Pande anupa (16 Ergebnisse)

Hardcover. Zustand: Fine.

Zustand: New. pp. 202.

Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1800grams, ISBN:9788124602621.…

Zustand: New. pp. xxiii + 412 13 Figures, Illus. (Mostly Col.), 9 Maps.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Zustand: New. pp. xiv + 250 Illus., Maps (Some Col.).

Hardcover. Zustand: New. 1st Edition. Contents: 1. Architecture and Sculpture of the Udayesvara Temple. 2. The Metaphysics of Saivism and SaivaSiddhanta. 3. The Tattvaprakasaof BhojaParamara. Appendices. Bibliography. Index. A temple is an embodiment of the universe, it is all encompassing. There is much beyond what can be seen through the eye and this book has succeeded in providing a holistic understanding of the multi-layered fabric of the Udayesvara temple of UdayadityaParamara. It is indeed intriguing that the Paramaras were involved not only in building temples but also in formulating the canons for their architecture. As a result, we come across a unique style of temple architecture which was not seen before the ascendancy of the Paramaras. In this context, one often encounters representations which are enigmatic both in terms of iconography and the underlying philosophy. This book contains an intensive as well as extensive study of the Udayesvara temple based on primary textual sources including prominent Silpasastras and Saivagamas. It attempts to integrate art and architecture with religion and philosophy. A relevant context has been provided for the architectonic and sculptural analysis of the temple through an exemplary discourse in religion and metaphysics. (jacket).…

Hardcover. Zustand: New. Contents: Introduction. Catalogue: 1. Brahma. 2. Anantasayana Visnu. 3. Anantasayana Visnu. 4. Visnu Adi-Sesa. 5. Seated Visnu. 6. Krsna Govardhanadhari. 7. Garuda. 8. Garuda. 9. Tympanum Fragments Featuring Garuda. 10. Sixteen-armed Dancing Siva. 11. Four-armed Dancing Siva. 12. Four-armed Dancing Siva. 13. Ten-armed Dancing Siva. 14. Siva Natesvara Holding a Vina. 15. Siva Natesvara Holding a Vina. 16. Siva Yogisvara. 17. Standing Siva. 18. Siva. 19. The Tra Kieu Pedestal. 20. Jatalinga. 21. Dancers. 22. Saiva Pedestal. 23. Ravananugarahamurti. 24. Standing Ganesa. 25. Seated Ganesa. 26. Standing Skanda. 27. Skanda. 28. Skanda. 29. Skanda. 30. Bejewelled Nandi. 31. Ten-armed Durga Mahisasurmardini. 32. Eight-armed Durga Mahisasuramardini. 33. Six-armed Durga Mahisasuramardini. 34. Sri. 35. Sri. 36. Sri. 37. Gajalaksmi. 38. Sarasvati. 39. Dancing Sarasvati. 40. Sarasvati. 41. Indrani Dancing. Dikpalas: 42. Agni on a Rhinoceros. 43. Rhinoceros, The Vehicle of Agni. 44. Varuna on a Swan. 45. Vayu on a Galloping Horse. 46. Vayu on a Galloping Horse. 47. Yama Riding on a Bull. 48. The Pedestal of the Main Shrine at Dong Duong: Life Scenes of Buddha. 49. The Pedestal of the Dong Duong Vihara. 50. Sibi Jataka. 51. Sibi Jataka. 52. Bronze Tara. 53. Vasudhara. Glossary. Bibliography. Index. This catalogue is the result of a collaborative project between Da Nang Museum of Cham Sculptures, Viet Nam and National Museum Institute of History of Art, Conservation and Museology, New Delhi. Fifty-three sculptures from the collection of the Da Nang Museum have been studied in detail along with Indian sculptures to trace the historic relations between India and Viet Nam in the domain of art for a better understanding of the shared traditions of the two countries. The synergies between Indian and Cham art is evident particularly in its early phase of development when Cham art shows interface with artistic traditions across the Indian subcontinent. This catalogue also highlights the deep understanding of the silpasastras that the Cham sculptors possessed as these sculptures often follow iconographic injunctions given in ancient texts. The Cham sculptors also brought forward the indigenous interpretation of Indian canons and developed their own unique iconography. Influence and inspirations that voyaged between India and Viet Nam travelled through other Southeast Asian countries like Cambodia, Indonesia etc., binding together the entire region of South and Southeast Asia in a close-knit fabric.…

Hardcover. Zustand: New. This book is a combination of both the theory of classical Indian music and its representation in visual arts in the form of ragachitras or raga paintings. It includes a textual, aesthetic and iconographic analysis of two significant sets of ragachitra folios from the Gem Palace Collection of the National Museum (New Delhi) and Bharat Kala Bhavan (Varanasi) through a comprehensive survey of primary sources in the form of musicological and iconographical treatises. In order to establish text-image coordination, verses of the ragachitras taken up in this book have been translated by the author from Sanskrit to English for the first time. The author s proficiency in Sanskrit, classical Indian music and Art History has been instrumental in making this book a scholarly publication. Contents: Foreword Acknowledgements Abbreviations List of Plates 1. History of Indian Music 2. Rasa as the Foundation of Indian Aesthetics 3. An Introduction to the Ragachitras of the Gem Palace and Bharat Kala Bhavan Collections 4. Deities Bhairava Bhairavi Khambhavati Saranga 5. Ascetics Devagandhara Malhara Kedara Adana Bangala 6. Seasons Hindola Vasanta Megha Meghamalhara 7. Lady in the Grove Kakubha Gaudi Todi Gurjari Asavari 8. Srngara Rasa Andhali Madhumadhavi Varati Ramagiri Kafi Kalyana Velavali Malavagauda Panchama Sri Dipaka Lalita Vibhasa Sorathi Malavasri Gunakari Dhanasri Patamanjari 9. Miscellaneous Desakha Sindhura and Nata Kamoda Karnata Maru Malavakaisika Natanarayana Appendix: Architectural Edifices as Depicted in Mewar Miniature Painting Bibliography Index.…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. Water damage affects one corner. xiv, 250 pages, [100] pages of plates : illustrations (chiefly colour), maps (some colour) ; 31 cm. Includes verses in Sanskrit.

Zustand: New. pp. xviii + 310 Illus. (Mostly Col.), Map (Col.).

Hardcover. Zustand: New. Contents: Foreword. Introduction. Style and Representation. 1. Narrative art and Figural types: early Rajput painting/S.P. Verma. 2. Pictorial language of the Jaina style paintings from Gujarat and the problem of the Chaurapanchasika style/Ratan Parimoo. 3. Miniature style in larger formats of paper and wall: a case study of the Ramayana paintings of the Marwar school/Neelima Vashishtha. 4. Landscape in Rajasthani painting/Rosemary Crill. 5. Udham Bai: A glimpse into the splendid life of a later Mughal Queen/Savita Kumari. Rajasthani Miniature Paintings and the Museum Collection. 6. Vasanta Ragachitra of the Gem Palace Collection in the National Museum, New Delhi/Anupa Pande. 7. Rasikpriya-Narrative Poetry in the Indian Miniatures/Daljeet. 8. Jaipur Royal Portraits in the National Museum, New Delhi/Vijay K. Mathur. 9. Rajasthani Miniatures from the Collection of the National Museum in Warsaw/Dorota Kaminska Jones. 10 Krishna Narratives in the Rajasthani Paintings from the Collection of Allahabad Museum, Allahabad and Srikrishna Museum, Kurukshetra/Rajesh Purohit. 11. Rajsthani painting in the Bharat Kala Bhavan Museum, Banaras Hindu University/D.P. Sharma and R. Ganeshan. 12. Rajasthani painting on select wooden artifacts from the collection of the National Museum, New Delhi/Anamika Pathak. Rajasthani Mural Painting Tradition. 13. Devaki's wedding from the Mahabharata - Indications from the 17th century murals of the Kota Palace/Rapuli Yadav. 14. the murals of Shekhawati and Churu: relation with Rajasthani miniature painting tradition/Sunil Kumar. Patas and Manuscripts: 15. Rajasthani pilgrimage patas: a study of the art and practices of the Jaina Tirtha patas/Gauri Parimoo Krishnan. 16. Illustrated manuscript painting in the 18th century Nagpur: a facet of Maratha tradition/Cathleen Cummings. 17. Pilgrimage of Roop Rawal - An Unseen Tirtha Manuscript from the city palace museum, Udaipur/Sonika Soni.…

Hardcover. Zustand: As New. Content Foreword Preface Acknowledgement 1 Historical Background 2 Architectural Heritage of Bangalore and its Neighbourhood 3 Architectural Heritage of Srirangapatna 4 Murals of the Darya Daulat Palace in Srirangapatna 5 Scientific Investigation into the Materials and Techniques of the Wall Paintings at the Darya Daulat Palace Srirangapatna and the Palace at Bangalore Appendix Coins and Currency System of Haider Ali and Tipu Sultan Credits Bibliography IndexThis book is a pioneering work on an area which has received scant attention in the past Studies on the period of Haider Ali and Tipu Sultan - the Mysore Sultans inevitably focus on the dominant narrative of political history of the time and its attendant romantic anecdotes Consequently the study of art and architecture of the period has so far remained in the shadows This book is a detailed aesthetic study of the art and architecture of the palaces forts mosques mausoleum at Srirangapatna Bangalore and the neighbourhood Further this book closely examines the exquisite murals in the summer palace at Srirangaptna It also incorporates the scientific investigation of the pigment composition of the paintings Finally the appendix has a survey of the coins of the Mysore Sultans from the National Museum collection This book is based on extensive fieldwork and photo-documentation and an indepth study of contemporary Indian Persian and English literary sources paintings illustrated imperial manuscripts and inscriptions It is replete with over three hundred spectacular photographs contemporary maps topographic surveys and line drawings highlighting all nuances of the subject The attempt is to examine the art and architecture of the Mysore Sultans from every possible point of view and the book will surely be of immense value to scholars students and art-lovers 310 pp.…

orig. cloth. 22x14cm, viii, 340 pp., Spine edges heavily rubbed. Contents: The Natyasastra & its Date; Ancient IndianTheatre as Reflected in the Natyasastra; Theory & Practice of Drama; Geographical Horizons & Material Culture; Aspects of Soclal Life: Structure, Institutions & Values;Dance & the Language of Gestures; Development of the Musical System: Gandharva & Gana; Musical System: Elements & Structure; Theatrical Music: Dhruva-gana; Rhythm & Time (Tala); Musical Instruments; Concept of Rasa & the Foundations of Indian Aesthetics in Bharata. Rubbed. Binding corners bumped. Good.…

Hardcover. Zustand: As New. Contents Foreword. Acknowledgements. Introduction. 1. Central Asia as the path of Sutras/Lokesh Chandra. 2. Upayakausalya in the Saddharmapundarikasutram Reflections in the paintings of Dunhuang/Anupa Pande. 3. Meaning of the Non religious figures in Vimalakirti Bianxiang in Dunhuang/Haewon Kim. 4. Dharani the protective spell and Dharani Pillar/K. Sankarnarayan. 5. Scribes and painters on the road inquiry into image and text in Indian Buddhism and its transmission to Central Asia and Tibet/Cristina Scherrer Schaub. 6. Heritage of Kusana art in Greater Gandhara/D.P. Sharma. 7. Portrait sculptures Kusana and others (Central Asian and Indian pedigree)/R.N. Misra. 8. The fate of a bowl (or bowls) representations of the Buddha's bowl and early Indian Buddhism/Juhyung Rhi. 9. Traces of Buddhist art along the route where the Karakoram Hindukush and Himalayan ranges meet/Haruko Tsuchiya. 10. Offering the flesh of the body Jataka stories in Central Asian and Himalayan art/Ratan Parimoo. 11. Depiction of Dipankara Jataka in North West India Afghanistan and Central Asia/Sampa Biswas. 12. New research on the Buddhist monastery of Fondukistan Afghanistan/Susanne Novotny. 13. Monks monasteries and monastic life as gleaned from the Central Asian Buddhist Literature and Art/Gauri Parimoo Krishnan. 14. The role of meditation among the Monastic communities of Kucha/Angela F. Howard. 15. Buddhism in Kizil texts and painted imagery/Rajeshwari Ghose. 16. Maitreya in Kizil iconography and dating/Marianne Yaldiz. 17. Ritual instruction and experiment esoteric drawings from Dunhuang/Christian Luczanits. 18. IDP A tool for cross cultural and cross disciplinary studies on Central Asia/Alastair Morrison. 19. Breaking barriers creating a new historical narrative/Susan Whitfield. 20. Dandan Uiliq panels for the divine protection of Khotan/Lokesh Chandra. 21. Sogdian or Indian iconography and religious influences in Dandan Uiliq the murals of Buddhist temple D13/Christoph Baumer. 22. Buddhism and Iranian religious among Sogdians religious interactions in Sogdian Funeral Art a Buddhist perspective/Mariko Namba Walter. 23. Remarks on the Sogdian religious iconography in 7 century Samarkand/Matteo Compareti. 24. Buddhism an emblem of Indo Central Asian relations/Mansura Haidar. 25. The Chalipa and Svastika motifs on Iranian and Central Asian art objects and architecture during the Islamic period/Samad Samanian. 26. Hittites Tiaras and Dervishes in Anatolian iconography/Mustafa Soykut. 27. Textiles of the silk road enigmas and riddles/Arputha Rani Sengupta. 28. Maha Vinayaka The iconography of Central Asian Ganesa/M.K. Dhavalikar. List of contributors. Index. The volume is the outcome of an effort to bring into print the proceedings of an International Seminar on The Art of Central Asia and the Indian Subcontinent In Cross Cultural Perspective (1 Century CE 14 Century CE) organised by the Department of History of Art National Museum Institute in March 2007. The work contains scholarly and thought provoking papers by distinguished art historians historians and other leading intellectuals of the world. These scholars come from reputed universities and institutions of Asia Europe and America. What makes the volume distinctive is not only the variety of themes that it embraces but the intimate glimpses which it provides into some of the lesser known but otherwise important aspects of Central Asian Art. The essays twenty eight in number encompass diverse aspects of the Art of Central Asia and thus cover a large geographical expanse. While some of them offer a scholarly discussion of the sources of Buddhist art in Central Asia and the scribes and artists who flourished in the region some others provide an in depth analysis of the Buddhist art as it thrived in such important regions as Gandhara Kucha Kizil and Dunhuang. Again there are papers which provide an interesting insight into the cross cultural facets of Central Asia connections between Buddhism and West Asi.…