Verlag: Paris, 1991
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
144, (4)pp. Prof. illus. Sm. 4to. Wraps. Program and libretto.
Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Verlag: Graphiques Lafayette, Paris, 1990, 1990
Anbieter: Programmhefte24 Schauspiel und Musiktheater der letzten 150 Jahre, Görlitz, Deutschland
Zustand: siehe Beschreibung. Originalbroschur, 178 Seiten, diverse Abbildungen, Text in französischer Sprache, beiliegende Besetzungsliste. Zustand: gut Avec le soutien de: Time Warner INC. Direction Musicale: Myung-Whun Chung. Mise en scene, Decors et Costumes: Pier Luigi Pizzi. Chef des Choeurs: Andrea Giorgi. Choreographie: Micha van Hoecke. Eclairages: Vinicio Cheli. Avec: George Gray, Philippe Rouillon, Gregory Reinhart, Jean-Philippe Courtis, Donald Kaasch, Colette Alloit-Lugaz, Grace Bumbry, Anna Ringart, Nadine Denize, u.a. ------- Program booklet Hector Berlioz: LES TROYENS Opera de Paris Bastille 1990 - Original paperback, 178 pages, various illustrations, text in French, cast list included. Condition: good - With the name of: Time Warner INC. Direction Musicale: Myung-Whun Chung. Mise en scene, Decors et Costumes: Pier Luigi Pizzi. Head of Choeur: Andrea Giorgi. Choreography: Micha van Hoecke. Eclairages: Vinicio Cheli. Avec: George Gray, Philippe Rouillon, Gregory Reinhart, Jean-Philippe Courtis, Donald Kaasch, Colette Alloit-Lugaz, Grace Bumbry, Anna Ringart, Nadine Denize, among others. fra.
Verlag: Paris : Franka Berndt Bastille., 1990
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Manuskript / Papierantiquität
Zustand: Good. 12mo. Unpaged. Stapled wrapping. Very Good, marginal creasing and scuffing on covers, very slight sunning and aging. Color plates throughout. Text in French.From the Collection of the Art Historian Peter Selz (1919-2019).
Verlag: Paris: Comptoir de la Bastille, Alfred Girouard., 1899
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Manuskript / Papierantiquität Signiert
Zustand: Good. 21 x 27 cm. Signed Hand-written letter on Comptoir de la Bastille, Alfred Girouard letterhead. Good with marginal tears, minor creasing, toning. En Francais.
Couverture souple. Zustand: bon. RO80213516: 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Couverture souple. Zustand: bon. RO80213513: 1993-1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 0-GENERALITES.
Couverture souple. Zustand: bon. RO80213519: 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Couverture souple. Zustand: bon. RO80213515: 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Couverture souple. Zustand: bon. RO80213518: 1993-1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Couverture souple. Zustand: bon. RO80213514: 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Verlag: Opera de Paris Bastille, 1994
Couverture souple. Zustand: bon. RO80213520: 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 pages. Nombreuses photographies, illustrations et encarts publicitaires en noir et blanc et/ou en couleurs dans et hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra.
Anbieter: LE BOUQUINISTE, LA MOTTE SAINT MARTIN, Frankreich
Broché, in-8, 118 pages, "Textes, documents, Livret, biographies", bon état, (poids : 0,380 kg, épaisseur : 1 cm).
Anbieter: LE BOUQUINISTE, LA MOTTE SAINT MARTIN, Frankreich
Broché, in-8, 94 pages, bon état, (poids : 0,310 kg, épaisseur : 0,9 cm).
Anbieter: LE BOUQUINISTE, LA MOTTE SAINT MARTIN, Frankreich
Broché, in-8, 178 pages, bon état (poids : 0,550 kg, épaisseur : 1 cm).
Verlag: Paris, Lemercier, um 1840., 1840
Anbieter: Antiquariat Thomas Rezek, München, Deutschland
Kunst / Grafik / Poster
circa 12,5 x 18,5 cm (nur Bild). 1 Blatt (20,5 x 28,5 cm) verso weiß "In sehr schönen Farben gedruckte Ansicht auf die Julisäule und den Platz de la Bastille. - Aus der Serie "France en miniature". " - Gut erhalten, nur in den Rändern gering fleckig, feines Kolorit.
Sprache: Französisch
Anbieter: LA FRANCE GALANTE, Saint MARTIN sur LAVEZON, Frankreich
Couverture souple. Zustand: Bon. PARIS . Bd. de la BASTILLE - 1927 . ETABLISSEMENTS GARNIER - ARTICLES REPOUSSÈS & MARTELÈS , ROSACES , FEUILLAGES , FERRONNERIE , LUSTRERIE d'ART. Un CATALOGUE sous couverture souple , 31 x 23 cm , de 55 planches .
Anbieter: Hubert Colau, LA BAZOCHE GOUET, Frankreich
EUR 19,50
Anzahl: 1 verfügbar
In den WarenkorbZustand: 2. Programme complet.
Anbieter: Hubert Colau, LA BAZOCHE GOUET, Frankreich
EUR 20,00
Anzahl: 1 verfügbar
In den WarenkorbZustand: 3. PHOTOS SUR DEMANDE.
Sprache: Französisch
Anbieter: Librairie Trois Plumes, Angers, Frankreich
Manuskript / Papierantiquität
Couverture rigide. Zustand: Bon. [Prison, For-l'Évêque, Paris] Intéressante pétition des prisonniers de la « Bastille des comédiens ». P.S., Paris, 2 septembre 1774, 2p in-folio. Longue et intéressante supplique de prisonniers, se présentant comme d'honnêtes gens mis en prison à cause de leurs dettes et de l'édit de 1773 à un contrôleur général pour se plaindre de l'expulsion du concierge, Dinant du Verger, remplacé par un « homme ambitieux », le greffier Gurlier. Cette pétition est signée par 28 prisonniers dont aucun ne semble être connu : Carvalho (capitaine de cavalerie), Debar, Beaufils de ? (de Saint Flour), Mendes Duplessis, Lameynardie, Doumain(?) de Beauchamp, Reynaud, Du Fossé, B.H. Wallop (gentilhomme anglais), Du Fresne, Desmaisons, De Lagarenne, Bouchery, Bascaud du Sablon, Cretté, Bénézet, Cordelle, Le Foullon Duplessis, etc. La liste des personnalités emprisonnés dans cette prison est longue : Giacomo Casanova (1759), Fréron (1760), La Harpe (1760), La Clairon et autres comédiens de la Comédie-Française (1765), Sophie Arnould (1769), Sade (1771) ou Beaumarchais (1773). Belle pièce. [372].
Couverture rigide. Zustand: Bon. Jean-Baptiste Alliot (1640-1721), conseiller et médecin ordinaire du roi Louis XIV, médecin de la Bastille, originaire de Lorraine (natif de Bar-le-Duc) donc médecin étranger ayant le droit d'exercer à Paris. P.S., 28 avril 1690, 1p in-8 oblong. Sur parchemin. Reçu pour le paiement de ses gages pour le quartier de janvier, contresigné par deux notaires. [278-2].
Anbieter: Antiquariat Peter Fritzen, Speicher, Deutschland
Kunst / Grafik / Poster
Kupferstich von Née nach Lantara, Paris ca. 1780. Ca. 21 x 34 cm (nur Darstellung).
Erscheinungsdatum: 1790
Anbieter: Geographicus Rare Antique Maps, Brooklyn, NY, USA
Karte
Fair. Closed tear extending 5 inches into printed area from left margin repaired on verso. Two areas of loss in upper left quadrant not effecting printed area of image. Scuffing. Size 21.5 x 13.25 Inches. This is a rare 1790 Pierre-François Palloy broadside map of the Bastille published as part of Palloy's brilliant contemporaneous merchandising of the French Revolution. Palloy recognized the significance of the Bastille as a symbol of the French Revolution. With the inspired idea that he would sell off the Bastille block by block, Palloy began demolishing the infamous prison on the night of its Storming. His entrepreneurship and promotional efforts not only made him rich, they also effectively cemented the Storming of the Bastille in the global imagination. The printed ephemera Palloy published to promote his demolition of the rebranding of the Bastille is thus of the utmost significance and rarity - this being just one of just 6 confirmed surviving examples. Palloy and the Bastille On the night of July 14, 1789, as the mob that stormed the Bastille moved on, the enterprising Palloy sent workers to the still-smoldering Bastille to begin demolition. Two days later, on the 16th, city electors formally awarded him the demolition contract. With nearly 1,000 workers on site daily for the subsequent 2 years, Palloy took apart the infamous prison block by block. Parisian society flocked to observe the historic work; among them, influential figures such as Honoré Gabriel Riqueti, Count of Mirabeau and Pierre Beaumarchais. Calling himself 'Palloy Patriote', he hosted grand balls on the prison's ruins, capitalizing on the public interest. Palloy let nothing go to waste - the stones, chains, and other parts of the prison were sold or given as souvenirs to government officials and the public. Among the items created were scale models of the Bastille (one of which he sent to each of the 83 newly created French Departments), medallions, dominoes, and card games. He even commissioned busts of Mirabeau and Rousseau carved from the Bastille's stonework. It has been estimated that Palloy produced some 25,000 medallions from the melted-down ironwork. Palloy's propagandistic promotion not only earned him a fortune, it cemented the Storming of the Bastille as a fundamental symbol of the French Revolution. A Closer Look The Bastille's 8 imposing towers dominate the image, each numerically indexed in the bottom corners. Over 36 locations are identified, with multiple shops, stables, and other locations keyed to the same number. Other identified locations include the library, the chapel, two drawbridges, the kitchens, and the governor's quarters. A short history of the Bastille written by Palloy occupies the space between the indexes. The Bastille The Bastille (officially known as the Bastille Saint-Antoine) was constructed between 1357 and 1380, during the Hundred Years' War (1337 - 1453), as a fortress to protect Paris's eastern approaches. It was an innovative design, with 8 towers overlooking Porte Saint-Antoine. Later, the fortress played a prominent role in French domestic conflicts, including the 15th-century Armagnac-Burgundian Civil War and the 16th-century Wars of Religion. The Bastille became a state prison in 1417, initially for nobility, but from 1659 as a general prison. 5,279 prisoners had been imprisoned in the Bastille by 1789. During the 18th century, the infamy of the Bastille grew as it became synonymous with oppressive government enforcement of political dissent. The Storming of the Bastille The Storming of the Bastille took place on July 14, 1789 (Bastille Day) at the outset of the French Revolution (1789 - 1799). After weeks of turmoil, tensions in Paris built toward a general riot, which the monarchy moved to put down. Parisians stormed the Hôtel des Invalides to capture the roughly 30,000 muskets stockpiled there. The mob discovered that the gunpowder had been moved to the Bastille for safer storage earlier that week. Thi.