pasternak robert (21 Ergebnisse)

paperback. Zustand: Very Good.

Hardcover. Zustand: G. Zustand des Schutzumschlags: G. Illustrated by Robert Pasternak (illustrator). 283 pages. Clean text, good binding. Four section, 3 appendices, Index. Step by step process of developing a small expert system ;

Hardcover. Zustand: Very Good. First edition. 411pp. Illustrated. Cloth with modest soil and sunning, spine a bit toned, very good or better lacking the dust jacket. The interior is fine. "An Annual Exhibition of New & Divergent Trends in Modern Literature" with contributions by Henry Miller, Tennessee Williams, Octavio Paz, Franz Kafka, Kenneth Rexroth, Kenneth Patchen, Robert Lowry, William Carlos Williams, Boris Pasternak and more.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Two vintage color still photographs from the 1958 film noir, directed by Nicholas Ray. 8 x 10 inches. Near Fine. Grant US. Silver and Ward Classic Noir. Spicer US.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. 411pp. Illustrated. Small splash mark on foredge, two faint stains on front board, very good in a slightly rubbed very good dust jacket with small chips and tears along the edges and a faintly tanned spine. "An Annual Exhibition of New & Divergent Trends in Modern Literature" with contributions by Henry Miller, Tennessee Williams, Octavio Paz, Franz Kafka, Kenneth Rexroth, Kenneth Patchen, Robert Lowry, William Carlos Williams, Boris Pasternak and more.

Softcover. Zustand: Near Fine. Periodical. Illustrated by Leonor Fini. Pictorial wrappers. Tiny bookseller label on interior rear wrap, light soiling on wraps, near fine. Contains "The Art of Poetry II: An Interview with Robert Frost" by Richard Poirier, and "Three Visits with Boris Pasternak: The Art of Fiction XXV". Also contains contributions by Thom Gunn, X. J. Kennedy, Gina Berriault, Thomas Whitbread, and more.

Paperback. Zustand: Brand New. 160 pages. 8.75x6.50x0.50 inches. In Stock.

Soft cover. Zustand: Near Fine. 1st Edition. Nine Volumes, Very Good + To Near Fine, As Issued; Note: January 1957 With Loose Index To Volume Three; March 1957, No. 3, In Publisher's Wrap-Around Band And With Publisher's Order Card.

Softcover. Zustand: Very Good. Periodical. Small quarto. 88pp. Wrappers age-toned, price stamped on front wrapper, very good. Contributions by: William Golding, Boris Pasternak, Arthur Koestler, Irving Kristol, Robert Holles, Nigel Dennis, Patricia Blake, Vernon Scannell, Luigi Barzini, Mark Bonham Carter, Frank Kermode, G.L. Arnold, Martin Tunnell, and Angus William.

Zustand: VG. Paris. 1960 first edition. Issue 24 for Summer-Fall 1960. sm8vo wraps. VG.

Hardcover. Octavo, 192 pages. In Good minus condition with a Fair minus dust jacket. Spine is black and grey with white print. Dust jacket has edgewear with small tears at spine ends and flap corners, long tears at bottom of front hinge and bottom of front flap, creasing, shelf wear. Price unclipped: "$3.95". Boards quarter bound with white cloth to spine and grey cloth to boards. Light wear to spine caps and corners, light soiling to white cloth. Text block has pink tinted top edge. Slight amount of penciled marginal notation. NOTE: Shelved in Netdesk Column P. 1393215. FP New Rockville Stock.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 1 pages; Description: unpaginated. Subjects: Doctor Zhivago - Motion Picture - Promotional Material. Copiously illustrated in full, vibrant color. 3 Kg.

195 pp.; 21.1 x 15.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the journal "Art and Literature," edited by John Ashbery, Anne Dunn, Rodrigo Moynihan, and Sonia Orwell. Contents include "A Selection from 'The Venice Letters,'" by Fr. Rolfe, Baron Corvo; "The Feast of Love," by Virgil Thomson; "Poems: 'In the Wood' and 'Ballade,'" by Boris Pasternak; "Poems: 'from Laborintus' and 'from Erotopaegnia,'" by Edoardo Sanguineti; "Narcissus Pseudonarcissus," by Elio Pagliarani; "Poems: 'When I Saw the Willow,' "Grey Clearings are Kindled,' 'from Birthday,' 'from Predilections,'" by Alfredo Giuliani; "Pop Art and Non-Pop Art," by Robert Rosenblum; "Beautiful and Interesting," by Larry Rivers and David Hockney; "The New American Modern Dance," by Jill Johnston; "from 'The Red Robins,'" by Kenneth Koch; "Can we Talk," by Donald Barthelme; "Poems: 'Two Voices,' 'I See the Far,' 'Song of the Golden Gayboy,' and 'Summer to Winter,'" by Soteré Torregian; "Poems: 'Arch Romance in an Orchard,' 'Telegram for Love in Tradition,' 'Apprentice Clockmaker-Clockmaker Abroad,' 'The Two Cronies,' 'Night and Day,' 'Cameos of Philosophy,' 'The Lady in the Avenue of Love,'" by G.W. Watson; "Poems: 'The Betrayal,' and 'from Letters from a Foreign Place,'" by Stephen Donadio; "Poems: 'When Youth Shall This Generation Waste,' and 'Mirage,'" by Gerard Malanga; "Birthday in Bedlam," by Roger Hammer and "On Expression and Expressionism," by Richard Wollheim. Good. Moderate wear to cover edges including 1.1 cm. area of loss to recto edge and tears including 5 mm., 6 mm., and 7 mm., tears to recto. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.

Hardcover. Zustand: New. **HARDBACK** **SHRINKWRAPPED**.

195 pp.; 21.1 x 15.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the journal "Art and Literature," edited by John Ashbery, Anne Dunn, Rodrigo Moynihan, and Sonia Orwell. Contents include "A Selection from 'The Venice Letters,'" by Fr. Rolfe, Baron Corvo; "The Feast of Love," by Virgil Thomson; "Poems: 'In the Wood' and 'Ballade,'" by Boris Pasternak; "Poems: 'from Laborintus' and 'from Erotopaegnia,'" by Edoardo Sanguineti; "Narcissus Pseudonarcissus," by Elio Pagliarani; "Poems: 'When I Saw the Willow,' "Grey Clearings are Kindled,' 'from Birthday,' 'from Predilections,'" by Alfredo Giuliani; "Pop Art and Non-Pop Art," by Robert Rosenblum; "Beautiful and Interesting," by Larry Rivers and David Hockney; "The New American Modern Dance," by Jill Johnston; "from 'The Red Robins,'" by Kenneth Koch; "Can we Talk," by Donald Barthelme; "Poems: 'Two Voices,' 'I See the Far,' 'Song of the Golden Gayboy,' and 'Summer to Winter,'" by Soteré Torregian; "Poems: 'Arch Romance in an Orchard,' 'Telegram for Love in Tradition,' 'Apprentice Clockmaker-Clockmaker Abroad,' 'The Two Cronies,' 'Night and Day,' 'Cameos of Philosophy,' 'The Lady in the Avenue of Love,'" by G.W. Watson; "Poems: 'The Betrayal,' and 'from Letters from a Foreign Place,'" by Stephen Donadio; "Poems: 'When Youth Shall This Generation Waste,' and 'Mirage,'" by Gerard Malanga; "Birthday in Bedlam," by Roger Hammer and "On Expression and Expressionism," by Richard Wollheim. Very Good / Fine. Light yellowing of covers and mild overall rubbing. Contents are clean and unmarked.

Zustand: New. &Uumlber den AutorRobert Pasternak (NAK) is an artist, father, illustrator, graphic designer, novelty product inventor / manufacturer and filmmaker, spanning the themes of the cosmic, surreal, technological, metaphysical and what it .

Bon état. Lyon. 14 5 cm x 21 cm. 1945. Broché. 127 pages. Lyon Confluence septembre 1945. Broché 14 5 cm x cm 127 pages. Directeur : René Tavernier textes de Robert Desnos Georges Neveux Boris Pasternak Jules Monnerot François Vernet Albert Guérard. Bien complet du catalogue de l'éditeur et du bulletin de souscription bon état. Bon état.

Zustand: Good. Broadsides. Ten broadsides by ten poets (one missing here), with contributor's notes and contents, 11 leaves in all, of various dimensions. (A broadside by Thomas Merton, originally included, is missing.) Presented in a light brown paper portfolio, illustrated with a unicorn design, and with the printed names of the ten poets pasted on. 13 x 20 inches. Broadsides by 10 poets, designed and typeset by Alan Brilliant and Noel Young at the Unicorn Press. Poem, by Boris Pasternak (translated by George L. Kline); The dance, by John Haines; [Missing: A carol, by Thomas Merton]; The first look through the window, by Bertolt Brecht; Blackout of the dream, by Lenore Marshall; Dos poemas = Two poems, by Jaime Sabines (translated by Ellinor Randall); Lesson, by Guillevic, (translated by Teo Savory); Die Konstellationen, by Eugen Gomringer; Dear Mr. Stevens, by Robert Bly; The laurel tree, by Nathaniel Tarn. Left lower and upper right corners of portfolio slightly bent, but all broadsides are Fine.

Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso, along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain, Finland, and Canada. 10 x 8 inches. Very Good plus, lightly worn at the corners.

Archive of 14 original reference photographs taken on the set of the 1965 film, and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964, inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer, and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer, gifting Palmer the contact sheets. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set, several shots featuring Palmer and director David Lean during a parade scene, with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city, including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann, who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain, Finland, and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus, several photographs with moderate toning.