padin clemente (36 Ergebnisse)

Softcover/Paperback. Zustand: Very Good. Clemente Padin. 20 años Poema Proceso Brasileño. Montevideo, Uruguay: Asociación Uruguaya de Artistas Correo, 1989. Single sheet, folded. 4 pages.Spanish. Near fine but for slight edgewear and a light crease. Uncommon invitation to an exhibition 20 años Poema Proceso Brasileño organized by the Asociación Uruguaya de Artistas Correo. Examples of work by Wlademir Dias Pino, Dailor Varela and Alvaro de Sá. Text by Clemente Padin. Poema/Processo was an attempt in Brazil in the late 1960s to go beyond Concrete Poetry by emphasizing the process as opposed to the final objective.Wlademir Dias Pino was a leader in this movement and Dailor Varela as well as Alvaro de Sá were both important contributors. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

Zustand: Very Good. Visual Poetry International 1975, Gallery de Doelen, Rotterdam, 1975. 210 x 150mm. Printed on both sides in black and red on white stock. Exhibition information on verso, list of artists on recto, including Bart Boumans (highlighted in red), Jiri Valoch, Herman de Vries, Gabor Toth, Clemente Padin, Dick Higgins, John Furnival, Lourdes Casto among others. Condition: Very Good, ding to bottom corners.

Rústica. Zustand: Bien. Buenos Aires. Editorial Vox. 2014. Poesía visual.

20 x 13 cm., 2021, Microutopías, rústica, 410 págs. NUEVO. Estos ensayos fueron escritos entre los años 1965 y 2020, abarcando casi todos los tópicos por los que ha surfeado mi obra, la poesía experimental, las artes de la acción, el arte correo, el video arte, el graffiti, las intervenciones urbanas, las instalaciones. asimismo he discurseado a gusto sobre el activismo y el arte político, y le rendí homenaje a mis amigos más cercanos consciente de la deuda que tengo con ellos y con sus investigaciones. Poesía. Ediciones indómitas ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS.

Softcover/Paperback. Zustand: Very Good. Clemente Padin (Curator). Arte Correo (Mail Art aus Lateinamerika) Berlin, Germany: Daadgalerie, 1984. Staple-bound softcover. 32 pages.German with some Spanish. Very good. Light edgewear. Minor soiling to back cover. Scarce catalog for an exhibition curated by Clemente Padin that took place in Berlin, Germany at the Daadgalerie. Essay by René Block, interview with Padin, list of mail arts by country, and illustrations of mail art by Graciela Gutierrez Marx, Clemente Padin, Paulo Bruscky, Guillermo Deisler, Leonhard Frank Duch, Jorge Glusberg, Magali Lara, Manuel Marin, Taller Diseno de Puebla, Tulio Restrepo, Edgardo Antonio Vigo and more. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

No binding. Zustand: Very Good. Clemente Padín. Videoarte Performances of Clemente Padin poster and three Uruguaya de Artistas Correo flyers/brochure with original envelope mailed by Padin to John Held Jr. Montevideo, Uruguay: Núcleo Uruguaya de Video Arte/Asociacion Uruguaya de Artistas Correo, 1985/1988. 4 sheets, three folded.Spanish and English. Very good. Slight edge wear.1988 Asociacion Uruguaya de Artistas Correo / Uruguayan Mail Artists Association closing statement has 1/2" split on both sides of its' horizontal crease.Original mailing envelope has stamped return address and typewritten address as well as postal stamps. Envelope bottom slit open. 1. A flyer distributed by Asociacion Uruguaya de Artistas Correo / Uruguayan Mail Artists Association notifying the public of and requesting their assistance in a letter writing campaign demanding the return of Eduard Diaz who was arrested, presumably for political activities, by Pinochet's fascist government in Chile, 1985. 2. Asociacion Uruguaya de Artistas Correo / Uruguayan Mail Artists Association flyer invitation to send work to the international mail art project "Nicaragua: Patria O Muerte" in 1985. 3. A 1988 sheet folded into fourths with a closing statement from Asociacion Uruguaya de Artistas Correo / Uruguayan Mail Artists Association and a list of their exhibitions over their existence from 1983-1988. Uruguay's military dictatorship ended in 1985, after which their activities became legitimate and not possibility open to sanctions, imprisonment, etc. 4. ideoarte Performances of Clemente Padin poster organized by Núcleo Uruguaya de Video Arte and held at Goethe-Institut Montevideo, 1988. Screened: "Por El Arte Y Por La Paz", "Por La Vida Y Por La Paz", and "Juan Y Maria". A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

Softcover/Paperback. Zustand: Very Good. Clemente Padin (Essay & Curator). III Bienal de Poesia Visual, Experimental y Alternativa Sección Cono Sur Latinoamericano: Argentina, Chile y Uruguay. Montevideo, Uruguay: Goethe Institut Montevideo, 1990. Staple-bound softcover. 24 pages.Spanish. Very good. Light soiling and edgewear to covers. Scarce catalog for the Latin American Southern Cone section of the Third Biennial of Visual, Experimental & Alternative Poetry which was on view from June 4-8th 1990 and was published by Goethe Institut Montevideo, sponsored by IMM: Departamento de Cultura and organized by Núcleo Post Arte de México. This section of the Biennial was curated by Clemente Padín, who also wrote the accompanying essay and coordinated by Jorge Echenique. Illustrations of 21 works by artists including: Clemente Padín, Edgardo Antonio Vigo, Jorge Caraballo, Horacio Zabala, Mirtha Dermisache, Guillermo Deisler, Amanda Berenguer, etc. The entire show was recorded and sent, along with all the exhibited works, to the III Biennial that was held in July at the Universidad Autónoma de México. The Núcleo Uruguayo de Video Arte collaborated. The following artists, organized by country, took part in the Biennial: ARGENTINA: Luis Cadelli, Mario Gemin, Alfredo Mauderli, Jorge Orta, Carlos Pamparana, Claudia del Río, Hilda Paz, Mariana Paula Perata, Edgardo Antonio Vigo; Grupo Escombros, composed of Horacio D'Alessandro, Luis Pazos, Héctor Puppo, and Juan Carlos Romero, and the Grupo de La Plata, composed of Martin Eckmeyer, Graciela Gutiérrez Marx, Silvia Lalli, and Susana Lombardo. CHILE: Guillermo Deisler, Eduardo Díaz Espinoza, Manuel Escobar, and César Olhagaray. URUGUAY: Amanda Berenguer, Magdalena Blanco, Jorge Caraballo, Silvia Cardoso, Jorge de Agosto, Jorge Echenique (h), Carlos Fariello and Buriano, Celma García, Dardo Villaverde, María Gutermann, Christian Kupchik, Clemente Padín, Eduardo Roland, Jhonny Rodríguez, Gerardo Lucero, Alcira Sout, Rubén Tani. In the context of videos, the Grupo Fabla, composed of Víctor Cunha, Jorge Luis Hernández, Luis Pereira, Atilio Pérez Da Cunha, Edgard Sención, and Elder Silva, and with a video of their own, the poet Carlos Pellegrino. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

Softcover/Paperback. Zustand: Very Good. Clemente Padín (Editor). Participacion 8: Boletin de la Asociacion Uruguaya de Artistas Correo. Montevideo, Uruguay: Asociacion Uruguaya de Artistas Correo, 1985. Staple-bound softcover. 4 pages including covers.Spanish. Very good. Two folds and tape residue from mailing. Addressed by hand to mail artist Private World. Postage stamps. Minor edgewear. Scarce newsletter published by Asociacion Uruguaya de Artistas Correo in April 1985. The Uruguayan Association of Mail Artists was a collective of mail artists in the 1980s. The first issue stated that it was edited by Clemente Padín, however this one does not, but his address is given as the newsletter's mailing address. Articles include"América latina: una nueva etapa en el desarrollo del Arte Correo" by N. N. Argañaraz."Intercambio cultural Nicaragua Uruguay"."Arte-Correo. Nuevos procesos de significación artística" by César Espinosa."Noticias de la AUAC"."Por los derechos del trabajador"."Invitaciones" with interesting calls for international exhibitions, mail art solicitations, etc from Guillermo Deisler, Graciela Gutiérrez Marx, Ruud Janssen, Clemente Padín and Jorge Caraballo, etc. An illustration by Henning Mittendorf and an advertisement for "O Dos:Revisit de Arte Correo". A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. OCLC: University of Texas. (MOMA has scattered issues, but not this number).

Softcover/Paperback. Zustand: Very Good. Clemente Padin. Juan y Maria: Acontecimiento Artistico-Social Montevideo, Uruguay: Clemente Padin, 1988. Staple-bound softcover. 16 pages including covers.Spanish and some English. Very good. Light creasing top right.Original mailing envelope with mail artist John Held Jr.'s handwritten address has creasing, piece of flap torn off, stamped return address, and postage stamps and markings. Scarce book self-published by Padin documenting a 1988 performance action, dedicated to Alain Arias-Misson, intended to be a commentary against the economic situation in Uruguay and consequent mass emigration of youth. Texts by Clemente Padin. Photographs by Fernando González & Celma García. " JOHN & MARYThe Montevidean streets felt touched yesterday afternoon by an artistic action which gathered twenty youths directed by Clemente Padín. Carrying large letters with the words 'John' and 'Mary', the youths went around the montevidean town, standing next to buildings and signs in front of Artigas's mausoleum, under the 'dor of the city' and among people who were passing by at that time. Following the walk of 'John' and 'Mary' a loudspeaker played rock and rolls and differents words connected with the youths.It was touching to listen to 'bye, good-bye, bye, good-bye' related to the one hundred and fifty Uruguayans who daily emigrate finding among them a pamphlet to the audience just with the question 'Why?' and a number of revindications related to the youth's problematic. The artistic action framed in the previous activities to the 'What to do for love to art', ended up at 'Libertad Square', where 'John' and 'Mary', were close to the relatives who Friday by Friday claim for the appearing of their relatives.As it is indicated in the pamphlet given to the people 'this social-artistic action tries to be a help to the solution of the youths' problem'.LA HORA16 de setiembre de 1988 Montevideo-Uruguay" A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

Softcover/Paperback. Zustand: Very Good. Clemente Padin and Jorge Caraballo. Caraballo - Padin: Solidaridad Uruguay. Montevideo, Uruguay: Jorge Caraballo & Clemente Padin, 1991. Staple-bound softcover. 40 pages.Spanish language with some English. Very good. Crease front top right. Minor toning and edgewear. A spot or two of soiling. Padin's stamp to back left. Scarce book self-published by Padin and Caraballo documenting their imprisonment by Uruguay's military dictatorship in the late 1970's largely through essays, letters, posters and mail art calling for their release by an international roster of artists such as Ulises Carrion, Robin Crozier, Guillermo Deisler, Bill Gaglione, Paulo Bruscky, Dámaso Ogaz, Graciela Gutierrez Marx & Edgardo Antonio Vigo, etc.Prologue by Leon Lev who met the authors while they were imprisoned.A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. Jorge Caraballo is an Uruguayan artist who made visual poetry and was active in main art. He was imprisoned by Uruguay's military dictatorship in the late 1970s.

Softcover/Paperback. Zustand: Very Good. Antonio Ladra & Clemente Padín. Por La Vida y Por La Paz, Accion Por Chile pamphlet with laid in essay by Padin & two-page photocopy of La Revista de AEBU featuring article mentioning Ladra & Padin with Original Mailing Envelope. Montevideo, Uruguay: Antonio Ladra / Clemente Padin, 1987. Staple-bound softcover & unbound sheets.16 pages, 1 folded sheet with laid in double-sided sheet, two folded sheets.Spanish and English. . Very good.Slight edgewear. Original mailing envelope has minor creasing. Ladra's address stamp to back with handwritten John Held Jr address and postal stamps on front. Ladra has highlighted his name on cover of "Por La Vida y Por La Paz" as well as his assistance credit inside and on photocopy article. 1. Por la Vida y Por la Paz / For Life & For Peace was a 1987 action by Clemente Padín denouncing the disappearance of political prisoners documented in this 16 artists' book with text and 11 photo-illustrations by Jorge Caraballo. 2. Accion Por Chile was a protest artwork by Antonio Ladra conducted in the street in Montevideo, Uruguay September 11th, 1987 documented in this 4 page book with two photographs, text, and a laid-in essay by Clemente Padin. Conducted with support from Uruguaya de Artistas Correo / Uruguayan Mail Artists Association. 3. Two-page photocopy. The first page is the front cover of an issue of La Revista de AEBU and the second page is an article titled Exposición Internacional de Arte Correo. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. OCLC - Por La Vida y Por La Paz: MOMA, The Getty, and The Tate. Other pieces are not present in OCLC.

Softcover/Paperback. Zustand: Very Good. Clemente Padin (Essay & Curator). Padin, Clemente - Action Works: Performances 1970-1991 3rd Edition. Montevideo, Uruguay: Clemente Padín, 1991. Staple-bound softcover. 32 pages.English. Very good. Minor foxing and edgewear. Scarce collection of performances by Clemente Padín from 1970-1991 featuring accompanying text and illustrations for each work. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

Rústica. Zustand: Bien. Clemente Padin: SEMIOTIC POEM. The Beginning of the end of the word in latin american poetry. Montevideo [1993] Sin paginar. Plaquette. En inglés. Buen estado. Poesia Visual.

Rústica. Zustand: Bien. Montevideo [1990] Plaquette. Buen estado. Poesía Visual.

Rústica. Zustand: Bien. [1992] Plaquette. Buen estado. Poesía Visual.

Rústica. Zustand: Bien. Montevideo [1989] Sin paginar. Plaquette. Poesía Visual. Buen estado.

Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. Buenos Aires. Editorial Vox/Asunto Impreso. 2005. Poesía visual. Muy buen estado.

No binding. Zustand: Very Good. Clemente Padin. Cuba: No Al Bloqueo. Montevideo, Uruguay: Clemente Padín, 1992. Poster.17 11/16 x 13".Spanish and English. Very good. Center horizontal and vertical crease. Pin holes at each corner. Minor creasing. Padin's address rubber-stamped to back bottom right. A printed poster loudly proclaiming "Cuba: No Al Bloqueo" or "Cuba: No To The Blockade" with eight stamps celebrating the 25th anniversary of Cuban revolutionary Che Guevara's capture by U.S. backed Bolivian soldiers at bottom and further embellished with stamps and stickers of an anti United States, anti-war, anti-corporate, etc nature. Perhaps produced to accompany an exhibition atGalería Correo Viejo in Montevideo, Uruguay in 1992. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazines Los Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. OCLC: Not present.

Encuadernación de tapa dura. Zustand: Muy bien. 1ª Edición. Bahía Blanca. Editorial Vox. 1997. 21x21 cm. Inéditos de Jorge Luis Borges y Fernando Pessoa, textos de Clemente Padin, Nicanor Parra, Geraldino Brasil, Eugenio Montejo, serigrafía de Eduardo Medici, libro de poemas "Música mala" de Alejandro Rubio y otros. Buen estado.

No binding. Zustand: Very Good. Clemente Padín (Editor). Participacion 10: Boletin de la Asociacion Uruguaya de Artistas Correo. Montevideo, Uruguay: Asociacion Uruguaya de Artistas Correo, 1986. Stapled sheets.2 leaves, 4 pages.Spanish. Very good. Stapled top left. Single fold. Minor creasing/edgewear. Scarce newsletter published by Asociacion Uruguaya de Artistas Correo in October 1986. The Uruguayan Association of Mail Artists was a collective of mail artists in the 1980s. The first issue stated that it was edited by Clemente Padín, however this one does not.Articles includePostal Action against the International Monetary Fund,A declaration of solidarity from The Uruguayan Association of Mail Artists regarding the political situation in Chile in 1986 condemning murders by Pinochet and calling for the restoration of democracy. It contains an international list of artists supporting the cause.A proposal outlining a worldwide federation of mail artists united against fascism.Political declarations. Illustrations by A. de Arajo, etc. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. OCLC: University of Texas. (MOMA has scattered issues, but not this number).

No binding. Zustand: Very Good. Clemente Padin. For Life & For Peace: 4 paste up collages. Montevideo, Uruguay: Clemente Padín, 1987. Unbound collages. 4 unbound sheets.Spanish & English. Very good. Minor edgewear and creasing at edges. Wrinkling from glue. Light soiling to back of 4th page. The 4th sheet has Padin's stamp with his pre-1988/1989 address and name. Four paste-up collages entitled "For Life & For Peace". These collages do not appear in the book "Por la Vida y Por la Paz: Performance en la Feria. Viernes 28 de agosto de 1987 = For Life & for Peace," (Montevideo: C. Padin, 1987), but all eleven photos and the Spanish text below them + the first page text do appear. The English text, design elements, stamps, stickers, etc are not produced. Each sheet is numbered at bottom and has text, photo-illustrations, stickers and stamps pasted down. The first page text and four of the printed photographs are reproduced in Padin's Action Works: Performances 1970-1991 3rd Edition. Por la Vida y Por la Paz / For Life & For Peace was a 1987 action by Clemente Padín denouncing the disappearance of political prisoners. Assistance: Antonio Ladra.Photographs by Jorge Caraballo. A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazines Los Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship.

No binding. Zustand: Very Good. Clemente Padin. Lucha Negro Lucha.:Homenaje a Patricio Lamumba w unique collaged sheet and original mailing envelope. Montevideo, Uruguay: Clemente Padín, Mid-Late 1980s. Unbound sheets in mailing envelope. 8 photocopied sheets, 1 collage.Spanish. Very good. Sheets have light edgewear and toning. The eight photocopied sheets have handwritten numbers 1-8 on back. The 8th sheet also has Padin's stamp with his pre-1988/1989 address and name with handwritten apt number. The mailing envelope also has Padin's return address stamp, handwritten address of John Held Jr's Modern Realism Gallery in Dallas Texas. Postage stamps as well as creasing and toning to left side. Rare 1980s eight page collection of "Fotogramas" or static image collages, made in homage to Patrice Lamumba the assassinatedFormer Prime Minister of the Democratic Republic of the Congo, and in solidarity with those suffering from racism and fascism the world over. The collage is composed of a pasted-down picture of Padin with a speech bubble which contains a pasted-down image of a man in shadow holding onto the bars of his prison with a thought bubble which contains a pasted-down picture of a bird in flight. Handwritten above Padin's address is "Amnesty-Uruguay-1984". A Uruguayan artist, poet, and publisher, Padin edited the influential literary magazinesLos Huevos del PlataandOVUM 10 which put him in contact with the international avant garde. A participant in mail art, his artistic and political endeavors landed him in jail in the late '70s and surveilled upon release til the mid '80s, deemed a threat by Uruguay's military dictatorship. OCLC: Not present.

Encuadernación de tapa blanda. Zustand: Como Nuevo. 1ª Edición. 78 pp. Incluye los siguientes textos: - Dificultades metodologías en el examen de la poesía Experimental - El operador visual en la poesía experimental - La poesía experimental en América Latina - Poesía y Participación - Estrictamente autorreferenciales Homenaje al cuadrado.

Zustand: Very Good. 210 x 297 mm. 40pp. Ring bound, with blue printed covers. A booklet of visual poetry, photocopy art and written pieces, printed in black and white. Published on the occasion of 'A Day for Bob Cobbing convened by Adrian Clarke and Lawrence Upton on 23rd September 2000'. Features contributions inspired by or dedicated to Cobbing and his work, from the following artists and poets: Jeff Nuttall, Sean Bonney, Adrian Clarke, Paul Dutton, Ulli Freer, Bill Griffiths, Elizabeth James, Steve McCaffery, Clemente Padin, Lawrence Upton, Dave Baptiste Chirot, Wayne Clements, Patricia Farrell, Harry Gilonis, Jeff Hilson, Peter Manson, Maggie O'Sullivan, Robert Sheppard and Mike Weller. Condition: Very Good. Some handling marks to the edges. Otherwise a clean crisp copy.

Softcover. Zustand: Gut bis sehr gut. Zustand des Schutzumschlags: Gut bis sehr gut. 1. Auflage. Nr. 3, Cover with some stains. Rest in good condition.

Zustand: Very Good. Hans Clavin (ed.); Clemente Padin, Edgardo Antonio Vigo, Paul de Vree, Peter Finch, Giulia Niccolai, Jiri Valoch, Miroljub Todorovic, SUBVERS 1: Tijdschrift voor (onder meer) konkrete poezie, The Subvers Press, Ijmuiden, Holland, October 1970. 239 x 162 mm. Perfect bound, orange printed wraps with b&w contributions by Clemente Padin, Edgardo Antonio Vigo, Paul de Vree, Peter Finch, Giulia Niccolai, Jiri Valoch, Miroljub Todorovic. Edited by Hans Clavin. Numbered 493 of 500. Condition: There are no water lines particularly apparent but it would appear this copy has got damp at some point as the cover and pages are wavy. No tears or writing. Very Good.

Zustand: Fine. 211 x 296 mm. Printed black and white between two blue printed card sheets, plastic spiral binding. An '80th birthday homage to Bob Cobbing' which includes contributions by Sean Bonney, Adrian Clarke, Paul Dutton, Ulli Freer, Bill Griffiths, Elizabeth james, Steve McCaffery, Clemente Padin, Lawrence Upton, Dave Baptiste Chirot, Wayne Clememnts, Patricia Farrell, Harry Gilonis, Jeff Hilson, Peter Manson, Maggie O'Sullivan, Robert Sheppard and Mike Weller. Condition: fine.

25 x 17 cm. Sa Soll Edicions, Col. Art i convivència. 2020. Edición número 42 de 100 ejemplares. Caja de cartón que contiene catorce poemas editados sobre papel secante, un cartel, tres postales y una fotografía de Joan Casellas. Además, incluye algunos textos como 'Postfacio' de Martín Palacio Gamboa, 'CUadrado-ADentro-RAzón-DOmina' de Michael Hubert, una presentación del director de la colección Horacio Sapere, una presentación de Hugo Catolino, director del Projekt Papper en MagasinKatrin, Filipstadt, Suecia. Poesía. Ediciones indómitas ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS.

Soft cover. Zustand: Very Good. 1st Edition. Madrid, 1974. Softcover. 89 pages. English, French, Spanish, German, Italian. Very good. Minor edge wear. Scarce Spanish assembling featuring Annalisa Alloatti, Oreste Amato, Eric Andersen, Georges Badin, Neil Baldwin, Centro Documentazione Trento, Ricardo Cristobal, Robin Crozier, Davi Dei Hampson, Irene Dogmatic, Antonio Ferro, Luigi Ferro, Ignacio Gomez de Liano, Haroldo Gonzalez, Klaus Groh, Bernard Heidsieck, José m. Iglesias, Françoise Janicot, Henry James Korn, Richard Kostelanetz, Kaveli Lappalainen, Jacques Lepage, Arrigo Lora Totino, Les Gorands, Raul Marroquin, Lucia Marucci, David Mayor, Friederike Mayrocker, Eugenio Miccini, Cyril Miles, Luciano Ori, Mariano H. Ossorno, Maurizio Osti, Clemente Padin, Alan Riddell, Alain Roussell, Siegfried J. Schmidt, Maurizio Spatola, Petr Stembera, Christian Tobas, Akihiro Tsukatani, Wolf Vostell, Horacio Zabala.

Zustand: Very Good. 96 of 500. Hans Clavin (ed.); Clemente Padin, Edgardo Antonio Vigo, Paul de Vree, Peter Finch, Giulia Niccolai, Jiri Valoch, Miroljub Todorovic, SUBVERS 1: Tijdschrift voor (onder meer) konkrete poezie, The Subvers Press, Ijmuiden, Holland, October 1970. 239 x 162 mm. Perfect bound, orange printed wraps with b&w contributions by Clemente Padin, Edgardo Antonio Vigo, Paul de Vree, Peter Finch, Giulia Niccolai, Jiri Valoch, Miroljub Todorovic. Edited by Hans Clavin. Numbered 96 of 500. Condition: Some toning to the covers, internally very good+/Near Fine. Minor handling marks to covers and some of the pages.