Paper paul (22 Ergebnisse)

Zustand: New.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. First Edition. 4to hbk with 4 Fan fold pop-ups engineered by Paul Wilgress; slight creasing to pop-ups, but generally a vg copy; ; The Ultimate Quest Pop-Up Books; 4to 11" - 13" tall.

Zustand: Very Good. First edition copy. . (Halley's Comet, Astronomy, Pop-ups).

Paperback. Zustand: Brand New. 150 pages. 9.00x6.00x0.34 inches. In Stock.

Paperback. Zustand: Brand New. 150 pages. 9.00x6.00x0.34 inches. In Stock.

Publishers Proof Copy. Numbered volume from the Megan and Michael Dawson collection of pop-up books. Very good copy in the original colour-printed boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Stamp to interior of front board says, "Second Proof" with handwritten date 3/12/68. Remains well-preserved overall. Physical description; 1 volume, unnumbered pages, colour illustrations, 23 cm. Subjects; Printing history. Specimens. Specimens, 20th century. Moveable books. Toy books. 3 Kg.…

First Edition. Numbered volume from the Megan and Michael Dawson collection of pop-up books. Fine copy in the original stiff-card wrappers. Remains remarkably well-preserved overall. Subjects; Printing history. Advent calendar. Pop-up. Paper engineering. 1 Kg.

First Edition. Numbered volume from the Megan and Michael Dawson collection of pop-up books. Near fine copy in the original colour-printed boards. Spine bands and panel edges slightly dulled and rubbed as with age. Remains remarkably well-preserved overall. Subjects; Printing history. Moveable books. Pop-up books. Specimens, 20th century. 1 Kg.…

First Edition. Numbered volume from the Megan and Michael Dawson collection of pop-up books. Near fine copy in the original colour-printed boards. Spine bands and panel edges slightly dulled and rubbed as with age. Spine slightly sun-toned. Remains remarkably well-preserved overall. Date is suggested/cannot be verified. Subjects; Printing history. Pop-up books. Moveable books. Specimens, 20th century. 1 Kg.…

Zustand: Good. One folded sheet, [4] pp. Reprints piece from Graphic Design, U.S.A., August 1991. Very good, with Chope Union Paper Company sticker on cover.

8vo, soft cover, 44 p. In very good condition. K20.

Zustand: New. KlappentextrnrnWhat does it mean to live in a world where the digital screen is so prominent? Smoke Screen is a subjective exploration of the condition of digital screenship. It is a curious look at screen-empowered mediation and abstract leveli.

First Edition. Toy and movable books: specimen. Fine copy in the original colour-printed boards. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; [8] p: ill; 27 cm. Subjects; English fiction. Children's stories. Movie adaptations. Juvenile audience. 1 Kg. …

First Edition. Numbered volume from the Megan and Michael Dawson collection of pop-up books. Fine copy in the original colour-printed boards. Spine slightly sun-toned. Remains remarkably well-preserved overall. Physical description; 1 volume, unnumbered pages, colour illustrations, 22 cm x 25 cm. Subjects; Printing history. Pop-up books. Moveable books. Specimens, 20th century. 1 Kg. …

SOFTCOVER. Zustand: Very Good. 1st Edition. Square 4to in colour printed stiff glossy card covers, decorative end-papers, hand-made paper end-leaves, unpaginated, approx. 86pp on thick glossy art paper, 69 full page plates in colour and b/w showing artworks, clothing, furniture etc. all made from paper. PLUS loosely inserted catalogue of exhibits being a 20pp stapled booklet AND loosely inserted 2 leaf printed Addenda to catalogue and errata . [CONDITION: Covers just a little creased and slightly dusty, contents are fine very clean and tight, inserts slightly tanned. Overall a VERY GOOD+ set ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

[26] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Exhibition catalogue published in conjunction with show held April 10 - May 12, 1992. Curated by Max Schumann. Includes artists'' statements by some of the artists in the exhibition including: Liz Was, Paul Dean/Paper Shrine, Stokley Towles, Carol Stetser, Dana Henry, Karen M. Wirth, Frank Moore, Susan Gold, Larry Walczak, Marcello Diotallevi, Christian Rigal, Simon Ford, Judith Weinperson, Daniel Plunkett, J. Nebraska Gifford, Robert Drake, Deborah Small, Elizabeth Sisco, Carla Kirkwood, Scott Kessler, Louis Hock, David Avalos, Stephen Willats, Harold Lohner, Art Strike Action Committee, Joseph Nechvatal, Joan Mathews, Paul Weinman, Sabra Moore, Peter Silvia, Bern Porter, Sharon Gilbert, Heino Partanan, Miekal And, Tom Scarpino, Andrea Scott, David Thorne. "This book gathers together artists'' statements from participants in the exhibition BY ANY MEANS NECESSARY: Photocopier Artists'' Books and the Politics of Accessible Printed Technologies, held at the Printed Matter bookstore at Dia, from April 10 to May 12, 1992. The texts were generated from a questionnaire circulated by the curator Max Schumann." -- publisher''s statement. Good. 3 cm. dog-ear to top left corner of recto. Additional bumping along spine edge and rubbing of covers. Contents clean and unmarked.…

(Paris, Gauthier-Villars), 1880. 4to. No wrappers. In: "Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences", Tome 91, No 2. Pp. (71-) 138. (Entire issue offered). The paper: pp. 86-94. First appearance of a classic paper in immunology in which the authors recorded the use of attenuated bacterial viruse for therapeutic purposes based on the theory that bacterial virulence could be attenuated by culture in vitro and used as vaccines. Proposed that live attenuated microbes produced immunity by depleting host of vital trace nutrients and used to make chicken cholera and anthrax "vaccines".Garrison & Morton: 5169.…

No Binding. Zustand: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.…

Nuremberg: c. 1770-1800. Full sheet, 15 x 12 ins., folded once as always. Matted: in perfect condition. § A superb example of a full sheet of Dutch gilt paper, used for endpapers or (later) bindings on chapbooks, signed at the bottom edge PAUL REYMUND NURNBERG NO. 19. It is a floral diamond pattern on uncolored paper, using shades of blue and orange applied by stencil, with gold and raised gold applied by dusting, and printed from woodblocks or engraved metal rollers, sometimes followed by daubing or stenciling after gilding -- creating the effect of fine brocade. This example was the one selected for the Grolier Club exhibition of 100 Children's Books in 2014. See Haemmerle no. 351 (courtesy of Simon Beattie). Signed.…