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  • Sprache: Englisch

    Verlag: J. Paul Getty Museum and the Getty Research Center, Los Angeles, 2008

    0892369183 / 9780892369188

    • Softcover
    • Erstausgabe

    Anbieter: Warwick Books, member IOBA, South Pasadena, CA, USAWarwick Books, member IOBA

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Verbandsmitglied: IOBA

    Zustand: Gebraucht - Sehr gut

    EUR 137,47

    EUR 6,18 Versand 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    Softcover. Zustand: Fine. First Edition. Softcover in illustrated glossy wraps. First edition. Published to accompany a 2008 exhibition of the same name at the J. Paul Getty Museum at the Getty Villa in Malibu, CA. Book is like new, clean, crisp, unmarked, unused. Lush color plates throughout. 4to 186 pp. including biographical references and index.…

  • Sprache: Englisch

    Verlag: Getty Research Institute, Los Angeles, 2008

    0892368772 / 9780892368778

    • Hardcover

    Anbieter: Arty Bees Books, Wellington, NeuseelandArty Bees Books

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Befriedigend

    EUR 129,54

    EUR 26,69 Versand 
    Versand von Neuseeland nach USA

    Anzahl: 1 verfügbar

    Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Maroon boards with black titles on spine. There is some wear to the boards, particularly to spine ends. Binding is tight. No inscriptions or markings. Dust jacket has some creasing and edge-wear. This is a heavy book so please check postage with bookseller. The material history of wax is a history of disappearance?wax melts, liquefies, evaporates, and undergoes innumerable mutations. Wax is tactile, ambiguous, and mesmerizing, confounding viewers and scholars alike. It can approximate flesh with astonishing realism and has been used to create uncanny human simulacra since ancient times?from phallic amulets offered to heal distressing conditions and life-size votive images crammed inside candlelit churches by the faithful, to exquisitely detailed anatomical specimens used for training doctors and Medardo Rosso?s ?melting? portraits. The critical history of wax, however, is fraught with gaps and controversies. After Giorgio Vasari, the subject of wax sculpture was abandoned by art historians; in the twentieth century it once again sparked intellectual interest, only soon to vanish. The authors of the eight essays in Ephemeral Bodies?including the first English translation of Julius von Schlosser?s seminal ?History of Portraiture in Wax? (1910?11)?break new ground as they explore wax reproductions of the body or body parts and assess their conceptual ambiguity, material impermanence, and implications for the history of Western art.…