Oppenheim moritz (32 Ergebnisse)

Hardcover. Zustand: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 215 p. : ill. ; 24 cm. ; ISBN: 0931340195; 9780931340192 LCCN: 89-45 ; LC: ML410.M61; Dewey: 782.1/092/4; B ; OCLC: 19125169 ; black cloth in pictorial dustjacket ; "At the time of his death, Meyerbeer was among the most successful of operatic composers.yet his reputation has faded quickly, in part due to the fashionable anti-Semetismof the later 19th century.In recent years, critics have begun to re-evaluate Meyerbeer, recognizing both his musical craftsmanship and the dramatic sense that wa to be of tremendous influence on later composers of opera." ; FINE/FINE. Book.…

Softcover. Zustand: Gut. Erschienen 1922. Orig.-Brosch., 13x17, S 88 mit Abb. Guter Zustand.

Zustand: Good +. Location:403 about 100 pp. filled with reproductions in b/w of his work 403.

Broschur. Zustand: Befriedigend. 6., verm. u. verb. Aufl. X, 298 S. : Mit 58 Abb. im Text ; gr. 8 Kanten berieben / bestossen, schiefgelagert, Einband mit Knicken, geringe papierbedingte Seitenbräunung /// Standort Wimregal ESA-8066 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 487.…

Taschenbuch. Zustand: Neu. Neuware - 'The Oppenheim Pictures: Depicting Jewish Ceremonial Life' is a profound visual exploration of the traditions, rituals, and domestic scenes that define Jewish cultural and religious identity. This collection showcases the mastery of Moritz Daniel Oppenheim, a pivotal figure often recognized as the first Jewish painter to receive modern academic training and achieve international acclaim. Through a series of evocative scenes, the work captures the essence of Jewish life during a period of transition, bridging the gap between traditional observance and the emerging modernity of the 19th century.The images within this volume meticulously detail significant moments in the Jewish calendar and lifecycle, from the solemnity of the Sabbath and the joy of a wedding ceremony to the communal warmth of holiday celebrations. Each scene is rendered with historical sensitivity and artistic grace, offering a window into the private and public spheres of a community dedicated to preserving its heritage. Oppenheim's work serves as both an artistic triumph and a vital historical record, preserving the nuances of dress, architecture, and ritual practice that characterized European Jewry.This collection remains an essential resource for those interested in Jewish history, religious art, and the sociology of the Jewish family. By immortalizing these ceremonial moments, 'The Oppenheim Pictures' continues to resonate as a celebration of faith, resilience, and the enduring beauty of Jewish tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Orig.-Halbleinen mit mont. Titel auf Deckel, 16x24, S 223 mit 49 Textabb. Innen Bleistiftunterstreichungen, sonst gut.

27 S. (1 Bl.). Geheftet (Rückseite minimal wasserfleckig). Innen Papier vereinzelt leicht stockfleckig. Ansonsten sauber, frei von Anstreichungen und Stempeln und in sehr schöner Erhaltung. Sprache: Latein.

Zustand: New. In English.

pamphlet. 2 pages (pp. 894-895) IN: Wiener Klinische Wochenschrift, vol. 19, no. 29. Tall 4to, modern wrappers. Wien, 1906. First Edition. Whole issued offered entire. "Mueller-Oppenheim reaction" -- a complement fixation test for the diagnosis of gonorrhea. GM 5213.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

144 Seiten, Oktav, O-Pp. neuwertig.

127 S., 26 Abb. auf Tafeln, OPappband m. RüSch., gut erhalten, Exlibris.

1. Aufl., Bd. I (v. III). 336 S., mit 128 Abb. im Text u. 9 farb. Tafeln. Erste Ausgabe. -Der Einband nur leicht berieben, die winzig gefassten Ecken minimal bestoßen. Der Rücken oben etwas angedrückt und das Rückenleinen vorne mit kurzem (3 cm) schmalen Einriss im Gelenk. Innen die Vorsätze nachgedunkelt und leicht braunfleckig. Die Textseiten unterschiedlich (wohl papierbedingt) getönt bzw. vereinzelt im Randbereich schwach gebräunt, ansonsten die Seiten und die Tafeln sauber. -Anm.: der dem Titel gegenüberliegenden Gesamttitel erwähnt >In 2 Bänden<. Jedoch scheint es 3 Bände gegeben zu haben. -Achtung: für dieses Buch ist wg. des Gewichts (über 1000 gr.) und/oder des Verpackungsmaßes der Versand als Päckchen (ggf. versichert) erforderlich. Für die notwendige Kostenanpassung werden Sie informiert und um Akzeptanz gebeten. Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Deutsch Gewicht in Gramm: 1100 27,7x20 cm. Marmorierter HLwd. (Bibliotheks-Ebd. dt. Zt. ohne Titelei.…

IV, 179 Seiten. - Grüner Original-Leineneinband mit goldgeprägtem Deckel- und Rückentitel; 8vo.(ca. 22 x 18 cm). ~~~ ''UNVERÄNDERTER FOTOMECHANISCHER NACHDRUCK DER ORIGINALAUSGABE VON 1913'', Band 7 komplett. - NEUWERTIGES EXEMPLAR; weitere neuwertige Einzelbände der Reihe im Bestand. . .

BKW, 44/28. - Berlin, August Hirschwald, 15. Juli 1907, 4°, pp.875-941, feine Broschur. Erstdruck! *) Nach einem in der Gesellschaft für Psychiatrie und Nervenheilkunde am 13. Mai d.J. gehaltenen Vortrage mit Krankendemonstration. Moritz Borchardt (1868-1948) "publizierte zusammen mit Oppenheim in den Jahren 1906-1918 neun Arbeiten über Hirn- und Rückenmarkschirurgie sowie einen Beitrag über die Medianuslähmung. Nach seinem Medizinstudium in Zürich, Berlin, Leipzig und Heidelberg, erhielt er in Berlin seine internistische und chirurgische Ausbildung am Krankenhaus am Urban sowie als Schüler von Bergmann an der chirurgischen Universitätsklinik. 1901 habilitierte er sich und wurde 1905 Extraordinarius sowie Leiter der chirurgischen Abteilung des neu gegründeten Rudolf-Virchow-Krankenhauses. 1917 wurde er zum Geheimen Medizinalrat ernannt und übernahm 1919 die Leitung der chirurgischen Abteilung des Krankenhauses Moabit, die 1920 "III. Chirurgische Klinik der Medizinischen Fakultät" wurde, wurde er von den Nationalsozialisten entlassen, emigrierte 1938 nach Südamerika und starb 1948 in Buenos Aires. Er wirkte prägend für seine Assistenten, konnte jedoch keine eigene Schule entwickeln. Er gehörte zu den vielen jüdischen Ärzten, denen die Berliner Medizin ihren Ruf verdankt. Neben der Bauchchirurgie entwickelte er besonders die Hirnchirurgie durch neue Trepanationstechniken mit Hilfe eines Meißels weiter. Eine Grundlage für alle Trepanationsgeräte bildete die nach ihm benannte und in die Medizingeschichte eingegangene "Borchardt'sche Fräse". " Anja Peck, "Hermann Oppenheim (1858-1919) - Leben und Werk eines jüdischen Arztes" (Diss). (2006), p.72.…

BKW, 43/26. - Berlin, August Hirschwald, 1906, 4°, pp.861-892, Abbildungen, feine Broschur. Erstdruck! Moritz Borchardt (1868-1948) "publizierte zusammen mit Oppenheim in den Jahren 1906-1918 neun Arbeiten über Hirn- und Rückenmarkschirurgie sowie einen Beitrag über die Medianuslähmung. Nach seinem Medizinstudium in Zürich, Berlin, Leipzig und Heidelberg, erhielt er in Berlin seine internistische und chirurgische Ausbildung am Krankenhaus am Urban sowie als Schüler von Bergmann an der chirurgischen Universitätsklinik. 1901 habilitierte er sich und wurde 1905 Extraordinarius sowie Leiter der chirurgischen Abteilung des neu gegründeten Rudolf-Virchow-Krankenhauses. 1917 wurde er zum Geheimen Medizinalrat ernannt und übernahm 1919 die Leitung der chirurgischen Abteilung des Krankenhauses Moabit, die 1920 "III. Chirurgische Klinik der Medizinischen Fakultät" wurde, wurde er von den Nationalsozialisten entlassen, emigrierte 1938 nach Südamerika und starb 1948 in Buenos Aires. Er wirkte prägend für seine Assistenten, konnte jedoch keine eigene Schule entwickeln. Er gehörte zu den vielen jüdischen Ärzten, denen die Berliner Medizin ihren Ruf verdankt. Neben der Bauchchirurgie entwickelte er besonders die Hirnchirurgie durch neue Trepanationstechniken mit Hilfe eines Meißels weiter. Eine Grundlage für alle Trepanationsgeräte bildete die nach ihm benannte und in die Medizingeschichte eingegangene "Borchardt'sche Fräse". " Anja Peck, "Hermann Oppenheim (1858-1919) - Leben und Werk eines jüdischen Arztes" (Diss). (2006), p.72.…

Decorated worn boards. Zustand: Good-. Elephant folio original boards worn,lacks the text by Leopold Stein and just contains the portfoilio 10 of the 20 heliogravures plates, included are Freitag Abend which has a slight tear that touches on the plate; Sabbath Anfang, which has soiling along edges, Sabbath Ausgang .Laubhuttenfest which is soiled on outer edges of plate,Der Gevatter Erwartet Das Kind which is soiled on outer edges of plate,Vorabend des Versohhnungstages also soiled on edges,BarMizwa Vortrag which has tear that reaches about inch into image at top,Die Trauung, slight soiling on edges, Important intimate view of nineteenth century German Jewish life. This is a study copy since lacks 10 of the 20 plates and has issues as described. OCLC Number: 188562 (later edition?). …

Halbleinen. (1): Mit 128 Abb. im Text, 9 farbigen Tafeln ,336 S., Bd 2: Mit 336 Abb. im Text, 9 Tafeln, 567 S. . Bd 3: 3113 Abb. im Text und 2 farbigen Tafeln., 308 S- Guter Zustand. Namensstempel a. Vorsatz. Leseseiten sind sauber und ohne Markierungen. Ausgeschiedenes Bibliotheksexemplar mit den üblichen Kennzeichnungen. Buch weist leichte Lagerspuren bzw. Gebrauchsspuren auf. Sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 4100.…

Decorated worn boards. Zustand: Good. oblong 8vo original boards worn, new spine and hinges repaired, has all twenty plates and text by Leopold Stein, some stains finger marks along some edges of plates not affecting plates Important intimate view of nineteenth century German . OCLC Number: 188562.

Hardcover. Zustand: Good- to very good condition. First edition. Folio. Unpaginated. Rebacked maroon cloth richly decorated in gilt, black, and gray with gilt lettering on cover and spine. Gilt edges. Silk-moire endpapers. Illustrated with 20 prhotographs of Oppenheim's paintings of daily Jewish life. The work went through many different editions and formats with the illustrations reproduced in gravure and offset. Rare Dutch first edition of "Bilder aus dem altjüdischen Leben" (Scenes from Everyday Jewish Life) which was also published in Frankfurt in 1882. Delightfully illustrated with 20 full-page b/w mounted photographic reproductions of Moritz Oppenheim paintings, depicting tender scenes of everyday Jewish life. Introduction and captions by J. Hoofien. Photos in fine condiiton. Rebacked, retaining most of original backstrip (1/2" of head and 1 1/2" of tail of original backstrip missing). Minor scuffing on boards, wear on corners and parts of edges. Some waterstaining at top edge of back board. Silk-moire endpapers expertly reinforced along gutter with maroon binders-tape at front and rear endpapers. Very minor foxing to some pages. Binding in good, interior in overall very good condition. Scarce. Moritz Daniel Oppenheim (1800-1882), was a German artist who is regarded as the first Jewish painter of the modern era. This work, also known as "Bilderzyklus" (Der Zyklus), is perhaps the most well-known example of Jewish genre painting. Up until W.W.I it was the highest selling Jewish-German work. "Moritz Daniel Oppenheim, who lived in Frankfurt, was the first Jewish painter of the modern era. The range of his work is impressive, spanning religious, literary and historical themes as well as allegories and portraits. He became world-famous with his "Scenes from Traditional Jewish Family Life. Oppenheim was the first Jewish painter to receive academic training in Germany." (Jüdische Museum, Frankfurt). "Oppenheim's "Scenes from Traditional Jewish Family Life" may also be interpreted as a statement on German Jews' cultural affiliation. Bourgeois values bordering on cliché, such as piety, sense of family, education and respectability, are brought to the fore through historical genre painting, thus emphasizing alignment with the Christian bourgeoisie's guiding principles. This contrasts later with Orientalism, which focused on the exotic. These paintings enabled the majority population to identify with the foreign traditions and customs of Jews. The series was systematically reproduced in different techniques, thus very consciously intended for a mass audience." (Jüdische Museum, Frankfurt).…

Hardcover. Zustand: Good- to very good condition. First edition. Folio. Unpaginated. Maroon pebbled cloth richly decorated in gilt, black, and gray with gilt lettering on cover and spine, beveled edges. Gilt edges. Decorative tan endpapers. Half-title and title page with decorative red double-frame and publisher's devices. All pages with decorative red double frame and text with decorative endpieces. Rare Dutch edition of "Bilder aus dem altjüdischen Leben" (Scenes from Old Jewish Life), first published in Frankfurt in 1882. Delightfully illustrated with twenty full-page b/w photographic, glossy mounted reproductions of paintings by Moritz Oppenheim, depicting tender scenes of everyday Jewish life. Oppenheim is considered to be the first Jewish painter of the modern era and sympathetic to the ideals of the "Science of Judaism (Wissenschaft des Judentums) Movement." Introduction and captions by J. Hoofien. Text in Dutch. Binding with wear, light along edges, with three inch piece missing at tail of spine, cracked from top to middle of back joint and scuffing at front joint. Small dealer sticker of H. Eisendrath, Amsterdam, on inside front cover. Endpapers with very light wear. Half-title with two and a half inch closed tear at bottom edge near gutter. Title page with name of previous owner inked to upper margin near foredge. Some very light foxing in margins of some plates, not affecting photographs. Scarce. Moritz Daniel Oppenheim (1800-1882), was a German-Jewish painter, considered the first of the modern er. This work, also known as "Bilderzyklus" (Der Zyklus), is perhaps the most well-known example of Jewish genre painting. Up until W.W.I it was the highest selling Jewish-German work.…

A magnificent book illustrated with 20 reproductions of Oppenheim's oil paintings depicting a romanticised view of 18th-century German-Jewish life and customs; with an introduction by Rabbi J. Hoofien. Moritz Daniel Oppenheim (1800-1882) was a German painter who is often regarded as the first Jewish painter of the modern era. He was inspired by his own Jewish cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert to Christianity. He was born to Orthodox Jewish parents at Hanau and entered the Munich Academy of Arts at the age of seventeen. He later studied in Paris under Jean-Baptiste Regnault. In Rome he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life in preparation for several large canvases, which he painted on his return to Germany. He received the title of professor in 1832 from the Grand Duke Karl August of Saxe-Weimar. Rabbi Jacob Hoofien (1846-1886) trained in Amsterdam and became the Rabbi of Utrecht in 1875, having published a handbook on history of the Jews a few years prior. Small folio (39 x 29 cm); text in Dutch, plates laid onto thick card with ornamental red border, edges gilt, publisher's pictorial red boards gilt, floral ornaments, botanical endpapers and half-title slightly foxed, spine edges rubbed.…

Publisher's decorative full red cloth; upper board gilt embossed title surrounded by elaborate theme of emblems. , Size : Oblong 8vo(160mm x 225mm), Twenty fine handcoloured plates depicting holy days, customs and other aspects of traditional Jewish family life based on the work by Moritz Oppenheim on a German Jewish family and its celebration customs, i.e. Shabbat, Bar Mitzvah, wedding, accompanied by an explanatory text by Rabbi Dr. Emil Levy. , P. title, blank, pp 29, printer's note, 20 plates. A fine example of this important Jewish work, text and plates crisp and clean.…

Hardcover. Zustand: g- to vg-. Later edition. Elephant folio. Unpaginated. Rebound in red cloth boards. All edges gilt. The work is a collection of 20 fascinating heliogravure plates featuring paintings of 18th century Ashkenazi Jewish family life by Moritz Oppenheim. The plates are accompanied by text from Leopold Stein. Each plate measures approximately 7.5 x 9" and is printed in high quality heliogravure after the original paintings, on tissue, laid down on heavy card stock. All plates feature captions beneath in German, and have their original tissue guards. Scenes include, Sabbath observance, Bar-mitzvah, a wedding, the synagogue, the Festival of Sukkot, and Purim among many others. Text in German. This is a newer edition of the initial 1882 collection, originally issued as a portfolio. Binding with some light bumping and rubbing to the extremities, and some minor rippling to the boards. Spine lightly sunned. The back cover has some light smudges and bumping. Interior with two pages of the introduction detached. Ex-libris pasted on at the interior front cover. Starting at the title page and the table of contents. Some of the tissue guard have some light rippling and/or some closed tears. The corners of a few of the plates with small creases or light chips. All images unaffected. Book block tight overall. Binding in very good-, interior in good- to very good condition overall.…

May 01, 1999. Zustand: Gebraucht - Gut. Gebrauchsspuren am Einband. Seiten gut erhalten.

4°, OLwd; Schuber. 128 S. Erstausgabe im originalen Schuber, dieser mit minimalen Bereibungsspuren. Sonst in druckfrischem, fast neuwertigen Zustand. BÜ Sprache: Deutsch Gewicht in Gramm: 1010.

0. [Komplettes Heft 29: S. 887-914]. Erstdruck. *** Garrison & Morton 5213: "Müller-Oppenheim reaction - a complement fixation test for the diagnosis of gonorrhoea." Sprache: Deutschu.

Pp. 413 Seiten ; Ill. ; sprache: Deutsch und Englisch gebundene Ausgabe, sehr guter Zustand, Schutzumschlag mit leichten Lagerspuren und am Rücken leicht aufgehellt, Bleistiftnotiz auf Vortitel Sprache: Deutsch Gewicht in Gramm: 2510. Oppenheim, Moritz Daniel (illustrator).

Köln, Wienand, 1999, 4°,413 S., mit zahlreichen Abbildungen, Original-Pappeinband mit Original-Schutzumschlag in schöner Erhaltung (private Besitzeinträge im Innendeckel und im Impressum) *Englischer und deutscher Text / Gebundene Ausgabe *Moritz Daniel Oppenheim (geboren am 8. Januar 1800 in Hanau; gestorben am 25. Februar 1882 in Frankfurt am Main) war ein deutscher Porträt- und Historienmaler, der als erster jüdischer Maler eine weltweite Bekanntheit erreichte. …