Paul benney (9 Ergebnisse)

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. Title: Paul Benney, Heretic Healers, Portfolio catalogue 6 card prints Portfolio print set, Galeria Berini, Barcelona 1989Some wear, creases, grub marks to folderPlease see pictures for more details about this item shipped from the UK.

Laminated Boards. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A very interesting illustrated discussion of these important works. pp.201.[9]. Illus. DW in archival sleeve.

Zustand: Good. 8vo. [24 pp.]. Soft cover. Near Fine. Gray wraps with staple binding. Color and B&W plates throughout. Scarce.

Soft cover. Zustand: Near Fine. Signed and date by the artist on the title page: "Paul Benney 2013 Somerset House". Signed by Author(s).

Soft cover. Zustand: Very Good. 52 pages all original softbound 19 x 23 cm (image 1). In slipcase, this with some light wear around edges (image 2). [Dominic Sasse, poet, writer, traveller, born Crawley Down Sussex 11 July 1955, married 1978 Mary Macauley , died Kathmandu 28 September 1992. The Airbus that crashed into a Nepali mountain on Monday robbed us of one of our most talented young romantic poets]. Paul Benney (image 3) is a British artist who rose to international prominence as a contemporary artist whilst living and working in New York in the 1980s and 1990s in the UK as an portraitist. Paul Benney (illustrator).…

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to size colour printed double folder with two pockets containing 4 large colour printed thin cards showing work by each artist, cover card with brief biographies and another card with the le Fanu essay (10 cards in all) . [CONDITION: Folder a little edge-rubbed else FINE, contents AS NEW ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …

Vintage poster for a benefit performance by Elbows Akimbo, held at 1015 Folsom on Thursday, December 14, 1989, "featuring performances by The Enormous Ensemble, Nao Bustamante, Paul Benney, Dan Givertz, Maria St. John, and more." 1015 Folsom is a popular San Francisco music and performance venue which opened in 1989, previously Das Klub (1985-1989). Elbows Akimbo was an avant-garde performance ensemble in the San Francisco underground scene of the late 1980s through the mid 1990s, founded by director Thomas Schulz and singer/songwriter, poet, and author Diana Rosalind. 11 x 17 inches. Very Good plus, with faint splashing, light creasing overall, and several small pinholes at the corners.…