parker compiler (28 Ergebnisse)

Hardcover. Zustand: Very Good. 1972; 15th edition; :A Biographical record of the contemporary stage"; blue cloth covered boards with glossy dust jacket; jacket has light edge wear; interior is clean and unmarked; 8vo, 7 3/4" to 9 3/4" tall; 1752 pages; Additional shipping charges will be requested for international or expedited orders.

Paperback. Zustand: Very Good. Robert Weber; Howard Munce (illustrator). Prompt Shipment, shipped in Boxes, Tracking PROVIDEDEtiquette. Very good. Some creasing. Clean copy.

Zustand: Good. 1937. First Edition. 143 pages. No dust jacket. Green cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First printing. Correct number line, including the 1. A fine book in a fine dust jacket. A tight copy, which appears unread, without any marks or defects. Dust jacket is clean and bright with price intact on front flap ($22.00). Comes with archival-quality dust jacket protector. Shipped in well padded box.

HARDCOVER. 1st edition. 217pp, large octavo. ".a library devoted to the expansion of European commerce." slight cover wear otherwise very good.

New Grove Composers series. 1st US edition, 2000. Ex school library - bookplate, stamps, etc. otherwise VG; dust jacket protected in removable clear sleeve Used - Good. Ex lib hardback in dust jacket.

Paperback. Zustand: As New. First Edition Thus. Binding is square and solid. Pages are unmarked, clean and unbent.

Paperback. Zustand: Brand New. 144 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Very Good. Minneapolis, 1955; red cloth covered boards; mild edge and corner wear; front board lightly smudged; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 69 pages.

HARDCOVER. 1st edition. 69pp, large octavo. ".a library devoted to the expansion of European commerce." slight cover wear otherwise very good.

Zustand: Very good. - Thick octavo, maroon cloth in a dust wrapper. The dust jacket is chipped with a tear to the top edge of its front panel. Its rear panel is soiled. viii & 1593 pages plus ads printed on blue paper. Illustrated with theatre seating plans & with a folding chart of measurements of London stages. The chart is slightly misfolded & the top & front edges of the last panel are creased. Very good in a good dust wrapper. Thirteenth edition. Originally compiled by John Parker. Edited by Freda Gaye.

Paperback. Zustand: Brand New. 266 pages. 8.46x5.51x0.75 inches. In Stock.

ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Hardcover, 1925). 1925 1st edition. Small 8vo (125 x 137mm). Ppxvi,303. Not illustrated. Black border to green cloth, black shotgun motif and titles to spine. Board edges rubbed and slihgtly bumped, slight browning to end-papers and edges, 'Review Copy' stamp to title page. Good copy. "Favourite passages from such well-known authors as Surtees, Scott, Gilbert White, Sir John Fortescue and Jim Corbett, mingled with extracts from the writings of less familiar men". .

Illustrated Card Cover. Zustand: Very Good. 1st Edition. Meticulous listing of the library of the Fell & Rock Climbing Club in one volume of 302p. Clean and unmarked with minimal use. No marks or signatures. See scans.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 12mo - over 6¾ - 7¾" tall. Quarter grey cloth, cream paper boards. 256 pp. Very slight creasing to a few spots on dust jacket, else fine.

vii, 262pp, 6pp Rules of the Oxford Society for Promoting the Study of Gothic Architecture, 4pp publishers notices (vol I); xxiii, 103 plates, 16pp publisher's notices (vol II); 80pp, 39 plates with text descriptions. 23x17, embossed cloth. Contents intact but cloth on all volumes generally poor, with spine of vol II detached, others torn or loose. Excellent reference with high quality woodcuts, which reached its apogee with the later editions in the 1850s. This version is a re-edition of volumes I and II, with the separate Companion, with its additional plates and descriptions, published as vol III. Would make a nice restoration project.

Hardcover. Zustand: fine. Two volumes bound in one. Octavo , (4) 590 (2) and 117 pp. Fine in fine modern black cloth rebind; private library bookplate front pastedown of the new endpapers. The 1889 1nd 1890 collected reprints of the annual conventions of the Protestant Episcopal Church of New Jersey for the years 1785 though 1816. Bound with these are the historical sketches of the parishes represented in those conventions with short biographies of the lay delegates attending. These 1889-90 reprints ofm the eraly journals are made historically invaluable by the addition of a name and church index, and edited correspondence regarding the founding of the diocese, acceptance of the American Prayer Book and parish histories.

Hardcover. Zustand: Brand New. 261 pages. 9.50x6.50x1.25 inches. In Stock.

Softcover. Zustand: Fine. AUSTRALIAN ART -A catalogue for the second of three biennial surveys presenting the latest ideas and forms in contemporary Australian art. The National 2019: new Australian art showcases a total of 65 emerging, mid-career and established Australian artists living across the country and overseas and working in a diverse range of media. The exhibition is staged concurrently at three of Sydney's premiere cultural institutions - the Art Gallery of NSW, Carriageworks and the Museum of Contemporary Art Australia. Co-publication 204 pages, illustrated in colour 235 x 170 mm Contents: Map Directors' Foreword Essays: -Pushing from the edges: Michael Fitzgerald in conversation with Clothilde Bullen, Anna Davis, Daniel Mudie Cunningham & Isobel Parker Philip -Black box logic: Isobel Parker Philip -Dark sunshine: Daniel Mudie Cunningham -The third space: Susie Anderson in conversation with Clothilde Bullen & Anna Davis -The puzzle: of representing the problem: Patrick Pound -Future, past, present: Vanessa Berry -Camping in the shadow of the racist text: Ali Gumillya Baker Artist Pages Artists: Abdul-Rahman Abdullah Lucas Abela Tony Albert Robert Andrew Rushdi Anwar Kylie Banyard Troy-Anthony Baylis Eric Bridgeman Hannah BronteÌ Peta Clancy Selma Nunay Coulthard, Noreen Hudson, Clara Inkamala, Reinhold Inkamala, Vanessa Inkamala & Gloria Pannka from Iltja Ntjarra Many Hands Art Centre Sam Cranstoun Fayen d'Evie Cherine Fahd Janet Fieldhouse Nicholas Folland Julie Fragar Tony Garifalakis Mira Gojak Agatha Gothe-Snape Amala Groom Tina Havelock Stevens Andrew Hazewinkel Amrita Hepi Eliza Hutchison Daisy Japulija, Sonia Kurarra, Tjigila Nada Rawlins & Ms Uhl Eugenia Lim Ross Manning Linda Marrinon Tara Marynowsky Pilar Mata Dupont Mish Meijers & Tricky Walsh Sally M. Nangala Mulda Tom MuÌller James Newitt James Nguyen nova Milne Clare Peake Izabela Pluta Tom Polo Sean Rafferty Eugenia Raskopoulos Luke Roberts Thom Roberts Julia Robinson Koji Ryui Sandra Selig Mark Shorter Curtis Taylor & Ishmael Marika Nat Thomas Teo Treloar The Unbound Collective Willoh S. Weiland Kaylene Whiskey Mumu Mike Williams Melanie Jame Wolf List of Works Biographies AcknowledgementsA collaborative venture that celebrates the work of over 65 artists making vital contributions to contemporary Australian art practice. This is the second edition of a six-year biennial initiative, the first in 2017. 197 pages : illustrations (chiefly colour), portraits ; 24 cm #150325 of New South Wales, Sydney, 29 March - 21 July 2019; Carriageworks, Sydney, 29 March - 23 June, 2019; and Museum of Contemporary Art Australia, Sydney, 29 March - 23 June, 2019 Art, Aboriginal Australian -- 21st century -- Exhibitions Art, Australian -- 21st century -- Exhibitions Art -- New South Wales -- Sydney -- Collections Fine arts: treatments & subjects Aboriginal and/or Torres Strait Islander content Australian Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.

Hardcover. Zustand: Brand New. 689 pages. 9.21x6.14x1.50 inches. In Stock.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo.pp. 230. Poetry. Composed by Eleanor Parker and illustrated with wood engraving by Claire Leighton. Jacket design by Jeanyee Wong. Original publisher's cloth binding in turquoise blue, lettered Black at spine, with a small and beautiful illustration of a blackbird on the front cover. Dust jacket in ochre, lettered white with small illustrations by Claire Leighton. Very good indeed in very good indeed dust jacket. Excellent condition.

Staplebound. Zustand: Near Fine. 60 color illustrations, 8.5 x 11", an introduction to the exhibition at the de Young Museum 26 May to 31 October 1993. 48 pages. Side by side bilingual English - Spanish edition. Book.

Vol 1: 528pp; Vol 2 Part 1: 104pp (Descriptive Index of Illustrations), 136 plates; Vol 2 Part 2: 128 further plates, 47pp Index; over 1700 woodcut illustrations across the three volumes, 12 of the plates are coloured. 23x17, brown quarter cloth binding with attractive embossed patterned boards. Corners slightly bumped and rubbed, a few minor marks, generally good to very good, some foxing to title pages but otherwise very good. Excellent reference with high quality woodcuts. This edition generally considered the best.

5th Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Scattered foxing throughout. Remains quite well-preserved overall. Physical description; 2 volumes, frontispieces, illustrations, 264 plates. Contents; v. 1. Text.--v. 2. Plates. Subjects; Architecture ; Dictionaries. Architecture Terminology. Architecture, Ancient Terminology. Architecture, Italian Terminology. Architecture, Gothic Terminology. Architecture, Roman. 3 Kg.

21 cm. [1], 461, [1] pp. Contemporary calf, leather label. Small piece torn from bottom of title leaf, affecting last three numerals of date of publication. Front joint opened, back starting. Unattractively written price on front free endpaper. Previous ownership signature of Ephraim Hinds, and a note from E. F. Hapgood saying Mr. Hinds was a lawyer married to Maria Hapgood, "my father's sister." Cohen 7960. Evans 21358.

Full leather binding, with black leather title label, gilt ruled on spine. 8vo. xvi, 539pp. Very good. COHEN 7959 EVANS 21359.

Hardcover. Zustand: Fair. First Edition. A rare example of this wonderful vintage Alberta cookbook compiled from listener submissions to Pats Parker, Editor of radio station CJCJ's Woman's Program, which we believe was broadcast from Calgary. Undated but Driver A92.1 suggests circa 1939-45. 292 pages. Vintage home appliance ads inside boards. Original hardcover binding appears to have released at some point as backstrip has been bolstered, perhaps replaced, with suede affixed to boards. Vernacular string binding has also been added. Heavy wear has removed considerable portions of text from boards. Gift greetings from a mother to her daughter upon front free endpaper. An example of this title is included in the Bruce Peel Special Collections at the University of Alberta. This particular ancestral example exudes character and is a wonderful piece of Alberta cookery history.; 4to.

A large and full album containing accomplished watercolours and a selection of contemporary prints. The original drawings and watercolours here (together with the more significant prints) display a distinctly romantic sensibility, with mountain and lakeland scenes (and more than a hint of the cult of the sublime) and other rural subjects of cottages and cottagers. Some of the views are obviously of Britain, while others are continental (specifically alpine). The majority are unsigned, though a number are by the same very accomplished amateur hand, with others by less schooled, perhaps juvenile hands. The whole assemblage is typical of the culture of early Victorian album- and scrapbook keeping, where a female compiler (often a mother) brought together contributions from family, friends and visitors, sometimes recording their travels, but including also subjects painted at home or copied or adapted from other sources. In the latter category are found a fine series of flower paintings, together with drawings in pencil and crayon of animals, a female reader, a cottager with a bundle of firewood, and so on. The principal artist, who contributes the largest and best watercolour views may well be identifiable as Mary Leighton, née Parker (1799-1864), a northern British artist whose work is represented in a sequence of albums closely comparable to ours at the Yale Center for British Art (MSS 16). Not only is the range of materials of our album similar in each case (including watercolour contributions from Leighton's brother, John Parker) but the style of the best watercolours is close to those by Leighton (examples of here work are digitised by the YCBA, notably the watercolour of Lake Maggiore catalogued as B2009.9.68 in the Printed and Drawings collection, together with others in the V&A collection in London). A recent northern provenance for the album further supports that likelihood.The contents include:Six fine watercolours of rural scenes (one mountainous, another captioned 'Cottage. From nature'), several other sepia watercolour views, probably by the same hand. All unsigned.Pencil drawing, Warwick Castle, signed ?C.W.W. May 29th, 1821.Twelve watercolours of flowers and fruit (including sweet peas, auricula, a rose, geranium, fuchsia and two mixed bouquets). Unsigned.Silhouette portrait (perhaps a self portrait) of the prolific society silhouettist Auguste Édouart (1789-1861), signed, 1831, mounted on an elaborate lithograph background, plus one other silhouette without background, possibly also his work.Two watercolour miniatures (85 × 115 mm) by John Parker (1798-1860) of mountain views in North Wales: Trevaen (Tryfan) and Snowdon (Yr Wyddfa), signed, dated 1824 and with manuscript descriptions on versos.A circular miniature (diameter 85 mm) in sepia wash of a woodland grotto scene, mounted on a bifolium with manuscript caption in German dated 1818 signed Rösel, the miniature attributable to Johann Gottlob Samuel Rösel (1768-1843).Four large alpine engravings/lithographs (Montblanc, Hospice de Grimsel, Hospice du St Bernard, Chamounix), elaborately hand-coloured.Numerous usually smaller pencil or crayon drawings, including rural or cottage scenes, animals (a pig and a donkey), marine scenes, children at play, a girl reading etc. In several hands of different competence.Larger prints include: 'The Late King' (Hullmandel, after 1830); 'Oaklands near Newnham, Gloucestershire' (Haghe, ?c. 1830s); 'Rev. Richard Raikes' [founder of the Sunday School movement] (Hullmandel, n.d.); 'The Thames Tunnel' [Harding/Dixie, hand-coloured lithograph, c. 1835]; 'L'Ingrat' (Hullmandel, after 1832); 'Kossynier : Sensenträger' (Warsaw, c. 1830); 'Ilfracombe, from Lantern Hill' (Day & Haghe, c. 1830). There also several smaller lithographs including series of seaside views in Devon (Ilfracombe) and East Kent (Ramsgate and evirons, some locally printed.Four small continental devotional prints, two with moveable flaps, one metallic.(From the YCBA catalogue record): Mary Leighton, née Parker, 1799-1864 was the third child of Thomas Netherton Parker (1771-1848) and his wife, Sarah. Her parents must have encouraged their children's creative pursuits, as Mary and her elder brother John both became accomplished amateur artists. Their family was close friends of the Ladies of Llangollen, Eleanor Charlotte Barker (1739-1829) and Sarah Ponsonby (1755-1832), two upper-class Irish women who fled their families and established a home together in North Wales, at Plas Newydd, only fifteen miles from the Parker family estate, Sweeney Hall. Correspondence between Sarah Parker and Sarah Ponsonby, currently in the Denbighshire Record Office archives, reveals that Mary occasionally sent the ladies her drawings, many of which record the grounds of Plas Newydd and the surrounding countryside. The subjects of Mary's drawings also include prominent Grand Tour sites, satirical treatments of contemporary fashions, and thoughtful portraits of friends and family. Notably, the only portrait from life of the Ladies of Llangollen is by Mary's hand. Mary remained an active amateur artist following her 1832 marriage to Baldwin Leighton, 7th Baronet (1805-1871), of Loton Hall. Together they had six children, who Mary actively encouraged in drawing and painting. Oblong folio (42 × 28 mm), 76 leaves with circa 50 original drawings and watercolours and c. 61 prints (mainly lithographs and steel engravings, some hand coloured), almost all mounted (just a few loose at front and rear). Marginal creasing, mainly confined to the album leaves, a few of which now fragile towards the gutter. Nineteenth-century straight grained plum half morocco. Spine and corners rather worn, with the upper joint open at head and foot, but all secure.