Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
EUR 5,04
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. Thai Cooking Class - Authentic Thai Cuisine This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 5,58
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
EUR 3,74
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
EUR 3,74
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
Sprache: Englisch
Verlag: Museum of Contemporary Art, San Diego / Auditorio de Galicia San Diego / Santiago de Compostela, CA / Spain, 1998
ISBN 10: 0934418527 ISBN 13: 9780934418522
Anbieter: Specific Object / David Platzker, New York, NY, USA
2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.
Sprache: Englisch
Verlag: Kluwer Academic Publishers, 2003
ISBN 10: 1402017308 ISBN 13: 9781402017308
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Call-by-push-value is a programming language paradigm that breaks down the call-by-value and call-by-name paradigms into simple primitives. Aimed at graduate students and researchers, this monograph presents the call-by-push-value structure underlying semantics, including operational semantics, domains, possible worlds, continuations, and games. Series: Semantics Structures in Computation. Num Pages: 352 pages, biography. BIC Classification: TJFD; UMX. Category: (P) Professional & Vocational. Dimension: 235 x 155 x 22. Weight in Grams: 733. . 2003. Hardback. . . . . Books ship from the US and Ireland.
Verlag: , DI DONNA GALLERIES, 2013, 2013
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardcover, 96 pages, ENG. edition, 300 x 255 x 14 mm, NEW !, illustrated in color / b/w.,***please handle with care, book has a velvet-like cover ***. ISBN 9780984044733. Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard?s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his vision. It is always either night or noon. The interiors are neo-classical apartments that belong to the European bourgeoisie from before the First World War, and they come with a full collection of Freudian indicators: locked doors, open windows, floors stripped down to the boards. The landscapes are either classical or barren and they have been emptied of all but a few people. The figures rarely interact with each other. No one speaks. The women always outnumber the men. They are thoughtful and distant, isolated but content and always utterly unapproachable. On the rare occasions they are clothed, it seems to be in the dress of the years before 1914: of Delvaux?s childhood. 900 g.