeln; leineneinband an zwei stellen leicht fleckig, etwas angestaubt - sonst gutes exemplar;

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha.

gebundene Ausgabe. Zustand: Gut. 540 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Namensvermerk des Vorbesitzers im Vorsatz. Text in ALTDEUTSCHER SCHRIFT. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 840.

No Binding. Zustand: Fine. No Jacket. loose-leaf publication ; OCLC: 857088726 ; a six-year run of Old-House Journal, as well as The Old-house journal catalog, with the indexes ; lists over 5,873 products and services, with 525 companies for the renovation of old houses; many articles on various aspects of repair; laid the groundwork for the Public Television series This Old House ; V.1.no.1: An old house is a way of life -- Protecting the aging house from winter storms -- Old-house living: a brownstone in Brooklyn -- Sealing leaky windows -- Quieting a steam heating system -- Flat-roof repairs -- Chimney check up -- The care and cleaning of brass -- v.1 no.2 : Refinishing secrets of the Boston Museum -- The bare-brick mistake -- A schoolhouse in Kentucky -- Restoring shutters to working order -- Surgery on a staircase -- Coping with frayed electrical wiring -- How to apply French polish -- Recipes for reviving and refinishing - v.1 no.3: Teaching a fireplace not to smoke -- Antique wallpaper preservation -- Victorian gingerbread -- The art of getting plastered -- Tricks an old farmhouse plays -- Matching bricks & mortar -- How to paint a cathedral -- v.2 no1: Catalog your house's secret passages -- An Italian villa in New Haven -- Major repairs to plaster surfaces -- Tips on mixing plaster -- Mansard roof -- A tale of two houses -- V.2 no 2: How to stiffen sagging floors -- Let's do away with incentives that destroy old houses -- Wallpaper in old houses -- Where to buy 18th & 19th century wallpaper -- Duplicating plaster cornices -- v.2 no.3: Duplicate plaster castings -- A townhouse in Trenton -- Parts of a staircase -- One way to insulate an attic -- V.2, no4: Drapes & curtains -- A family plantation in Virginia -- Don't get stuck with the wrong glue -- Restoration of sandstone -- V.2 no.5: Repairing old floors -- Octagon house on the Hudson -- Re-creating period window hangings -- v.2 no 6: A restorationist view of windows -- Queen Anne revival in Little Rock -- Repairing & restoring marble mantels -- Windows and parts -- V.2 no 7: Sawn wood ornament -- Pre-Civil War manse on the Mississippi -- Mix your own wood stain -- Running electrical wire -- Restoring and re-creating sawn wood ornament -- V.2 no 8: Eastlake -- Preserving woodworkers' art in St. Paul -- Restoring rotted window sills -- Improved process for stripping paint -- v.2 no 9: Tips on stripping shutters -- in Covington, a riverboat captain's Italianate berth -- restoring a frame house exterior -- Early American roof types -- Victorian fancywork -- v.2 no 10: The domestic architecture of Downing -- Caustic approach to exterior paint removal -- A restored federal enclave in Charlestown -- Detecting & defeating rot in old houses -- Downing on color -- v.2 no2 : Preventing rot in old houses -- How to make an electrical survey -- Greek revival on the immigrant road -- Classical orders -- v.2 no12: Refinishing old wood floors -- Insuring townhouse living -- Tips on sanding -- Painted floors -- Cast iron fences -- Care & repair of ornamental iron -- v.3 no 1: Early American wall stenciling -- Restored, a hopeless 1865 Greek revival ruin -- Selecting the best floor finish -- v.3 no2: Victorian stenciling -- Romanesque revival in the inner city -- The case against removing paint from brick masonry -- Replacing a clapboard -- Glenview, Victorian stencilling restored -- v.3 no.3 Restoring old brickwork -- Dual personality saves 1836 Greek revival -- The peril in Portland cement -- Marbelizing -- v.3 no 4: Late Victorian art movement -- Reviving a 1745 stone manor -- Selecting & using chemical paint removers -- v.3 no5: Greek revival decoration -- Self-supporting shingle-style seaside cottage -- v.3 no6: How to grain like a professional -- Moving story of a Swiss chalet in Vermont -- Locating buried artifacts -- v.3, no.7 : Lighting for the old house -- Victorian charm re-created in San Francisco -- Rebuiling fireplaces -- Adapting old fixtures -- Fancy butt shingles; etc ; a mark or two; else FINE. Book.