orr james j (16 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2001. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In.

Soft cover. Zustand: Poor. 2nd Edition. 10 3/8" X 8". The Pictorial Gift Is 29 Pp + Color Illustrated Wrappers, Bound With Title And Contents Page And Three Poems From The Boys And Girls' Book, Both Leavitt & Allen, 1865 Editions (Editions Were Previously Issued In 1863). The Pictorial Gift Has 81 Colored Illustrations With Verses, On 29 Pp. (Almost All Colors Quite Different Than The U. Of Florida On-Line Example). The Boys And Girls' Book Has Three Of 9 Poems Only, With Title Page/Cover, Contents Page (Showing This Copy Is Quite Incomplete), "Lucy Gray" With 7 Hand Colored Illustrations (At Least One Illustration By Richardson & Cox) On 4 Pp, "The Broken Pitcher" With One Color Illustration On 1 Page, And "The Obstinate Chicken", I Pp, One Colored Illustration; Thus, Lacking 6 Of 9 Of The Poems. Edge Tears With Some Losses, But All Text And Illustrations Undamaged Except Half Of "N" In "Allen" On Front Cover Is Chipped Away Along With A Large Corner Chip. All Pages Worn, Binding Perished And Now Held Together By Old, Probably 19Th Century Handmade Cloth Stitched Binding. Rare.

viii + 271pp, index, bibliography, notes, appendices, spine trifle faded, a very good paperback copy. "This is the first systematic, historical inquiry into the emergence of "victim consciousness" (higaisha ishiki) as an essential component of Japanese pacifist national identity after World War II. In his meticulously crafted narrative and analysis, the author reveals how postwar Japanese elites and American occupying authorities collaborated to structure the parameters of remembrance of the war, including the notion that the emperor and his people had been betrayed and duped by militarists. He goes on to explain the Japanese reliance on victim consciousness through a discussion of the ban-the-bomb movement of the mid-1950s, which raised the prominence of Hiroshima as an archetype of war victimhood and brought about the selective focus on Japanese war victimhood; the political strategies of three self-defined war victim groups (A-bomb victims, repatriates, and dispossessed landlords) to gain state compensation and hence valorization of their war victim experiences; shifting textbook narratives that reflected contemporary attitudes and structured future generations' understanding of the war; and three classic antiwar novels and films that contributed to the shaping of a "sentimental humanism" that continues to leave a strong imprint on the collective Japanese conscience." (Publisher's description).

Kartoniert / Broschiert. Zustand: New. This work is an inquiry into the emergence of victim consciousness as an essential component of Japanese pacifist national identity after World War II. It reveals how postwar Japanese elites and American occupying authorities collaborated to structure t.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Neuware - Since World War II ''victim consciousness'' (higaisha ishiki) has been an essential component of Japanese pacifist national identity. In his meticulously crafted narrative and analysis, James Orr reveals how postwar Japanese elites and American occupying authorities collaborated to structure the parameters of remembrance of the war, including the notion that the emperor and his people had been betrayed and duped by militarists. Fluently written and flawlessly executed, The Victim as Hero will contribute greatly to the discourses on nationalism and war responsibility in Japan.

Hardcover. Zustand: Good. First Edition. Springfield, Massachusetts: Pond & Campbell, 1905. First edition, 1905. Tan cloth printed in dark brown, title page and section titles printed in black and orange, illustrated from black and white photos throughout, 214 pages. Good to very good condition with some modest wear to corners and spine ends, good hinges (rear hinge internally reglued and secure), text block sound, pages clean, 1907 gift notation in beautiful cursive writing on a preliminary blank, no other names or markings. Well-illustrated history of Springfield, Massachusetts, with discussion of its educational institutions, art and literary groups, military history, religious and charitable associations, social life, commerce, biographies of prominent individuals, ETC. First Edition. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall.

Gebunden. Zustand: New. Offers a systematic inquiry into the emergence of victim consciousness as an essential component of Japanese pacifist national identity after World War II. In his analysis, the author reveals how postwar Japanese elites and American occupying authorities .

Buch. Zustand: Neu. Neuware - This is the first systematic, historical inquiry into the emergence of ''victim consciousness'' (higaisha ishiki) as an essential component of Japanese pacifist national identity after World War II. In his meticulously crafted narrative and analysis, the author reveals how postwar Japanese elites and American occupying authorities collaborated to structure the parameters of remembrance of the war, including the notion that the emperor and his people had been betrayed and duped by militarists. He goes on to explain the Japanese reliance on victim consciousness through a discussion of the ban-the-bomb movement of the mid-1950s, which raised the prominence of Hiroshima as an archetype of war victimhood and brought about the selective focus on Japanese war victimhood; the political strategies of three self-defined war victim groups (A-bomb victims, repatriates, and dispossessed landlords) to gain state compensation and hence valorization of their war victim experiences; shifting textbook narratives that reflected contemporary attitudes and structured future generations' understanding of the war; and three classic antiwar novels and films that contributed to the shaping of a ''sentimental humanism'' that continues to leave a strong imprint on the collective Japanese conscience.