Pamela karantonis (19 Ergebnisse)

Zustand: New.

Zustand: New. pp. 392.

Zustand: New. In English.

Paperback. Zustand: Brand New. 214 pages. 9.21x6.14x0.75 inches. In Stock.

Zustand: New.

Zustand: New. In English.

Zustand: New. Editor(s): Karantonis, Dr. Pamela; Robinson, Dr. Dylan. Series: Ashgate Interdisciplinary Studies in Opera. Num Pages: 392 pages. BIC Classification: 1K; 1MBF; AVGC9; JFSL9. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 234 x 156. . . 2016. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 357 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Zustand: New. InhaltsverzeichnisAcknowledgments List of illustrations Dominic Symonds and Pamela Karantonis: Empty houses, booming voices Bianca Michaels: Is this still opera? Media operas as productive provocations Nicholas Till: A new glimmer of lig.

Taschenbuch. Zustand: Neu. Neuware - The Legacy of Opera: Reading Music Theatre as Experience and Performance is the first volume in a series of books compiled by the Music Theatre Working Group of the International Federation for Theatre Research. The series explores the widening of the meaning of the term 'music theatre' to reflect new ways of thinking about this creative practice beyond the genres circumscribed by discourses of theatre studies and musicology. Specifically it interrogates the experience of music theatre and its performance energies for contemporary audiences who engage with the emergence of new expressive idioms, new performative paradigms, new technologies and new ways of thinking. The Legacy of Opera considers some of the ways in which opera's influence has informed our understanding of and approach to the musical stage, from the multiple perspectives of the ideological, historical, corporeal and artistic. With contributions from international scholars in music theatre, its chapters explore both canonic and experimental examples of music theatre, spanning a period from the seventeenth century to the present day.…

Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. Pamela Karantonis is Senior Lecturer in Voice at Bath Spa University, UK. She is a Convenor of the Music Theatre Working Group of The International Federation for Theatre Research. She is joint editor and contributing author for Cathy Berberian: Pion.

Zustand: New. Cathy Berberian (1925-1983) was a vocal performance artist, singer and composer who pioneered a way of composing with (and listening to) the voice in the musical worlds of Europe, North America and beyond. As a modernist muse for many avant-garde composers, she went on to embody the principles of postmodern thinking in her work. Editor(s): Sivuoja-Kauppala, Anne. Num Pages: 276 pages, Includes 8 b&w illustrations and 1 music example. BIC Classification: AVGC6; AVH. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 163 x 237 x 24. Weight in Grams: 672. . 2014. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. The representation of non-Western cultures in opera has long been a focus of critical inquiry. This title addresses the historical depictions of indigenous cultures in opera and the contemporary hybridizations of the form by indigenous and First Nations artists. Editor(s): Robinson, Dr. Dylan; Karantonis, Dr. Pamela. Series Editor(s): Marvin, Professor Roberta Montemorra. Series: Ashgate Interdisciplinary Studies in Opera. Num Pages: 300 pages, Includes 10 b&w illustrations and 34 music examples. BIC Classification: AVA; AVGC9; JFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 148 x 31. Weight in Grams: 856. . 2011. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. new edition edition. 276 pages. 9.25x6.46x0.98 inches. In Stock.

Hardcover. Zustand: Brand New. 386 pages. 9.53x6.46x1.22 inches. In Stock.

Buch. Zustand: Neu. Neuware - The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices.This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.…