Patrick hume (19 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 96 pages. 9.50x7.00x0.22 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Good. 1st Edition. Demy4to, [ii - title leaf with vignette], [i]-xxxvi, [1] -215, [1] (blank), 67, [1] (blank), lxxx, [2 - note on torture and errata] p. Original brown boards as issued. Belfast Society for Promoting Knowledge plate stamped discarded on front pastedown, one faint library stamp on Introduction, lacks any backstrip, clean wear tear in title and first leaf of the Introduction, lower board detached otherwise VG contents, untrimmed and with huge borders. First edition. Ideal candidate for a modern binding.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Gebunden. Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Brossura. Zustand: come nuovo. Zustand des Schutzumschlags: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Zustand: New. Klappentext1695. In these annotations the texts of sacred writ relating to the poem are quoted the parallel places and imitations of the most excellent Homer and Virgil are cited and compared all the obscure parts are rendered into phr.

Taschenbuch. Zustand: Neu. Neuware.

No Binding. Zustand: Very Good. A splendid antique engraved portrait. Mounted/matted and ready to frame. Attractive and decorative. Printed circa 1860.

Hard Cover. Zustand: Good. Hardback. 29.5cm x 23cm. xxxvi, 67pp, lxxx, [2]. Spine frayed, boards slightly foxed and worn to extremities. Bookplate to front pastedown. Some pages unopened to top edges. Generally clean inside. A rather decent copy. (r6).

Couverture rigide. Zustand: Assez bon. First edition; in-4°; whole calf binding with decorated boards and inner lining, marbled end papers; spine gilt decoration faded; joints cracked and reinforced inside; name on end paper, inside very good; XXXVI, 215 and 67 pages, appendix LXXX (2).

Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US.

FIRST EDITION. 360 x 225 mm. (14 x 8 7/8"). 1 p.l. (title), 321, [1] (blank) pp. Not unattractive modern smooth half calf and marbled boards, raised bands, gilt titling (hinges reinforced and corners repaired). With engraved frontispiece portrait of Milton. A Large Paper Copy. Bookplate of the Fox Pointe Collection laid in at front. Wing H-3663; ESTC R12702. âPaper boards a bit chafed, but the restored binding solid, with a lustrous spine. Title page and margins of frontispiece a little soiled, minor browning (more pronounced, though never severe, in a couple of quires), vague wrinkling to final few leaves, but a very agreeable copy, generally clean and definitely fresh internally, with extremely ample margins. Published by Tonson alongside his sixth edition of "Paradise Lost," this is the first printing of the first exhaustive commentary on that poem, a line-by-line textual analysis that is still valued today. According to DNB, "It is the work of an extremely well-educated scholar who can put a solid knowledge of Hebrew, Greek, Latin, French, Italian, Dutch, and Anglo-Saxon to the task of analysing scripture sources, classical allusions, and etymological implications. Alongside this erudition, Hume offers accessible and enthusiastic paraphrases and expansions of Milton's sense, sometimes in verse." Hume took the biblical commentaries of the 17th century as a model, and his work in turn influenced the methods and style of later commentators on secular literature. Generations of Milton scholars benefited from his work, including Joseph Callander, who plagiarized great portions for his 1750 edition, and Dr. Thomas Newton, whose 1749 edition was considered definitive and who observed that Hume was both the first and "the most copious annotator." Hume (fl. 1695) has but one other known work, "A Poem Dedicated to the Immortal Memory of Her Late Majesty the Most Incomparable Q. Mary," published the same year as the present volume. He may have been related to the family of Scottish poet and courtier Sir Patrick Hume of Polwarth (ca. 1550 - 1609), but nothing further is known of him. Our copy was in the distinguished collection of early English books amassed by Howard and Linda Knohl for their library at Fox Pointe Manor. While occasionally appearing on the market as part of the 1695 edition of the "Works," this first printing of these first substantial remarks about Milton's epic is very rarely seen as a stand-alone volume.…